Sam York

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Here are 50 ungated pieces of wonderful journalism from 2015, alphabetized by author name, which made me consider something new or reconsider old beliefs or just delighted me. (Some selections are from gated publications that allow a number of free articles per month.) If your excellent work isn’t on the list, that’s more my fault than yours.

  • Who Runs the Streets of New Orleans?” (David Amsden, The New York Times Magazine) As private and public sector missions increasingly overlap, here’s an engaging look at the privatization of some policing in the French Quarter.
  • In the Beginning” (Ross Andersen, Aeon) A bold and epic essay about the elusive search for the origins of the universe.
  • Ask Me Anything (Anonymous, Reddit) A 92-year-old German woman who was born into Nazism (and participated in it) sadly absolves herself of all blame while answering questions about that horrible time.
  • Rethinking Extinction” (Stewart Brand, Aeon) The Whole Earth Catalog founder thinks the chance of climate-change catastrophe overrated, arguing we should utilize biotech to repopulate dwindling species.
  • Anchorman: The Legend of Don Lemon” (Taffy Brodesser-Akner, GQ) A deeply entertaining look into the perplexing facehole of Jeff Zucker’s most gormless word-sayer and, by extension, the larger cable-news zeitgeist.
  • How Social Media Is Ruining Politics(Nicholas Carr, Politico) A lament that our shiny new tools have provided provocative trolls far more credibility than a centralized media ever allowed for.
  • Clans of the Cathode” (Tom Carson, The Baffler) One of our best culture critics looks at the meaning of various American sitcom families through the medium’s history.
  • The Black Family in the Age of Mass Incarceration” (Ta-Nehisi Coates, The Atlantic) The author examines the tragedy of the African-American community being turned into a penal colony, explaining the origins of the catastrophic policy failure.
  • Perfect Genetic Knowledge” (Dawn Field, Aeon) The essayist thinks about a future in which we’ve achieved “perfect knowledge” of whole-planet genetics.
  • A Strangely Funny Russian Genius” (Ian Frazier, The New York Review of Books) Daniil Kharms was a very funny writer, if you appreciate slapstick that ends in a body count.
  • Tomorrow’s Advance Man” (Tad Friend, The New Yorker) Profile of Silicon Valley strongman Marc Andreessen and his milieu, an enchanted land in which adults dream of riding unicorns.
  • Build-a-Brain” (Michael Graziano, Aeon) The neuroscientist’s ambitious thought experiment about machine intelligence is a piece I thought about continuously throughout the year.
  • Ask Me Anything (Stephen Hawking, Reddit) Among other things, the physicist warns that the real threat of superintelligent machines isn’t malice but relentless competence.
  • Engineering Humans for War” (Annie Jacobsen, The Atlantic) War is inhuman, it’s been said, and the Pentagon wants to make it more so by employing bleeding-edge biology and technology to create super soldiers.
  • The Wrong Head” (Mike Jay, London Review of Books) A look at insanity in 1840s France, which demonstrates that mental illness is often expressed in terms of the era in which it’s experienced.
  • Death Is Optional” (Daniel Kahneman and Noah Yuval Harari, Edge) Two of my favorite big thinkers discuss the road ahead, a highly automated tomorrow in which medicine, even mortality, may not be an egalitarian affair.
  • Where the Bodies Are Buried,” (Patrick Radden Keefe, The New Yorker) Ceasefires, even treaties, don’t completely conclude wars, as evidenced by this haunting revisitation of the heartbreaking IRA era.
  • Porntopia” (Molly Lambert, Grantland) The annual Adult Video News Awards in Las Vegas, the Oscars of oral, allows the writer to look into a funhouse-mirror reflection of America.
  • The Robots Are Coming” (John Lanchester, London Review of Books) A remarkably lucid explanation of how quickly AI may remake our lives and labor in the coming decades.
  • Last Girl in Larchmont” (Emily Nussbaum, The New Yorker) The great TV critic provides a postmortem of Joan Rivers and her singular (and sometimes disquieting) brand of feminism.
  • “President Obama & Marilynne Robinson: A Conversation, Part 1 & Part 2” (Barack Obama and Marilynne Robinson, New York Review of Books) Two monumental Americans discuss the state of the novel and the state of the union.
  • Ask Me Anything (Elizabeth Parrish, Reddit) The CEO of BioViva announces she’s patient zero for the company’s experimental age-reversing gene therapies. Strangest thing I read all year.
  • Why Alien Life Will Be Robotic” (Sir Martin Rees, Nautilus) The astronomer argues that ETs in our inhospitable universe have likely already transitioned into conscious machines.
  • Ask Me Anything (Anders Sandberg, Reddit) Heady conversation about existential risks, Transhumanism, economics, space travel and future technologies conducted by the Oxford researcher. 
  • Alien Rights” (Lizzie Wade, Aeon) Manifest Destiny will, sooner or later, became a space odyssey. What ethics should govern exploration of the final frontier?
  • Peeling Back the Layers of a Born Salesman’s Life” (Michael Wilson, The New York Times) The paper’s gifted crime writer pens a posthumous profile of a protean con man, a Zelig on the make who crossed paths with Abbie Hoffman, Otto Preminger and Annie Leibovitz, among others.
  • The Pop Star and the Prophet” (Sam York, BBC Magazine) Philosopher Jacques Attali, who predicted, back in the ’70s, the downfall of the music business, tells the writer he now foresees similar turbulence for manufacturing.

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Think how strange it seems now: Until recently, one or several musicians would disappear for many months into an expensive recording studio and try to conjure something that would fill our ears, and, perhaps, blow our minds. They threw away the vast majority of the results and delivered a few dozen minutes of entertainment. There was a distribution system which not only supported this process but was even marvelously lucrative.

It was all a dream. The decentralization of the media not only usurped the record store but also the records, squeezing the financial value from these commodities, rendering them a mere promotional tool for the few touring acts that can fill arenas. Good luck with that.

During the halcyon music-business decade of the 1970s, one economist and theorist knew the precariousness of the arrangement, how this fraught ecosystem, still spectacularly profitable, was actually endangered. He was Jacques Attali, a Mitterand adviser who 39 years ago coined the term “crisis of proliferation” in his book Noise: The Political Economy of Music, which foretold the coming perfect storm that would soak the industry. 

In “The Pop Star and the Prophet,” a new BBC Magazine article, singer-songwriter Sam York sought out Attali, wanting to know where the philosopher thought the future was heading. The quick answer is that while he maintains some hope for musicians, Attali thinks what happened to the recording biz is merely prelude. An excerpt:

Attali also had another big idea. He said that music – and the music industry – forged a path which the rest of the economy would follow. What’s happening in music can actually predict the future.

When musicians in the 18th Century – like the composer Handel – started selling tickets for concerts, rather than seeking royal patronage, they were breaking new economic ground, Attali wrote. They were signalling the end of feudalism and the beginning of a new order of capitalism.

In every period of history, Attali said, musicians have been at the cutting edge of economic developments. Because music is very important to us but also highly adaptable it’s one of the first places we can see new trends appearing.

He was right about the “crisis of proliferation”… but if music really does predict the future for the rest of the economy, what does he think it is telling us will happen next?

Attali says manufacturing will be hit by an identical crisis to the music industry, and this time it will be caused by 3D printing.

“With 3D printing, people will print their own cups, furniture,” he says. “Everyone will make their own objects, in the same way they are making their own music.”•

 

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