Dorian Lynskey

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Here are 50 ungated pieces of wonderful journalism from 2015, alphabetized by author name, which made me consider something new or reconsider old beliefs or just delighted me. (Some selections are from gated publications that allow a number of free articles per month.) If your excellent work isn’t on the list, that’s more my fault than yours.

  • Who Runs the Streets of New Orleans?” (David Amsden, The New York Times Magazine) As private and public sector missions increasingly overlap, here’s an engaging look at the privatization of some policing in the French Quarter.
  • In the Beginning” (Ross Andersen, Aeon) A bold and epic essay about the elusive search for the origins of the universe.
  • Ask Me Anything (Anonymous, Reddit) A 92-year-old German woman who was born into Nazism (and participated in it) sadly absolves herself of all blame while answering questions about that horrible time.
  • Rethinking Extinction” (Stewart Brand, Aeon) The Whole Earth Catalog founder thinks the chance of climate-change catastrophe overrated, arguing we should utilize biotech to repopulate dwindling species.
  • Anchorman: The Legend of Don Lemon” (Taffy Brodesser-Akner, GQ) A deeply entertaining look into the perplexing facehole of Jeff Zucker’s most gormless word-sayer and, by extension, the larger cable-news zeitgeist.
  • How Social Media Is Ruining Politics(Nicholas Carr, Politico) A lament that our shiny new tools have provided provocative trolls far more credibility than a centralized media ever allowed for.
  • Clans of the Cathode” (Tom Carson, The Baffler) One of our best culture critics looks at the meaning of various American sitcom families through the medium’s history.
  • The Black Family in the Age of Mass Incarceration” (Ta-Nehisi Coates, The Atlantic) The author examines the tragedy of the African-American community being turned into a penal colony, explaining the origins of the catastrophic policy failure.
  • Perfect Genetic Knowledge” (Dawn Field, Aeon) The essayist thinks about a future in which we’ve achieved “perfect knowledge” of whole-planet genetics.
  • A Strangely Funny Russian Genius” (Ian Frazier, The New York Review of Books) Daniil Kharms was a very funny writer, if you appreciate slapstick that ends in a body count.
  • Tomorrow’s Advance Man” (Tad Friend, The New Yorker) Profile of Silicon Valley strongman Marc Andreessen and his milieu, an enchanted land in which adults dream of riding unicorns.
  • Build-a-Brain” (Michael Graziano, Aeon) The neuroscientist’s ambitious thought experiment about machine intelligence is a piece I thought about continuously throughout the year.
  • Ask Me Anything (Stephen Hawking, Reddit) Among other things, the physicist warns that the real threat of superintelligent machines isn’t malice but relentless competence.
  • Engineering Humans for War” (Annie Jacobsen, The Atlantic) War is inhuman, it’s been said, and the Pentagon wants to make it more so by employing bleeding-edge biology and technology to create super soldiers.
  • The Wrong Head” (Mike Jay, London Review of Books) A look at insanity in 1840s France, which demonstrates that mental illness is often expressed in terms of the era in which it’s experienced.
  • Death Is Optional” (Daniel Kahneman and Noah Yuval Harari, Edge) Two of my favorite big thinkers discuss the road ahead, a highly automated tomorrow in which medicine, even mortality, may not be an egalitarian affair.
  • Where the Bodies Are Buried,” (Patrick Radden Keefe, The New Yorker) Ceasefires, even treaties, don’t completely conclude wars, as evidenced by this haunting revisitation of the heartbreaking IRA era.
  • Porntopia” (Molly Lambert, Grantland) The annual Adult Video News Awards in Las Vegas, the Oscars of oral, allows the writer to look into a funhouse-mirror reflection of America.
  • The Robots Are Coming” (John Lanchester, London Review of Books) A remarkably lucid explanation of how quickly AI may remake our lives and labor in the coming decades.
  • Last Girl in Larchmont” (Emily Nussbaum, The New Yorker) The great TV critic provides a postmortem of Joan Rivers and her singular (and sometimes disquieting) brand of feminism.
  • “President Obama & Marilynne Robinson: A Conversation, Part 1 & Part 2” (Barack Obama and Marilynne Robinson, New York Review of Books) Two monumental Americans discuss the state of the novel and the state of the union.
  • Ask Me Anything (Elizabeth Parrish, Reddit) The CEO of BioViva announces she’s patient zero for the company’s experimental age-reversing gene therapies. Strangest thing I read all year.
  • Why Alien Life Will Be Robotic” (Sir Martin Rees, Nautilus) The astronomer argues that ETs in our inhospitable universe have likely already transitioned into conscious machines.
  • Ask Me Anything (Anders Sandberg, Reddit) Heady conversation about existential risks, Transhumanism, economics, space travel and future technologies conducted by the Oxford researcher. 
  • Alien Rights” (Lizzie Wade, Aeon) Manifest Destiny will, sooner or later, became a space odyssey. What ethics should govern exploration of the final frontier?
  • Peeling Back the Layers of a Born Salesman’s Life” (Michael Wilson, The New York Times) The paper’s gifted crime writer pens a posthumous profile of a protean con man, a Zelig on the make who crossed paths with Abbie Hoffman, Otto Preminger and Annie Leibovitz, among others.
  • The Pop Star and the Prophet” (Sam York, BBC Magazine) Philosopher Jacques Attali, who predicted, back in the ’70s, the downfall of the music business, tells the writer he now foresees similar turbulence for manufacturing.

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It’s more than 40 years since research and development began on the Compact Disc, exactly 30 years since the technology’s amazing rise in popularity and more than a decade since the best market the recording industry ever enjoyed started to lose its groove. How did the biggest music companies in the world not see that the information would become pure? It’s the same old story: They didn’t want to accept it would happen because they didn’t want the huge profits to stop coming.

In “How the Compact Disc Lost Its Shine,” Dorian Lynskey of the Guardian has a smart, sprawling article about the brief dominance of a medium. Three excerpts follow.

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Bootleg CDs were a danger the industry could get its head around – you could hold one in your hand. What it couldn’t comprehend was the threat of the MP3: the idea that music could transcend physical formats. “That happened for two reasons,” says [How Music Got Free author Stephen] Witt. “One was they were enjoying unbelievable profits. Two, the studio engineers hated the way the MP3 sounded and refused to engage with it. A lot of artists hated the way it sounded, too.” What the audiophiles didn’t realise was that most consumers couldn’t tell the difference. “What was the audio experience before the compact disc?” says Witt. “It was cheap vinyl or an AM transistor radio on the beach, and MP3 sounds better than either of those.”

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Just like their predecessors in Greece in 1982, 90s executives were too busy worrying about the next quarter to consider the next decade. The status quo was perfect, until it wasn’t. “My biggest bugbear about this industry is that they all think short-term,” says Webster. “Nobody ever thinks long-term. All these executives were sitting there being paid huge bonuses on increased profits and they didn’t care. I don’t think anyone saw it coming. I remember the production guy at Virgin saying, ‘In a few years, you’re going to be able to carry all the music you want around on something the size of a credit card.’ And we all laughed. Don’t be ridiculous! How can you do that?”

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Only a handful of people predicted the CD’s downfall way back in 1982. German computer engineer Dieter Seitzer, the forefather of the MP3, immediately considered the CD “a maximalist repository of irrelevant information, most of which was ignored by the human ear,” writes Witt. If music could become digital data, he thought, it wouldn’t be bound by the Red Book. Webster remembers one industry Cassandra, Maurice Oberstein – who ran CBS and then Polygram in the UK – making a similar point. “He was the only one who went: ‘We’re making a huge mistake. We’re putting studio-quality masters into the hands of people.’ And he was absolutely right in that respect. Once you made a CD with ones and zeroes it was only a matter of time before that was converted into something that was easily transferable.”

The fall of the CD, like its rise, began slowly.•

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