2010

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Afflictor: Helping Tokyo salarymen sleep soundly since December 2009. (Image by M. from Somerville.)

Give Peter Finch a blackboard and he could have his own Fox News show.

It’s puzzling that the 1976 Sidney Lumet-Paddy Chayefsky media satire, Network, isn’t revived and revisited more often since it’s among the most prophetic films ever made. Movies, even futuristic ones, aren’t usually much more than a reflection of their times, but Network saw the future–and it was a reality show starring you and me.

Aging network news anchor Howard Beale (Peter Finch) is being forced out of his job, but he causes a stir when he uses one of his final telecasts to announce that he’s going to blow his brains out. The shocking pronouncement gets huge attention and pretty soon Beale is a maniac of the people, urging his viewers to get mad as hell and not take it anymore. While the news vets are outraged, enterprising young exec Diana Christensen (Faye Dunaway) is only too happy to blend entertainment and journalism, filling the airwaves with terrorists, reality shows and telepsychics. As ethics decline, ratings rise.

Satires can either exaggerate or diminish their targets and Network decided to go large, imagining a media landscape littered with agressive theatrics and brazen manipulation. The sad truth is that the film may be revered merely as a museum piece because in the most essential ways the world it satirized went larger still.•

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David Mamet: Put me up on the Cadillac board! (Image by David Shankbone.)

In 2009, Will Hubbard and Alex Carnevale of This Recording compiled a list called “The 100 Greatest Writers of All Time.” I’m not saying I agree with everything one-hundred percent, but it’s probably the best literary list I’ve ever come across. From number one hundred to the top spot, the duo rank the best writers in the history of the world, including poets, playwrights, essayists, short story writers and novelists. There are, of course, the household names (Congratulations, William Shakespeare!), but there are a lot of provocative inclusions as well. You owe it to yourself to read the whole thing, but here are a few examples of the entries:

88. David Mamet
The quintessentially Jewish-American dramatist, his conquests of poetry and fiction were minor. But he exploded the idea of the American play, creating an exciting new vernacular that brought crowds, excitement and controversy to the stage. Famous for shutting down an all-female production of his masterpiece Glengarry Glen Ross, Mamet is an able theoretician, and maybe the most important Chicago Jew of all time. Recommended reading: American Buffalo, The Duck Variations, Boston Marriage.

49. Charles Olson
America’s Bard, the voice of New England. Incredibly tall, incredibly wacked. He is the father of much of the American verse that directly followed, but he would never know just how lasting his work would be. He is our poet of the future, a deep thinker who lacked empathy for everyone but himself. Self-involvement can became a kind of genius at this depth, or so we hope. Recommended reading: “The Post Office”, The Maximus Poems, “The K”.

20. Laurence Sterne
The finest experimentalist ever. Smash novels, insights of incomparable erudition, hilarious, so ahead of their time that they seem more modern than most things published today. Tristram Shandy has lasted longer than its detractors. Many of its jokes have still yet to be parsed from a text thick with meaning, with comedy and profound statements of humanity in a time where it was not so easy to recognize what exactly that meant. Recommended reading: A Sentimental Journey, Tristram Shandy.

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Groucho Marx, perhaps the greatest comedian of them all, sat down with Playboy in March 1974 for a wide-ranging Q&A. Groucho, who was 83 at the time, recalled everything from going to brothels with a young Charlie Chaplin to encountering anti-Semitism at country clubs. The following are a few excerpts.

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Playboy:

There’s a rumor that you and Harpo once went to a party naked.

Groucho Marx:

It was when we were playing in I’ll Say She Is and we were invited to a bachelor party for a friend of ours who was getting married. So Harpo and I got into the elevator and took off all our clothes and put them in suitcases. We were stark-naked. But we got off at the wrong floor, where the bride was having a party for her friends. So we ran around naked until a waiter finally came with a couple of dish towels—or, in my case, a bath towel.

_________________________


Playboy:

Have you ever been a victim of anti-Semitism?

Groucho Marx:

Oh, sure. Years ago, I decided to join a beach club on Long Island and we drove out to a place called the Sands Point Bath and Sun Club. I filled out the application and the head cheese of the place came over and told me we couldn’t join because I was Jewish. So I said, “My son’s only half Jewish. Would it be all right if he went in the water up to his knees?”

_________________________

Playboy:

The Marx Brothers have also had a number of literary friends. Didn’t you correspond with T. S. Eliot?

Groucho Marx:

He wrote to me first. He said he was an admirer of mine and he would like a picture of me. So I sent him a picture. And he sent it back. He said, “I want a picture of you smoking a cigar.” So I sent him one. Later he told me there were only three people he cared about: William Butler Yeats, Paul Valéry and Groucho Marx. He had those three pictures in his private office. When I went to visit him. I thought he wanted to talk about all those fancy books he had written, like Murder in the Cathedral. But he wanted to talk about the Marx Brothers. So naturally we became close friends and had a lot of correspondence. I spoke at his funeral.

_________________________

Playboy:

How did you and Chaplin first meet?

Groucho Marx:

I took a walk and I passed this dump theater, the Sullivan-Considine. I heard the most tremendous roar of laughter, and I paid my ten cents and went in and there was a little guy on the stage, and he was walking around kinda funny. It was Chaplin. It was the greatest act I’d ever seen. All pantomime.

Then the following week, I went backstage to visit him and tell him how wonderful he was, and that’s how we got acquainted. Each week we would be in the same towns in Canada; I can’t remember all the towns; this was a hell of a long time ago. We used to go to the whorehouses together, because there was no place for an actor to go in those towns, except if you were lucky, maybe you’d pick up a girl, but as a rule, you’d have to go to a hook shop. And then Chaplin and I got very well acquainted. Not together! I mean, I wasn’t with him! I was with him, but not with a girl, I mean….•

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Air rifles will help your sons build confidence.

 

This 1948 pocket-size comic book (priced at 10 cents), produced by the Plymouth, Michigan, air-rifle seller known as Daisy, offered a variety of heroic tales (Captain Marvel, Robotman, Red Ryder) and cartoon histories (Leonardo Da Vinci, German mechanical engineer Rudolph Diesel, Cleveland Indians pitcher Bob Feller). And of course, it contained an 8-page catalog of Daisy Air Rifles, including the 1,000-shot repeater Cowboy Carbine and the Daisy Pump Gun, both available for purchase. But wait, there’s more, and some of it involves cows! An excerpt: 

“ALSO: Camping Tips, Fishing Lore, Marksmanship Manual, How To Be A Cowboy, Jokes, Quizzes, How To Read Cow Brands, Wood Carving, many others! Limited supply. Mail coupon with thin dime (10c in coin) plus unused 3c stamp–we’ll rush your copy postpaid! Do it now–this very minute–send coupon.” 

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Early this morning I gleaned a dog-eared copy of LSD, Man & Society (along with a volume of Tristan Tzara’s Seven Dada Manifestos and Lampisteries) a block from my apartment in a box of old books some neighbor discarded. It was published by Wesleyan University during the heady early days of trippy drug’s popular ascendancy, with essays culled from a symposium on LSD that had been held at the school. The book examines the potential legitimate medicinal uses of LSD and attempts to dispel popular myths about the drug.

I’ve heard of the consciousness-expanding properties of LSD, of course, but I wasn’t aware there was apparently a charlatan (Timothy Leary, of course) who falsely claimed that it was a potent sex drug. An excerpt about that angle from the book:

“Perhaps the most reprehensible and misleading statement regarding LSD is the claim that it is a potent aphrodisiac (Timothy Leary, 1966). This claim is made by the avowed proselytizers, and more than any other single statement is effective in recruiting new converts to the LSD cult. LSD proponents insist that sexual relations under the influence of LSD are a spectacular, unmatched experience. They, of course, neglect to mention that the overwhelming majority of those taking LSD have no interest in sex, preferring their solipsistic trance, and that others who have taken LSD and attempted intercourse have found it impossible to consummate. Furthermore, the person responsible for the statement, when specifically challeneged on this point in a public debate in the fall of 1966, said that the statement was misinterpreted and that he in fact meant that LSD induces love in its most ethereal sense, but has no beneficial effect on casual or promiscuous physical sexual behavior.”

According to his website, attorney Steve Miller is happily married, although he doesn’t seem to think very highly about your crap marriage. The Florida divorce attorney doesn’t sugarcoat the way he feels about your terrible domestic situation in this brazen TV commercial. Trial separations are for the weak, people!

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Bellevue Hospital, in the 1890s, would have been a good place for Henry Hertzel.

Henry Hertzel wasn’t exactly an ideal neighbor. A slaughterhouse worker in Lower Manhattan near the end of the 19th-century, Hertzel was batshit crazy and eager to demonstrate his special brand of insanity. To add to matters, it would appear according to this article I found that his undergarments were somehow “socialistic.” On August 17, 1890, the Brooklyn Daily Eagle had a piece about a man who scared an entire neighborhood. An excerpt:

“Henry Hertzel resides at 325 First avenue, New York, and among the residents of the vicinity is better known as the crazy terror of First avenue. As the story goes, Hertzel gets as crazy as can be at intervals, and during those periods he seems wholly bent upon the destruction of everything within reach.

One of these spells seized him yesterday morning. He arose and, as his wife thought, started to his work in a slaughter house on the east side. He did not go there. Instead, he called at Louis Siglock’s men’s furnishing store, at 837 First avenue, where he purchased a suit of red underclothing, telling the party in the store, who knew him, to send to his house for the money, as his wife had it. Later on Mr. Siglock called for the money. By this time Hertzel had returned to his home and went to bed with his brand new suit on. When he heard Siglock demanding the money he jumped out of the bed and, divesting himself of his socialistic garments, sent them flying out of the window and, while in a nude state, sent the dry goods man from the house at full speed, threatening to kill him. Shortly afterward Hertzel dressed himself and went to a saloon and coffee house kept by one Besthoff, at 833 First avenue, and at once proceeded to take charge of the place, but was finally ejected.

This seemed to arouse his frenzy. He dashed across the way to a bakery kept by Mr. Smith. Here he tried to seize a large bread knife. Mr. Smith saw that there was something wrong, and saw as well that the madman wanted the knife. The baker was too quick for him, and Hertzel, instead of getting the weapon to revenge himself upon the saloon people, found himself stretched on the floor with a well directed blow by Mr. Smith. Picking himself up Hertzel rushed back to the saloon from which he had been ejected. Now he was clean mad and everyone made way for him. When he reached the saloon he found the screen doors fastened against him. With one wrench he had them off their hinges and flung them into the street. This finished, the now utterly crazed man stopped at nothing and in a furious manner proceeded to destroy everything he could lay his hands on and cleaned out the place entirely.

He then made a dash for the street and the first man he encountered was Siglock, the men’s furnishing man. Then he got mad in earnest and bore down upon Siglock like a wild Texan steer. In a trice they both were engaged in a fierce hand to hand struggle. By this time, at least a thousand men, women and children had gathered in the vicinity. Three policemen now came up and it took all their strength to arrest the crazy man.”

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Fischli & Weiss, the Swiss art duo made up of Peter Fischli and David Weiss, create chain-reaction videos based on super-elaborate designs that would make even Rube Goldberg envious. In 1987, they introduced their pièce de résistance, “The Way Things Go,” a nearly 30-minute video that uses fire, tires, ladders, etc., to cause a jaw-dropping chain of physical interactions. The film’s distributor, Icarus, has put a three-minute clip online. Enjoy.

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Rep. Mark Souder: Tiger Woods' new swing coach.

Rep. Mark Souder: I can never thank enough the people who worked so hard and have given me so much.

Decoder: Especially the lady in the abstinence video. She gave me so much.

Rep. Mark Souder: It has been an honor to be a part of the battle for the freedom and values we share.

Decoder: Well, the values you share. My penis goes rogue.

Rep. Mark Souder: It has been all-consuming for me to do this job well…

Decoder: And even then I wasn’t really very good at it.

Rep. Mark Souder: …especially in a district with costly, competitive elections every two years…

Decoder: Wait a minute. I’m not going to blame my affair on having a busy schedule, am I?

Rep. Mark Souder: …I do not have any sort of normal life…

Decoder: Yeah, I’m going to blame it on the job. Here comes the money shot, so to speak.

Rep. Mark Souder: …for family, for friends, for church, for community.

Decoder: But I sure made time for that mistress.

Rep. Mark Souder: I sinned against God, my wife and my family by having a mutual relationship with a part-time member of my staff.

Decoder: Why did I mention that she was a part-time member of my staff? That makes it not as bad, somehow?

Rep. Mark Souder: In the poisonous world of Washington D.C., any personal failing is seized upon, twisted for political gain.

Decoder: Well, when a guy who does abstinence videos gets caught having an affair, it does make for good copy. And remember when I called on Sen. Larry Craig to resign for hitting on men in an airport bathroom?

Rep. Mark Souder: I’m sick of politicians who drag their spouses up in front of the camera rather than confronting the problem they caused.

Decoder: Wow, this is a bad time for me to play the self-righteous scold, but I’ve been doing it for so long that I can’t help myself. I have a deep need to feel like some sort of hero, and it will always get me into trouble. 

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Also from "SI": "When the brothers were juniors at Indiana, Warner Brothers saw their pictures in 'Life' and offered them seven-year contracts."

I briefly got my greasy, grimy hands on a 1970 basketball card of Tom Van Arsdale, a talented cager out of Indiana who was then playing for the Cincinnati Royals. The back of the card notes that “Tom is interested in the stock brokerage business.” It also provides his impressive offensive stats.

It doesn’t mention that Tom had an identical twin named Dick, who also played hoops, and that the two were especially close. An excerpt about the brothers  from a 1972 Sports Illustrated article titled “A Slight Case Of Unmistakable Identity“:

“From the time of their premature births on Feb. 22, 1943 (Tom is the older by 15 minutes) until they graduated from Indiana, they spent only two nights apart. Their toys were identical, and only after they left high school did they wear unlike clothes. ‘If we had orange juice for breakfast, Mom would measure the glasses precisely to make sure they contained the same amount,’ says Tom. ‘That way neither one of us would get mad at her.’

The Van Arsdales’ closeness almost knocked Tom out of the pros before he stepped on a court. Drafted in succession in 1965 at the beginning of the second round by New York and Detroit, the twins were separated for the first time when they left for their rookie camps. Tom quit the Pistons soon after and returned home with the excuse that he wanted to go to law school. He bought his law books but never went to class. ‘The sole reason for leaving Detroit was because Dick wasn’t around,’ he recalled last week. ‘It was a case of acute loneliness. It was like when you have a girl friend in high school and for some reason you can’t be with her. All you want is to be with her, and nothing else and no one else can make you happy. I called Dick in New York and he convinced me that things weren’t going to be any better if I didn’t play, so I went back to the Pistons.'”

A Tea Party protest in Hartford, Connecticut, in April 2009. (Image by Sage Ross.)

Who’s scarier these days, the government or the people?

Mark Lilla looks at the disconnect between public and private realms in his excellent essay in the New York Review of Books, The Tea Party Jacobins,” which examines the anti-government, anti-intellectual forces currently enjoying prominence in the U.S. The most tangible manifestation is, of course, the screaming mob known as the Tea Party, which seems driven by racism, paranoia and a lack of introspection. But what about reasonable people who have grown to distrust their government, even before the economic meltdown?

My only critique is that I think Lilla gives short shrift in his argument to the rise of new media, in which interconnectivity is key but primacy of the individual seems to be the main psychological draw. An excerpt:

“Ever since the Seventies, social scientists have puzzled over the fact that, despite greater affluence and relative peace, Americans have far less trust in their government than they had up until the mid-Sixties. Just before the last election, only a tenth of Americans said that they were ‘satisfied with the way things are going in the United States,’ a record low. They express some confidence in the presidency and the courts, but when asked in the abstract about ‘the government’ and whether they expect it to do the right thing or whether it is run for our benefit, a relatively consistent majority says ‘no.’ It’s important to remember that the confidence they express in free markets and deregulation is only relative to their sense that government no longer functions as it should.

And they are not alone. Survey after survey confirms that trust in government is dissolving in all advanced democratic societies, and for the same reason: as voters have become more autonomous, less attracted to parties and familiar ideologies, it has become harder for political institutions to represent them collectively. This is not a peculiarity of the United States and no one party or scandal is to blame. Representative democracy is a tricky system; it must first give citizens voice as individuals, and then echo their collective voice back to them in policies they approve of. That is getting harder today because the mediating ideas and institutions we have traditionally relied on to make this work are collapsing.”

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When you say "meat," what exactly are we talking about? (Image by Pearson Scott Foresman.)

Quail (long island)

I have Tibetian Quail these are a hybred quail used for pets, dog training and meat. I have birds for sale ages 2, 3 and 4 weeks old. A full grown bird is 7 to 8 weeks old. These birds will lay eggs this season.

The birds are $4 each.

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Due to incompetence on both ends, Man vs. Machine ends in a tie.

Due to computer problems, posts have been few and sloppy over the last week or so. Everything should return to normal by Wednesday at the latest. Until then, I’ll post as much as possible. Thanks for your relentless, uninvited patience. I know you’re doing it just to spite me.

For six years running, Slovenian philosopher Slavoj Žižek has been voted the country's best-looking man. (Image by Mariusz Kubik.)

It was an exciting day in the Brooklyn offices of Afflictor.com yesterday when we examined the data and realized that Slovenia had checked in with its first visitor. Slovenia is perhaps most famous for not being Slovakia. (Similarly, Slovakia is most famous for not being Slovenia.) The Central European country apparently has a lot of free time on its hands if it can waste precious moments on idiotic Afflictor. What is wrong, Slovenia? Is there no other way to kill the pain or get your kicks or find solace? Whatever. Now that you have been properly hazed, Slovenia, Afflictor Nation sends you a warm welcome!

Ad exec Lee Clow has me wanting to buy an iPod.

When infamous murderer Gary Gilmore egged on his executioners with the phrase “Let’s do it,” he couldn’t have known he was helping a copywriter birth one of the most famous advertising campaigns in American history, Nike’s overwhelmingly successful “Just Do It” marketing blitz. When late ad exec Hal Riney struggled through an unhappy childhood in Washington state, he had no idea that his longing for an idyllic existence would someday provide images for Ronald Reagan’s “Morning in America” TV commercials. The origins of these ubiquitous images from our lives make up the crux of Doug Pray’s intriguing documentary, Art & Copy.

If you’re looking for a philippic about the evils of capitalism, you have to search elsewhere. Perhaps still reeling emotionally from his thorny family documentary, Surfwise, Pray doesn’t focus on the moral implications of advertising but rather the people who fuel the industry by dreaming up 30-second spots in which American Tourister luggage is thrown into a gorilla cage. All of advertising’s living legends are interviewed. George Lois, the Bronx-born genius behind everything from the brilliant Harold Hayes-era Esquire covers in the ’60s to the astoundingly successful “I Want My MTV!” campaign in the ’80s, bemoans the current crop of young ad people. But the beat goes on, as talking heads share interesting insights into their profession.

Considering that advertising has used dubious means to sell everything from cigarettes to fat-laden foods to politicians, there is definitely room for numerous docs that examine the dark side of the ad biz. At one point in the movie, industry legend Mary Wells matter-of-factly states, “I think you manufacture any feeling you want to manufacture.” Wells is simply stating a rule of the game, but the sentence exists equally as a cautionary tale. That’s especially true since even the most seasoned ad people are often surprised by the reach and power of their campaigns as they permeate through the culture in unexpected ways. (Available as a rental via Netflix and other outlets.)

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"Two men had been voting for themselves at 10 cents a vote in a contest to decide which was the handsomest man in Sheepshead Bay."

In the August 20, 1893 issue of the Brooklyn Daily Eagle, there was a particularly disquieting item about sheer dandyism. A couple of vain men caused a disturbance when they used fisticuffs to try to settle a disagreement over which one was the handsomer. Such ugly behavior from such angel-faced fops. An excerpt:

“Two men had been voting for themselves at 10 cents a vote in a contest to decide which was the handsomest man in Sheepshead Bay. The money was to go to Father Hoffman’s church. The young men were evidently jealous of each other for, although in this contest money talked rather than looks, each accused the other of looking worse than the accuser, and he shortly proceeded to make his statement good by pushing the other one’s face against the back of his head. As a result, neither of these young men is fair to look upon to-day, and their good priest has brought the brawlers to book from his pulpit.

In future contests of this kind a man ought to be debarred from voting for himself. There are no good-looking men any-way, but if the girls think there are, it is their place to vote for them, not the men. Men are conceited creatures, and they ought not to be allowed to make such exhibitions of their conceit. Next time restrict the beauty contests to the girls. They may call each other mean things, but they will not use their fists and nails to wrest a prize.”

    An incredibly inept wedding DJ follows up some patter (which would have sounded more appropriate at a cattle auction) by playing with a woman’s breasts. (Thanks Boing Boing.)

    Afflictor: Helping Federica dream about birdies since December 2009.

    Virginia Tighe told the truth as far as she knew it, but it really wasn’t far enough.

    The Colorado housewife caused a sensation in the U.S. in 1950s when, under hypnosis, she described with a perfect brogue the details of her earlier life as “Bridey Murphy,” a 19th-century Irish woman. Tighe (who was only identified by the pseudonym “Ruth Simmons” at the time) had never visited Ireland and seemingly had no way to know the quotidian detail of life in Cork and Belfast in the previous century.

    When her hypnotist Morey Bernstein subsequently released a book about her story, The Search for Bridey Murphy, it quickly became a bestseller and a reincarnation craze swept the nation. Pretty soon the name “Bridey Murphy” was as famous as Dwight Eisenhower or Mickey Mantle, even if she never existed, at least not as Tighe’s earlier self.

    Official records were later checked and the story began to fall apart. It eventually came to light that when Tighe was a small girl, a neighbor lady named Bridey Murphy Corkell had told her stories about her childhood in Ireland. Over the years, these tales of another land had become repressed memories for Tighe. So she was relaying the past alright, just not her own. But for a while, it was mania.

    In the March 19, 1956 issue, Life offered its take with “Bridey Murphy Puts the Nation in a Hypnotizzy.” An excerpt:

    Last week a considerable part of the U.S. lay under an Irish spell and the spell was becoming deeper and wilder as fast as the written word, awed gossip and the televised image could spread it. The genie responsible was a red-haired Irishwoman named Bridey (short for Bridget) Murphy, who may or may not have lived in early 19th-century Belfast and Cork, and who made her presence known, in eerily factual detail, during a series of hypnotic sessions held some time ago in Pueblo, Colorado. Bridey spoke through the hypnotized person of an attractive young Pueblo matron whose pseudonym is “Ruth Simmons.” While deep in a trance she told how she had grown up in early 19th-century Ireland, married, died and then even watched her own funeral.

    The hypnotist was Morey Bernstein, a 36-year-old Pueblo businessman of impeccable reputation and honesty, who had taken up hypnotism as a hobby. He summoned up Bridey by a familiar technique known as hypnotic regression, whereby the hypnotist leads his subject back to adolescence or early childhood. Going one step further, Bernstein attempted to take his subject back before birth, and the next thing he knew he was listening to Bridey Murphy’s rambling discourse.•

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    Say "cheese," China.

    I recently put up a post about Shanghai World Expo 2010, China’s current World’s Fair, which is the most expensive event in the history of the planet. I just came across some large-scale, eye-popping photos of the Expo on The Big Picture photography site. As usual, that site’s outdone itself with some truly amazing images. I don’t have permission to reprint any of the photos here, but go have a look at the collection and be prepared to be awed. My only commentary is that if Ron Mueck isn’t getting royalties on the gigantic baby sculpture (the first image in the set), he should sue.

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    An excerpt from Railroads in the Days of Steam, which recalls how railroad development was perilous for buffalo herds:

    “When the first railroads crossed the Mississippi River, the Great Plains were covered from Texas to Canada with vast herds of bison, or American buffalo. 

    In the late 1860s and early 1870s, it seemed that everyone who followed the Union Pacific, the Kansas Pacific, and the Santa Fe railroads into the Prairie country wanted the buffalo killed off. Soldiers said they could not tame the hostile Prairie Indians as long as they could depend on the buffalo herds for food. Cattlemen wanted to run longhorns on the big natural pasture occupied by the buffalo.

    Professional buffalo hunters were at work on the Plains in the years just after the Civil War providing meat for railroad construction camps and selling a few buffalo robes. But the slaughter of the buffalo did not begin in earnest until 1871, when word came of a market for buffalo hides in England.

    A good hunter could shoot one hundred or more buffalo in the morning, then he would call his skinning crew to come up with the wagons. Hides were staked out on the prairie to dry. A well-cured hide was worth from $2.75 to $4, and many hunters earned more than $100 a day.

    Passengers on the early trains could see large herds of buffalo, deer and antelope grazing calmly beside the tracks. They would open the car windows and shoot at the herds as the train sped along.”

    Merle Haggard: Get haircuts, you filthy hippies.

    I briefly got my grimy, greasy, grubby fingers on a copy of the original sheet music of “Okie from Muskogee,” the 1969 anti-Hippie anthem that was a smash hit for Merle Haggard and the Strangers. Haggard has hinted that the song was sort of a satire, but the joke was probably lost on the residents of Muskogee, Oklahoma, and on record buyers all across America’. It inspired an answer song from Chinga Chavin called “Asshole from El Paso.”

    Haggard, who was a real-life outlaw before creating the Bakersfield sound with Buck Owens, co-wrote “Okie” with Roy Edward Burris. Here are the lyrics:

    “We don’t smoke marijuana in Muskogee;
    We don’t take our trips on LSD
    We don’t burn our draft cards down on Main Street;
    We like livin’ right, and bein’ free.

    I’m proud to be an Okie from Muskogee,
    A place where even squares can have a ball
    We still wave Old Glory down at the courthouse,
    And white lightnin’s still the biggest thrill of all

    The sheet music cost a buck back in the day.

    We don’t make a party out of lovin’;
    We like holdin’ hands and pitchin’ woo;
    We don’t let our hair grow long and shaggy,
    Like the hippies out in San Francisco do.

    And I’m proud to be an Okie from Muskogee,
    A place where even squares can have a ball.
    We still wave Old Glory down at the courthouse,
    And white lightnin’s still the biggest thrill of all.

    Leather boots are still in style for manly footwear;
    Beads and Roman sandals won’t be seen.
    Football’s still the roughest thing on campus,
    And the kids here still respect the college dean.

    We still wave Old Glory down at the courthouse,
    In Muskogee, Oklahoma, USA.”

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    "We neither use steam, humbug by false pretenses, nor wear laurels won by our compeititors."

    Before Polaroid and Kodak or even inexpensive tintypes,  daguerreotypes were the original popular means of taking pictures. The process, created by French inventor Louis Daguerre with an assist from Joseph Nicéphore Niépce, combined mercury and silver to capture images of the era’s most celebrated politicians, artists and cities.

    In 1848, the daguerreotype industry had plenty of competitors and companies had to do whatever they could to get ahead. The Boston, Massachusetts, outfit known as Southworth & Hawes produced a ton of gorgeous images, but that apparently wasn’t enought ot make ends meet. They also advertised themselves as willing to create images of the recently deceased. An excerpt from the ad copy:

    “Our arrangements as such that we take miniatures of children and adults instantly, and of DECEASED persons, either at our rooms or at private residences. We take great pains to have Miniatures of deceased persons agreeable and satisfactory and they are often so natural as to seem, even to Artists, in a quiet sleep.”

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    Bogdanovich saved cash on the cast by playing across Karloff as filmmaker Sammy Michaels.

    “I am big, it’s the pictures that got small,” protests Norma Desmond in Sunset Blvd., but faded horror icon Byron Orlok (Boris Karloff) has a bitter riposte for her in Targets. “It’s not that the films have gotten bad,” he says with lacerating self-awareness, “it’s that I’ve gone bad.” The self-described “museum piece” was once the genre’s greatest star, but by the 1960s Orlok knows that Hollywood is no country for old men. His quaint spookiness can’t compete with the era’s very real and chilling newspaper headlines, which are drenched with more blood than any vampire could ever drink.

    Orlok is retiring from showbiz as soon as he reluctantly fulfills one last  personal appearance at a Los Angeles drive-in. But his swan song may sound more like a death rattle if the party is interrupted by Bobby Thompson (Tim O’Kelly), a fresh-faced insurance salesman from a middle-class Angeleno family who is in the midst of a killing spree. Toting a shoulder-bag full of high-caliber arms, Bobby descends on the drive-in the night of Orlok’s farewell, hoping to up his body count.

    Peter Bogdanovich was so desperate to break into directing that he made this movie for Roger Corman, despite the numerous obstacles that accompanied the assignment: He only had Karloff’s services for two days, the film was shot on a a micro budget and the fledgling auteur was under strict orders to save money by incorporating some footage from Corman’s own schlocky 1963 flick, The Terror. Despite these challenges, the writer-director turned out a sharp-eyed view of the decade, one of the few times in his career he’s managed to speak to his time rather than relying on the nostalgia of period pieces. Karloff was never bitter like Orlok, but the role is especially poignant because it’s based on his own ebbing career and was his final good role. Like Orlok, Karloff had outlived his fame and seen his career assassinated by time itself. (Available from Netflix and other outlets.)

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