bones and skulls/animal (suffolk n y.)
bones and skulls wanted also fossils thanks
Ideas and technology and politics and journalism and history and humor and some other stuff.

Crowd gathers in Times Square on October 12, 1920 to hear play-by-play of the World Series between the Brooklyn Dodgers and the Cleveland Indians.
I would have thought that the Black Sox scandal, in which several members of the Chicago White Sox accepted bribes to throw the 1919 World Series, would have dampened enthusiasm for the 1920 World Series. After all, it was in September of 1920 that some of the Sox admitted to a grand jury that they had participated in the fix. But based on this photo taken in Times Square during the ’20 World Series between the Brooklyn Dodgers and the Cleveland Indians, fans were still very into the National Pastime. People came together in the pre-radio age to hear play-by-play coverage of the Fall Classic outside of the New York Times building.
The Dodgers, who were often referred to as the Robins in those days and had previously been known as the Bridegrooms, were defeated by the Indians five games to two in the best-of-nine series. The team’s rabid fan base remained loyal until after the 1957 season, when the Dodgers, rather than moving to Queens as Robert Moses wished, instead decamped to Los Angeles.
Tags: Robert Moses
Bunny rabbits…they hop among us!

"She has spent some 15 years since that day studying this emerging breed of 'sociable robots.'" (Image by jeanbaptisteparis.)
Sherry Turkle fell in love with a robot once. It didn’t work out.
Turkle is the MIT professor whose 1995 book, Life on the Screen, was sanguine about the growing interaction between people and technology. But she had doubts after feeling her emotions stir for a robot named Cog she was working with at the university. The personal connection with the bot gave Turkle pause, making her wary that humans are growing reliant on gadgets not just for utility but also for the type of nourishment provided in the past by people.
While her love for Cog may say more about the academic herself than anyone else, Turkle doesn’t think so. She shared some of her fears of how artificial intelligence may soon replace human emotion with Jeffrey R. Young of the Chronicle. (Thanks A&L Daily.) An excerpt:
“She has spent some 15 years since that day studying this emerging breed of ‘sociable robots’—including toys like Furbies and new robotic pets for the elderly—and what she considers their seductive and potentially dangerous powers. She argues that robotics’ growing trend toward creating machines that act as if they were alive could lead people to place machines in roles she thinks only humans should occupy.
Her prediction: Companies will soon sell robots designed to baby-sit children, replace workers in nursing homes, and serve as companions for people with disabilities. All of which to Turkle is demeaning, ‘transgressive,’ and damaging to our collective sense of humanity. It’s not that she’s against robots as helpers—building cars, vacuuming floors, and helping to bathe the sick are one thing. She’s concerned about robots that want to be buddies, ‘implicitly promising an emotional connection they can never deliver.”
Tags: Jeffrey R. Young, Sherry Turkle
From Martin Luther King, Jr.’s 1965 Playboy interview:
“PLAYBOY: You categorically reject violence as a tactical technique for social change. Can it not be argued, however, that violence, historically, has effected massive and sometimes constructive social change in some countries?
MARTIN LUTHER KING: I’d be the first to say that some historical victories have been won by violence; the U.S. Revolution is certainly one of the foremost. But the Negro revolution is seeking integration, not independence. Those fighting for independence have the purpose to drive out the oppressors. But here in America, we’ve got to live together. We’ve got to find a way to reconcile ourselves to living in community, one group with the other. The struggle of the Negro in America, to be successful, must be waged with resolute efforts, but efforts that are kept strictly within the framework of our democratic society. This means reaching, educating and moving large enough groups of people of both races to stir the conscience of the nation.”
Tags: Martin Luther King Jr
Before the Sony Walkman and long before the iPod, the Astraltune was a personal music system, which was marketed to skiers who wanted some tunes on the slopes. It was the very first portable stereo cassette player, but the company somehow never patented the invention. The Finest Daily includes the Astraltune in a new list of firsts from the annals of gadgetry. (Thanks to justabuzz.) An excerpt:
“Most people think Sony’s Walkman paved the way to hearing loss for a generation of teenagers, but the original portable music player actually pre-dated the Walkman by almost five years. The Astraltune Stereopack debuted in Reno, Nevada in 1975 and it was aimed at freestyle skiers who wanted to groove out to their favorite tunes while hitting the slopes. It was a bulky 3-pound unit worn in a sack mounted on the chest, but it was the first time you had a power source, a cassette player and a headphone output in the same unit. The story doesn’t have a happy end though – the inventor(s) never patented their invention and today very few people remember it; Sony went on to dominate the personal stereo market for well over 15 years.”

"I'm not sure what to offer in return except a loving home for your dummy." (Image by Roy Erickson.)
Hey everyone,
I’m on the look out for anyone offering to give away their ventriloquist dummy, condition isn’t that important as long as his mouth and eye functions still work, in fact, he can be a she. I’m also interested in free puppets but only if they are quality and not just some child’s stuffed animal. I’m not sure what to offer in return except a loving home for your dummy. Dummies from homes with pets are ok and so are dummies from smokers. If you happen to have a ventriloquist dummy that needs a good home please let me know, I’d be more than happy to come pick him up.
Thanks in advance!
From the February 2, 1867 Brooklyn Daily Eagle:
“California is troubled occasionally with slight shocks of earthquakes, but, as yet, has sustained no serious damage therefrom.
That of October, 1865, the most severe ever known, even by the oldest inhabitant, was in San Francisco, the cause of great alarm and some slight destruction of property. However, such a shock as that of 1865, may not occur again for a thousand years.”
Dr. Sidney Cohen is the one dispensing LSD to a patient in this 1950s video that was made at the Los Angeles Veterans Administration Hospital. *Thanks Reddit.) A decade later, in “Psychotherapy with LSD: Pro and Con,” Cohen was still largely singing the praises of acid. An excerpt:
“At a 1965 LSD conference Dr. Sidney Cohen, an American authority on LSD, summed up the claims made for LSD and LSD-like drugs by psychiatrists:
1. They reduce the patient’s defensiveness and allow repressed memories and conflictual material to come forth. The recall of these events is improved and the reaction is intense.
2. The emerging material is better understood because the patient sees the conflict as a visual image or in vivid visual symbols. It is accepted without being overwhelming because the detached state of awareness makes the emerging guilt feelings less devastating.
3. The patient feels closer to the therapist and it is easier for him to express his irrational feelings.
4. Alertness is not impaired and insights are retained after the drug has worn off.
Under skilled treatment procedures, the hallucinogens do seem to produce these effects and one more which is not often mentioned. That is a marked heightening of the patient’s suggestibility. Put in another way, the judgmental attitude of the patient toward the experience itself is diminished. This can be helpful, for insights are accepted without reservations and seem much more valid than under nondrug conditions.”
Tags: Dr. Sidney Cohen

"The trouble started when the cowboy endeavored to help himself to a quantity of peanuts which he refused to pay for."
In 1902, if you mixed cowboys, Indians, Cossacks and Italian peanut vendors, you were asking for trouble, as is proven in this trenchant piece of reporting from the May 6, 1902 Brooklyn Daily Eagle. An excerpt:
“Cowboys, Indians, Cossacks and Italian peanut vendors were mixed up this morning in a row which occurred near the entrance of the Wild West show on Halsey street. In the scrimmage one of the cowboys was cut in the face with a knife in the hands of one of the Italians. The trouble started when the cowboy endeavored to help himself to a quantity of peanuts which he refused to pay for. The vendor struck the cowboy with a stick, and when the latter rushed at him drew a knife and stabbed him. In the confusion that ensued a number of stands were overturned and their contents strewn over the street. The row ended when the injured cowboy was taken into the doctor’s tent and his wound dressed. No arrests were made.”
This Southwest Airlines TV commercial was part of the company’s “Remember” campaign from 1972. A note about the early days of the so-called “love airline” and its co-founder Herb Kelleher from CBS News:
“Kelleher is legendary in the airline industry for doing things differently than the competition. Before he found himself Southwest’s pitchman, Kelleher was a lawyer retained by the airline to get it off the ground – a fight that took him all the way to the U.S. Supreme Court. It seemed the last thing Southwest’s competitors wanted to see was a low-cost upstart doing nothing but flying around Texas in and out of Dallas Love Field.
In 1971, ‘the love airline’ took off. At first, Southwest was known for sexy flight attendants in hot pants, which got it the attention it needed.
‘You can have a low-cost carrier and people still don’t fly it because they don’t know about it,’ Kelleher said. ‘And so, the schtick kind of fit in with getting known.'”
Tags: Herb Kelleher
After 5,000 years of extinction, the Woolly Mammoth may be getting a new lease on life, as Japanese scientists believe they’ll be able to clone the humongous beasts within a few years. It sounds like such a terrible idea. (Thanks Newser.) An excerpt from a Telegraph article about the experiment:
“Previous efforts in the 1990s to recover nuclei in cells from the skin and muscle tissue from mammoths found in the Siberian permafrost failed because they had been too badly damaged by the extreme cold.
But a technique pioneered in 2008 by Dr. Teruhiko Wakayama, of the Riken Centre for Developmental Biology, was successful in cloning a mouse from the cells of another mouse that had been frozen for 16 years.
Now that hurdle has been overcome, Akira Iritani, a professor at Kyoto University, is reactivating his campaign to resurrect the species that died out 5,000 years ago.
‘Now the technical problems have been overcome, all we need is a good sample of soft tissue from a frozen mammoth,’ he told The Daily Telegraph.
He intends to use Dr Wakayama’s technique to identify the nuclei of viable mammoth cells before extracting the healthy ones.
‘The success rate in the cloning of cattle was poor until recently but now stands at about 30 per cent,’ he said. ‘I think we have a reasonable chance of success and a healthy mammoth could be born in four or five years.'”
I suppose I should be losing sleep over Facebook’s questionable practices regarding privacy, but I’m not. What really bothers me about Mark Zuckerberg’s toy is how utterly prosaic a product it is. Zuckerberg hasn’t come up with anything great or original; his chief accomplishments are recognizing a niche in the market and having the brass to not sell the company to a big media conglomerate that would have bungled the whole thing. Facebook isn’t a perfect design like the iPod but a creeping mediocrity with some utility. It’s a global high school yearbook, and its success largely stems from how uninventive it is. John C. Dvorak explains further in his new PCmag.com article, “Why I Don’t Use Facebook.” (Thanks Reddit.) An excerpt:
“Which begs the question as to why anyone would use Facebook when it is essentially AOL done right? The fastest growing group on Facebook are people in their 70’s. Oldsters are flocking to Facebook the way they once did with AOL. Facebook is a simple system for the masses that do not really care about technology and do not want to learn anything new except something easy like Facebook.
Whenever someone tells me to check out something on Facebook, I recall the heyday of AOL with its keywords. ‘Go to the Internet at www.blah.com or AOL keyword: blah. This was a common comment on the nightly news or in magazines. The AOL keyword is replaced by the Facebook page name.
There is no reason for anyone with any chops online to be remotely involved with Facebook, except to peruse it for lost relatives. So, next time you log on, remember it’s really AOL with a different layout.
Welcome to the past.”
Tags: John C. Dvorak, Mark Zuckerberg
Brilliant, blustery and belligerent, Bronx-born advertising legend George Lois created some of the most iconic magazine covers ever, alongside editor Harold Hayes, for Esquire in the 1960s. They were the kind of uncluttered, political and thought-provoking images that are rarely even attempted today in a magazine world governed by a focus-group mentality. Lois has never been shy about his utter disdain for contemporary magazine covers, but in a new Vice interview, he reveals a few he’s liked. An excerpt.
“Vice: Have you seen a single cover from the past few years that you liked?
George Lois: Once in a while, and it really thrills me.
The New Yorker did two or three terrific covers over the last couple of years that really nailed what was going on. That terrific drawing of Obama and Hilary Clinton in bed together, answering the phone, was fucking good. David Remnick is a fan of mine. We had lunch once and he said, ‘Do you think I should do some photographic covers?’ I said, ‘What? Are you fucking nuts? You’re the only mag that stands out or has a chance of standing out! You don’t fill it with blurbs; you have drawings, which in many cases are whimsical and sweet. That’s terrific, but you should do a cover about something that happened last Thursday. Have somebody come up with a great idea on Friday, and then it comes out the next Monday. You’ll nail what happened!’ Then he did three or four of them, and I said, ‘Jesus Christ, somebody’s listening to me!’ But that’s about it.”
Tags: David Remnick, George Lois
I’m getting shipped out and have to let loose of this beautiful 8 year old male Rhesus Macaque monkey named Butch. We’ve had him for 7 years and it breaks my heart to let him go. We have all the paperwork making him a legal to own in the U.S. and he is tame and used to being around people and dogs. Trust me, you’ll be the center of attention every where you go!
Check around, this price is amazing, I need to find him a good home ASAP – by next week. Must go to a good home and I will need to see his living arrangements before the deal is final. Butch comes to work with me every day, so feel free to stop in and check him out
Tags: Butch
Range of salaries for various trades in 1889, taken from the 1890 Brooklyn Daily Eagle Almanac. All wages weekly except where otherwise noted.
A five-minute clip from a documentary about “visual futurist” artist Syd Mead, who, in addition to creating his own tech-friendly, optimistic work, has been a key force in the art department of many huge sci-fi films, including Blade Runner. In a 2009 interview, Mead addressed the future of our planet:
“Q: What do you think our future will look like? Can we expect something positive or negative?
Syd Mead: The future is what we try to make of it. Obviously we’re going through a earth warming period, which could be caused by our local star, the sun, or other reasons like the accumulation of carbon dioxide. But you have to remember that nature has treated this planet rather harshly several times before, take the asteroid for example that wiped out the dinosaurs.
You have to realize that over 80% of the scientists and engineers that have ever lived are alive right now. So if anything is going to be figured out we’re in a good position to do so now. I like to image a bright future, because that’s healthy. If you really believe that the world is coming to an end then it probably is – you’re helping.”
Tags: Syd Mead

A 1940s photo of the Argentine actors known as the Legrand sisters. No public domain photos available of the sisters featured in the "Times" story.
Bob Pool of the Los Angeles Times reports on Inez Harries and Venice Shaw, twin sisters in California who are celebrating their 100th birthdays this Sunday–together, of course. These women remained close and share similar lives and tastes, but even twins who are separated at birth seem to have much in common despite the different stimuli they experience. Nature is a fierce thing, even in the face of nurture. An excerpt:
“Born Jan. 15, 1911, in Pasadena to citrus ranch manager William Hesser and his wife, Anna, the twins were reared in San Fernando and later in what is now Granada Hills. The family also lived in Whittier for a time.
Harries is now a Sylmar resident and Shaw lives in Newbury Park.
Inseparable as young children, the twins dressed alike, double-dated as teenagers and worked at the same Sunkist packing house as young adults. Later, after both were married, the two couples vacationed together on camping trips to such places as Yosemite and Kings Canyon national parks.
Family photos show them dressed in identical baby clothes and in matching dresses, sewn by their mother, in elementary school and high school — their San Fernando High School senior portrait from 1929 shows them wearing identical pink polka-dot outfits.
In grade school, the pair had the same friends — at the same time. They would pick one girl and Inez would be on one side of her and Venice on the other, they recall.
‘Other kids called us ‘Twinny’ rather than make a mistake calling us the wrong name,’ Harries said.”
Tags: Anna Hesser, Inez Harries, Venice Shaw, William Hesser

"Utilizing the concept of a compact, multilayered city, the Urbanscape is a dense, compact city core where facilities are located within close proximity of each other."
The target date is 2020 for the 30-square-kilometer planned Chinese community to be known as Tianjin Eco-City. A working laboratory of the newest green technologies and eye-popping gizmos, the community will be home to 350,000 residents. An excerpt from the development’s website:
“Eco-City will make use of the latest sustainable technologies such as solar power, wind power, rainwater recycling, and wastewater treatment/desalination of sea water. In order to reduce the city’s carbon emissions, residents will be encouraged to use an advanced light rail system, and China has also pledged that 90 percent of traffic within the city will be public transport. The development also features some beautiful public green spaces.
The city will be divided into seven distinct sectors – a Lifescape, an Eco-Valley, a Solarscape, an Urbanscape, a Windscape, an Earthscape and Eco-Corridors. Surrounded by greenery, the Lifescape will consist of a series of soil-topped mounds that will counteract the towering apartment buildings of the other communities. To the north of the Lifescape, the Solarscape will act as the administrative and civic center of the Eco-City. Demonstrating the concept of a compact, multilayered city, the Urbanscape will be the core of the Eco-City, featuring stacked programs interconnected by sky-bridges at multiple levels to make efficient use of vertical space. In contrast to the Urbanscape, the Earthscape will act as a sort of suburb of the city, with stepped architecture that will maximize public green space. Last but not least, the Windscape will transform Qingtuozi, a century-old village surrounded by a small lake, into a venue for citizens to relax and recreate.”

A ticket to the initial New York Auto Show in 1900 cost fifty cents, which would be more than $12 by today's standards.
The initial New York Auto Show took place in 1900 at Madison Square Garden. There had previously been joint bicycle and auto shows in the Garden (with bicycles in the starring role), but this was the first large-scale, modern car show of its kind in America. And it wasn’t all about internal combustion engines and fossil fuels. An excerpt about the event from the October 13, 1900 Brooklyn Daily Eagle:
“During the Automobile Show at Madison Square Garden, November 3 to 10, there will be contests of many kinds. The usefulness of the automobile in all kinds of going and under all conditions will be fully tested, and everybody will have an opportunity to see how the experienced chauffeur gets out of trouble. All the contests but these on Friday will be for vehicles on the show, and the programme, under the directions of the technical committee and the contests and exhibition committee of the Automobile Club of America, C.J. Field, chairman, will be as follows–
The First Post has an interesting piece about a proposed “straddling bus” in China that will ride above traffic on stilts and be able to transport 1,000 passengers at a time. An excerpt:
“The bizarre-sounding idea is the brainchild of Shenzhen Huashi Future Parking Equipment company, which has developed a ‘3D Express Coach’ that stands four metres high and resembles a moving bridge.
The bus, which is actually a light-rail train, can travel at speeds of up to 60kmph and will be able to carry more than 1,000 passengers. Not only does it reduce congestion, it also cuts down on pollution as it is powered by electricity and solar energy.
And the idea is not as far fetched as it might appear. Work on special tracks for the buses is expected to begin in the Mentougou district in Beijing later this year. But the buses don’t come cheap, each vehicle will cost $75m.”
A film rich enough to be read about a dozen different ways, Nicolas Roeg’s trippy 1976 genre picture uses an extraterrestrial tale to examine the immigrant experience, the uncomfortable marriage of art and commerce and the nature of cultural imperialism. But in a broad sense, it’s a story, much like Kafka’s “A Hunger Artist,” about the overwhelming isolation experienced by those who dream the biggest dreams and then have the fortune (and misfortune) to have their ambitions realized.
Thomas Jerome Newton (David Bowie), equal parts Howard Hughes and Nikola Tesla, is an alien from outer space who’s left his water-starved planet to secure some much-needed H2O from Earth. In America, Newton, disguised as a human, plays the role of a reclusive, obsessive British inventor, and uses money accrued from his remarkable tech inventions to try to build a spaceship that can return him with water to whence he came. In the meanwhile, he immerses himself in the free-for-all that is American culture and becomes the leading innovator on the planet. But more money means more problems, and soon Newton is whisked from his remote New Mexico desert home by some evil capitalists who want to know who and what he is.
Newton is transformed into an otherworldly guinea pig by his captors, poked and prodded by corporate medicos, who decide to X-ray the strange man’s eyes, not realizing that they will permanently solder his fake human eyes over his real ones. Once the deed is done, the inventor screams in horror: “They’re stuck. I’ll never get them off!” Newton knows that he’ll never be able to see things the same way anymore. For the immigrant, artist and industrialist, things have gone too far and he can never go home again.•
Tags: David Bowie, Nicolas Roeg