Facebook, that thing that helps you pretend, turns ten today, which seems an appropriate age for the site’s maturity level. The opening of the first article written about the social network, a piece by Alan J. Tabak published in the February 9, 2004 Harvard Crimson:

“When Mark E. Zuckerberg ’06 grew impatient with the creation of an official universal Harvard facebook, he decided to take matters into his own hands.

After about a week of coding, Zuckerberg launched thefacebook.com last Wednesday afternoon. The website combines elements of a standard House face book with extensive profile features that allow students to search for others in their courses, social organizations and Houses.

‘Everyone’s been talking a lot about a universal face book within Harvard,’ Zuckerberg said. ‘I think it’s kind of silly that it would take the University a couple of years to get around to it. I can do it better than they can, and I can do it in a week.’

As of yesterday afternoon, Zuckerberg said over 650 students had registered use thefacebook.com. He said that he anticipated that 900 students would have joined the site by this morning.

‘I’m pretty happy with the amount of people that have been to it so far,’ he said. ‘The nature of the site is that each user’s experience improves if they can get their friends to join it.'”

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I don’t really think it’s necessary to build a faux downtown to give drivereless cars a test run, but that’s the plan in Michigan. Just seems an unnecessary intermediary step considering that Google already has its models on the real roads. From John Gallagher at the Detroit Free Press:

“As vehicles learn to drive themselves minus human control, the place they’ll learn is on the University of Michigan’s north campus in Ann Arbor.

Today, Gov. Rick Snyder and other officials touted a new $6.5-million, 32-acre site to be built on U-M’s north campus as a test center for technologies for autonomous, or self-driving, vehicles.

Peter Sweatman, director of U-M’s Transportation Research Institute, said this fake downtown will feature building facades, parked vehicles, traffic signals, a tunnel, bicycle lanes and other realistic elements of an actual Michigan streetscape.

The idea, Sweatman said, is to test self-driving technology in realistic conditions that can be measured and controlled with precision.

‘The future of the automotive industry is connected and automated, and we’re going to create that future right here in Michigan,’ Sweatman said during a news conference with Snyder at the North American International Auto Show.”

From the June 3, 1897 New York Times:

Hagerstown, Ind.–The death of Thomas Purdy of this place yesterday is considered by physicians one of the most remarkable known to science. Some weeks ago Mr. Purdy had all his teeth extracted. Partial loss of the use of the throat muscles and vocal chords ensued.

This was followed by paralysis of these parts, which rendered it impossible for him to take nourishment. After striving twenty days to swallow food, he died in horrible agony of starvation.”

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Michael “Mr. Mike” O’Donoghue, the darkest and cruelest writer of the original Saturday Night Live, a Marquis de Sade for the National Lampoon set, is afforded a bizarre TV-magazine profile the morning after a Halloween party. How apt.

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Tears poured from my eyes the second I heard about Philip Seymour Hoffman’s death yesterday. You? 

Three paragraphs about the things that drives us, sometimes down, when we’ve satisfied basic needs, when we realize that we crave something more even if we can’t exactly name it, from Alex Pappademas’ excellent Grantland postmortem of the great actor and his puzzling, painful collapse from within:

“Hoffman starred in two films that premiered at this year’s Sundance Film Festival. In John Slattery’s grim, ’70s-set drama God’s Pocket, he didn’t look well. It’s strange to say that about an actor who was never afraid to let the camera look upon his pasty, freckled body as a catastrophe, but this was different. He had some weight on him, and appeared to be feeling every ounce of it. His voice was a low, heartsick rumble, the sound of a hangover made flesh. Hoffman conveyed this kind of suffering onscreen better than most working actors — it wasn’t the only thing he could do, but you could always count on him to do it. This didn’t seem like craft, though. He seemed like he was playing through pain.

I wrote a profile of Hoffman once, years ago, when he was promoting 2005’s Capote. We ate lunch in the West Village and smoked cigarettes on the street. I’ve lost the transcript and the story’s not online, which is probably for the best. But at one point I remember asking him some real JV-ball actor-interview question about what, if anything, he felt he had in common with Truman Capote. Hoffman thought about it for a second, and then talked about how Capote was 35 when he started reporting the story that became In Cold Blood, and how there comes a time in every man’s life, around your mid-thirties, when you start to ask yourself, Have I done the great thing I was supposed to do? Am I ever going to do it?

I was about 28 when I wrote that story. I’m 36 now, and I think about that conversation literally every day. I sit at my desk and I look at the dry-erase board above my desk, at the titles of as-yet-unwritten things in green ink, and I ask myself that question. And I think about Hoffman still struggling with it, despite everything he’d achieved by the time I met him. Capote was his first high-profile lead after a decade or so of lauded work in supporting roles, and people were predicting he’d win the Oscar for it, which he did. And he still felt that way, at least enough that it became his way into Truman Capote. Something about that is comforting to me. Or it was, anyway.”

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Using invasiveness to battle criminality, a Google Glass app allows you to scan a stranger’s eyes and know within moments whether that person has been registered with a sex-offender database. Of course, the greater moral question will come when an app can look into eyes and determine what that person might be about to do, not only what they’ve done in the past. From “Through a Face Scanner Darkly,” Betsy Morais at the New Yorker blog:

“Anonymity forms a protective casing. When it’s punctured, on the street or at a party, the moment of recognition falls somewhere on a spectrum of delight and horror. Soon enough, though, technology will see to it that we can no longer expect to disappear into a landscape of passing faces.

NameTag, an app built for Google Glass by a company called FacialNetwork.com, offers a face scanner for encounters with strangers. You see somebody on the sidewalk and, slipping on your high-tech spectacles, select the app. Snap a photo of a passerby, then wait a minute as the image is sent up to the company’s database and a match is hunted down. The results load in front of your left eye, a selection of personal details that might include someone’s name, occupation, Facebook and/or Twitter profile, and, conveniently, whether there’s a corresponding entry in the national sex-offender registry.”

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Private zoos have always been a strange beast, and some Animal Planet enthusiasts now oddly invite the elephant into the living room (scroll down to second item), but one menagerie faced a far crazier time during Japan’s Great Zoo Massacre of WWII. The opening of Bambi and Tong Tong,” Julia Adeney Thomas’ Times Literary Supplement review of a new book about understanding the psychology and politics of the horror: 

“Behind the curtain of empire, horrors lurk. At the Tokyo Imperial Zoo on September 4, 1943, two starving elephants remained silent, obedient to their trainers, while a religious service on the other side of a red-and-white awning prematurely memorialized their sacrifice for Japan’s imperial cause. Buddhist monks, government officials and schoolchildren made offerings of food to the elephants’ spirits and to the spirits of other captive animals killed by order of the government. This unprecedented ceremony known as the ‘Memorial Service for Martyred Animals’ was held on the zoo’s grounds where nearly a third of the cages stood empty. Lions from Abyssinia, tigers representative of Japan’s troops, bears from Manchuria, Malaya and Korea, an American bison, and many others had been clubbed, speared, poisoned and hacked to death in secret. Although the zoo’s director had found a way to save some of the condemned creatures by moving them to zoos outside Tokyo, Mayor Ōdaichi Shigeo insisted on their slaughter. Ōdaichi himself, along with Imperial Prince Takatsukasa Nobusuke and the chief abbot of Asakusa’s Sensōji Temple, presided over the carefully choreographed and highly publicized ‘Memorial Service,’ thanking the animals for sacrificing themselves for Japan’s war effort.

But the elephants were not dead.”

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The path to wearables has been a tortured one, with failures keeping up with promises. You would assume if we could reduce the size of a pacemaker from a car to an implantable, tiny tech items embedded into clothes and accoutrements would be a snap–but that hasn’t been the case. Perhaps things will change. From “The Future of Wearables,” by Shara Tibken at CNet:

Look for completely different products to emerge. Health care is an area that could see a surge in wearables. We’ll also see more wearables for pets, such as new activity and biometrics trackers, as well as toys.

There will also be other types of devices that extend the capabilities of the smartphone or allow for social interaction, like a ring that lights up when a loved one taps the other half of the matching pair.

Another big area is clothing. For instance, manufacturers are working on smart buttons that could change the color of a fabric when pushed or buttons and fabric that could measure UV exposure in sports equipment.

‘This year we’re hoping to see the beginning of the wearables market showing its diversity,’ said Robert Thompson, business development leader for Freescale’s i.MX application processor line.”

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Looking for woman to kick me in the balls (would pay) – 26 (Midtown West)

Just looking for a woman willing to kick me very hard in the balls. Nothing else. No nudity or anything needed.

You know the story about the Paris-based celebrity doctor who liked to prescribe sauerkraut, was Alexandre Dumas’ personal physician and kept a vicious pet monkey? No? Well, here it is, courtesy of the December 18, 1898 edition of the Brooklyn Daily Eagle:

Paris Bureau–All capitals contain so great a number of eccentric people that if we knew them all, we would still more readily come to the conclusion that there are more mad people outside than inside insane asylums.

It is probable the Paris does not contain as many as London, for it is known that for oddity and originality the English have the precedence; but such specimens as Dr. Gruby show that if the number is not as large as in Paris as in London, they, at least, are quite as capable to do as eccentric things and lead as eccentric lives.

Dr. Gruby was a physician who possessed all of the necessary diplomas, but he was called a healer. This country, like all other countries, in fact, is flooded with healers. Legitimate doctors do all in their power to bring them into disfavor, but vox populi is vox dei, and the more eccentric the healer seems to be and the more extraordinary his cures appear to the patients, the more they knock at his door to be healed.

“Alexandre Dumas would have no other doctor.”

There is not a French celebrity of any kind, within the last forty years, who, afflicted with any serious illness, has not gone to Dr. Gruby, and who was not dumbfounded when the healer prescribed carrots, sauerkraut or some other unheard of medicament with the grave countenance of a doctor who writes down the most complicated mixtures in an incomprehensible page of Latin words.

But faith was there. Had the healer not made the most remarkable cures? Were not such men as Alexandre Dumas and Ambroise Thomas there to testify that whatever surprising things the healer gave, they, one and all, were benefited by it?

He did not reserve all his oddities for his patients; he kept a great number for his own actions and behavior. One of them was that he never wanted to appear but in the best of health to all humanity, his servants included. He died at the age of 80, behind a locked door. He did not even admit his servants during his last two days of agony. He died in a dark room, without a streak of light, for he feared some curious eye might see him in the throes of death. At last the scared servants had the door forced open by the commissaire de police and they found but a cold corpse. The healer had drawn his last breath about twelve hours before.

Not so long ago, Mme. Ambroise Thomas was asked to tell us some eccentricities of the doctor. “Alexandre Dumas would have no other doctor, and for a long while, by the orders of Dr. Gruby, Dumas would start off on a morning constitutional with four apples in his pocket. The orders were to walk from the Avenue de Villiens to the Arch of Triumph and there stop to eat an apple; then to start again and walk to the Place de la Concorde, and stop there and eat another apple. He was to return to the Arch and eat his third apple, and take the fourth before his own door and have the last bite in his mouth before he crossed the threshold.

“And Dr. Gruby’s servants were allowed to be visible only at certain hours. He was passionately fond of animals and plants. He had dogs and cats and for a long time possessed a vicious monkey whom he called his brother, and who bit several of his friends.”•

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Whether we’re talking about governments and corporations spying on individuals or citizens leaking classified documents, I think the main problem isn’t that legislation hasn’t yet caught up to technology, but that it can’t and won’t. When information is so easy to intercept, when you can download Deep Throat, when everyone can be proven guilty, what will the new morality be?

A few differences between Ellsberg’s Pentagon Papers leak and Assange, Manning and Snowden, from “The Three Leakers and What to Do About Them,” by David Cole at the New York Review of Books:

“First, unlike Nixon, Obama did not attempt to prohibit the publication of any of Snowden’s or Manning’s leaks. The Pentagon Papers case, thanks in part to Goodale’s own arguments before the courts, established an extraordinarily high legal bar for enjoining publication, and that bar holds today. For many of the justices in the Pentagon Papers case, however, that bar applied only to ‘prior restraints’—requests to prohibit publication altogether—and would not apply to after-the-fact criminal prosecutions of leakers. While the Times was not prosecuted, Ellsberg was, and his case was dismissed not on First Amendment grounds, but on the basis of prosecutorial misconduct.

Second, the digital age has profoundly altered the dynamics and stakes of leaks. Computers make stealing documents much more efficient. Ellsberg had to spend months manually photocopying the Pentagon Papers. Manning used his computer to download over 700,000 documents, and Snowden apparently stole even more. The Internet makes disclosures across national borders much easier. Manning uploaded his documents directly to WikiLeaks’ website, hosted in Sweden, far beyond US reach. Snowden gave access to his documents to journalists in Germany, Brazil, and the US, and they have in turn published them in newspapers throughout the world.

Third, computers and the Internet have at the same time made it easier to identify and prosecute leakers. When someone leaked the fact that the US had placed an agent inside an active al-Qaeda cell in May 2012, an entirely unjustifiable disclosure, the Justice Department spent eight months investigating the old-fashioned way, interviewing over 550 people without success. But when the prosecutors subpoenaed phone records of the Associated Press offices and reporters involved in publishing the story, they promptly identified the leaker, an FBI agent, and obtained a guilty plea.”

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If someone were to speak ill about Joni Mitchell or her music, I might have to decapitate that man. You see, I am a fan. Even more than Joan Baez, Mitchell seemed the true believer, the real deal, bound to be disappointed by everyone and everything around her.

At the 50-second mark of this video footage from 1969’s Big Sur Folk Festival, she sings a breathtaking version of “Get Together” with David Crosby, Stephen Stills, Graham Nash and John Sebastian performing backing vocals. It’s a song of peace and brotherhood, and it will sound beautiful to your disrespectful head as it rolls down Fifth Avenue.

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I think of the era in America between the one wallpapered with newsprint (pre-1960) and the one given to smartphone updates (today), that time when TV news was predominant, as an age of delusion. That was when Newt Gingrich’s word games could work, when a screenshot of Willie Horton could win. It was an age of bullshit and manipulation. Why, an actor playing a part could become President, aided by Hallmark Card-level writers.

You’re free to feel less than sanguine about the transition, about the financial metrics of newsgathering and the threat it poses to less-profitable but vital journalism (as I sometimes am), but I will choose the deluge of information we get now to centralized media when far fewer had far greater control of the flow. People seem to get bamboozled much less now. Let it rain, I say. Let it pour. Let us swim together in the flood.

Anyhow, we always romanticized the wrong part of the newspaper. It wasn’t great because of the print. I mean, what’s so important about a lousy, crummy newspaper?

From “The Golden Age of Journalism?” a wonderful TomDispatch essay by Tom Engelhardt about the downfall of one type of news and the thing that has supplanted it:

In so many ways, it’s been, and continues to be, a sad, even horrific, tale of loss. (A similar tale of woe involves the printed book. It’s only advantage: there were no ads to flee the premises, but it suffered nonetheless — already largely crowded out of the newspaper as a non-revenue producer and out of consciousness by a blitz of new ways of reading and being entertained. And I say that as someone who has spent most of his life as an editor of print books.) The keening and mourning about the fall of print journalism has gone on for years. It’s a development that represents — depending on who’s telling the story — the end of an age, the fall of all standards, or the loss of civic spirit and the sort of investigative coverage that might keep a few more politicians and corporate heads honest, and so forth and so on.

Let’s admit that the sins of the Internet are legion and well-known: the massive programs of government surveillance it enables; the corporate surveillance it ensures; the loss of privacy it encourages; the flamers and trolls it births; the conspiracy theorists, angry men, and strange characters to whom it gives a seemingly endless moment in the sun; and the way, among other things, it tends to sort like and like together in a self-reinforcing loop of opinion. Yes, yes, it’s all true, all unnerving, all terrible.

As the editor of TomDispatch.com, I’ve spent the last decade-plus plunged into just that world, often with people half my age or younger. I don’t tweet. I don’t have a Kindle or the equivalent. I don’t even have a smart phone or a tablet of any sort. When something — anything — goes wrong with my computer I feel like a doomed figure in an alien universe, wish for the last machine I understood (a typewriter), and then throw myself on the mercy of my daughter.

I’ve been overwhelmed, especially at the height of the Bush years, by cookie-cutter hate email — sometimes scores or hundreds of them at a time — of a sort that would make your skin crawl. I’ve been threatened. I’ve repeatedly received “critical” (and abusive) emails, blasts of red hot anger that would startle anyone, because the Internet, so my experience tells me, loosens inhibitions, wipes out taboos, and encourages a sense of anonymity that in the older world of print, letters, or face-to-face meetings would have been far less likely to take center stage. I’ve seen plenty that’s disturbed me. So you’d think, given my age, my background, and my present life, that I, too, might be in mourning for everything that’s going, going, gone, everything we’ve lost.

But I have to admit it: I have another feeling that, at a purely personal level, outweighs all of the above. In terms of journalism, of expression, of voice, of fine reporting and superb writing, of a range of news, thoughts, views, perspectives, and opinions about places, worlds, and phenomena that I wouldn’t otherwise have known about, there has never been an experimental moment like this. I’m in awe. Despite everything, despite every malign purpose to which the Internet is being put, I consider it a wonder of our age. Yes, perhaps it is the age from hell for traditional reporters (and editors) working double-time, online and off, for newspapers that are crumbling, but for readers, can there be any doubt that now, not the 1840s or the 1930s or the 1960s, is the golden age of journalism?

Think of it as the upbeat twin of NSA surveillance.

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Excerpts from two articles about Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, which is one of the greatest films ever made, yet only my fourth or fifth favorite Stanley Kubrick movie, which shows you how highly I rank his work. It’s as perfect now as it was when released 50 years ago, as timeless as Patton or Duck Soup. In fact, it’s Patton *as* Duck Soup. It’s tremendously funny yet no laughing matter.

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From “Doctor’s Orders,” Bilge Elbiri’s 2009 Moving Image Source article explaining how a very serious novel became a Kubrick comedy:

After their initial drafts, Kubrick and his producing partner James B. Harris, with whom he had made The Killing, Paths of Glory, and Lolita, workshopped the script (then called The Delicate Balance of Terror) in New York. “They’d stay up late into the night cracking up over it, overcome by their impulse towards gallows humor,” says Mick Broderick, the author of Nuclear Movies and an extensive forthcoming study of Strangelove. Harris would soon leave to forge his own directorial career (his admirably tense 1965 directorial debut, The Bedford Incident, concerns a confrontation between an American destroyer and a Soviet submarine). But when Kubrick later called his former partner to tell him that he had decided to turn Delicate Balance into an actual comedy, Harris was skeptical, to say the least. “He thought, ‘The kid’s gonna destroy his career!’” says Broderick.

The absurd hilarity of the situation had never quite stopped haunting the director, as he and George continued to work on the film. It wasn’t so much the premise of the Red Alert story as everything Kubrick was learning about the thinking behind thermonuclear strategy. The director, even then notorious for thorough research, had become friendly with a number of scientists and thinkers on the subject, some with George’s help, including the notorious RAND strategist Herman Kahn, who would talk with a straight face about “megadeaths,” a word he had coined in the 1950s to describe one million deaths. As Kubrick told Joseph Heller:

Incongruity is certainly one of the sources of laughter—the incongruity of sitting in a room talking to somebody who has a big chart on the wall that says “tragic but distinguishable postwar environments’ and that says ‘one to ten million killed.” …There is something so absurd and unreal about what you’re talking about that it’s almost impossible to take it seriously.•

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From “Almost Everything in Dr. Strangelove Was True,” a New Yorker blog post about the scary reality that informed the nervous laughter, by Eric Schlosser, author of Command and Control:

This month marks the fiftieth anniversary of Stanley Kubrick’s black comedy about nuclear weapons, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Released on January 29, 1964, the film caused a good deal of controversy. Its plot suggested that a mentally deranged American general could order a nuclear attack on the Soviet Union, without consulting the President. One reviewer described the film as “dangerous … an evil thing about an evil thing.” Another compared it to Soviet propaganda. Although Strangelove was clearly a farce, with the comedian Peter Sellers playing three roles, it was criticized for being implausible. An expert at the Institute for Strategic Studies called the events in the film “impossible on a dozen counts.” A former Deputy Secretary of Defense dismissed the idea that someone could authorize the use of a nuclear weapon without the President’s approval: “Nothing, in fact, could be further from the truth.” (See a compendium of clips from the film.) When Fail-Safe—a Hollywood thriller with a similar plot, directed by Sidney Lumet—opened, later that year, it was criticized in much the same way. “The incidents in Fail-Safe are deliberate lies!” General Curtis LeMay, the Air Force chief of staff, said. “Nothing like that could happen.” The first casualty of every war is the truth—and the Cold War was no exception to that dictum. Half a century after Kubrick’s mad general, Jack D. Ripper, launched a nuclear strike on the Soviets to defend the purity of “our precious bodily fluids” from Communist subversion, we now know that American officers did indeed have the ability to start a Third World War on their own. And despite the introduction of rigorous safeguards in the years since then, the risk of an accidental or unauthorized nuclear detonation hasn’t been completely eliminated.•

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I posted about Timex’s failed foray into wearables in the mid-1990s, and here’s a commercial for the Sinclair 1000–touted as “the first computer under $100”–during the company’s equally unsuccessful 1982 attempt to corner the PC market.

A passage from “Can We Equate Computing with Art?” novelist Vikram Chandra’s very good Financial Times consideration of the aesthetics of 0s and 1s:

“Most of the artists I know – painters, film-makers, actors, poets – seem to regard programming as an esoteric scientific discipline; they are keenly aware of its cultural mystique, envious of its potential profitability and eager to extract metaphors, imagery, and dramatic possibility from its history, but coding may as well be nuclear physics as far as relevance to their own daily practice is concerned.

Many programmers, on the other hand, regard themselves as artists. Since programmers create complex objects, and care not just about function but also about beauty, they are just like painters and sculptors. The best-known assertion of this notion is the 2003 essay ‘Hackers and Painters‘ by programmer and venture capitalist Paul Graham. ‘Of all the different types of people I’ve known, hackers and painters are among the most alike,’ writes Graham. ‘What hackers and painters have in common is that they’re both makers. Along with composers, architects, and writers, what hackers and painters are trying to do is make good things.’

According to Graham, the iterative processes of programming – write, debug (discover and remove bugs, which are coding errors), rewrite, experiment, debug, rewrite – exactly duplicate the methods of artists. ‘The way to create something beautiful is often to make subtle tweaks to something that already exists, or to combine existing ideas in a slightly new way,’ he writes. ‘You should figure out programs as you’re writing them, just as writers and painters and architects do.’

Attention to detail further marks good hackers with artist-like passion, he argues. ‘All those unseen details [in a Leonardo da Vinci painting] combine to produce something that’s just stunning, like a thousand barely audible voices all singing in tune. Great software, likewise, requires a fanatical devotion to beauty. If you look inside good software, you find that parts no one is ever supposed to see are beautiful too.’

This desire to equate art and programming has a lengthy pedigree.”

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From the October 25, 1874 New York Times:

“The Fall River letter in the Providence Journal of Saturday says: ‘The experiment of a direct transfusion of the blood of a live lamb was performed upon the person of Herman Dubois, residing at No. 41 Globe Street, by Drs. Julius Hoffman and Weyland, of New-York City, this afternoon at 5 o’clock. It took one minute and thirty-three seconds to make the transfusion, about six ounces being transfused within the time, and it proved an entire success. It took nearly an entire day to prepare the lamb for the experiment. Every vein which was connected with the jugular vein was severed and securely tied by the physicians, so as to allow the blood free egress to the arm of the patient. Dr. Hoffman used a small glass tube, about two inches and one-half inch long, slightly curved for the operation, thus bringing the neck of the lamb in very close proximity to the patient’s arm. Mr. Dubois has been afflicted with the consumption a little more than two years, and as a last resort for relief, it was thought best by his friends to try the experiment. At last accounts he was quite comfortable. Immediately after transfusion the patient experienced sharp pains throughout the back, chest and limbs, together with a shortness of breath for about fifteen minutes, then he became quiet until a little after 6, when he exhibited the same symptoms, accompanied with chills for about half an hour, then he became quiet, and remained in that condition at 11 o’clock.”

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10 search-engine keyphrases bringing traffic to Afflictor this week:

  1. review of salesman documentary 1968
  2. louis ck ask me anything
  3. grantland article about don king
  4. david graeber on bullshit jobs
  5. david graeber interview about democracy
  6. is the nfl popular in china?
  7. can houseplants create electricity?
  8. barbara walters bad journalist
  9. could it be that you were an actor in an aaron sorkin liberal fantasy?
  10. benoit mandelbrot and financial markets
Afflictor: Thinking that as the end seems closer for Chris Christie's political career, the governor has the undying support of one key political operative.

Afflictor: Thinking that as former allies abandon Governor Christie, he still enjoys the loyal support of one key political operative.

  • Nina Munk takes aim at the work (and ego) of economist Jeffrey Sachs.
  • Michel Siffre has dived so deep inside of himself that time ceased.
  • A holodeck is coming so that we can amuse ourselves to death.
  • Lee Smolin says religion compromised physics from the start.

 

  1. This Deer Thought No One Was Watching It Fart, Now The Whole World Knows
  2. Woman’s Nike Penis Drawing Is Simply Genius
  3. The Overwhelming Truth About Men’s Underwear
  4. Pizza Hut Announces Game-Changing Move
  5. Tiny Dog In A Hat Is The Best Thing That Happened This Week
  6. Butterfinger Makes Genius/Kind Of Obvious Move
  7. LOW-SPEED CANOE CHASE!
  8. This Woman Hasn’t Used Shampoo For 5 Years

Contrarian theoretical physicist Lee Smolin is interviewed by Michael Segal of Nautilus about the nature of time. A passage about the intersection of religion and science at the dawn of physics:

Michael Segal:

Newton was revolutionary in part because he applied a timeless set of laws to the whole universe. Was he wrong to do so?

Lee Smolin:

Physics was invented by people who happened to be very religious. Newton is one example. For him the laws of nature and their mathematical representations were synonymous with knowing the thoughts of God: Space was the sensorium of God and true time was the time in which God experienced the world and made things in the world. And Newton’s style of doing physics works perfectly when you apply it to a small part of the universe, say something going on in a laboratory. But when you take Newton’s style of doing physics and apply it to the universe as a whole, you implicitly assume that there is something outside the universe making things happen inside the universe, the same way there’s something outside the laboratory system making things happen in the laboratory. What I think has happened is that even physicists who have no religious faith or commitment have gotten sucked into a form of explanation which has a religious underpinning, by which I mean it requires pointing to something outside the universe in order to give a complete explanation. Many people who think of themselves as atheists do this habitually. In my view, it makes them think sloppy thoughts about cosmology. When it comes to extending science to the universe as a whole, you have to think differently than applying science to a laboratory system.

Michael Segal:

Is it not possible for our universe to be affected by other universes?

Lee Smolin:

It is possible. But you know, science is not about what might be the case, science is about what we can demonstrate is the case through publicly available evidence. There’s an infinite number of things that might be the case: There might be other universes, there might be a platonic realm in which mathematical objects move eternally, there might be God and heaven and angels. But science is not about that. If you want to explain the whole universe within science, you have to explain the laws in terms of things inside the universe itself. I think this is the only aspiration for cosmology that’s true to the real spirit of science.”

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I’m in favor of getting news to the people in any and all manners, so the following sentences about a new Facebook app don’t strike me as being as vampiric and frightening as you might expect. Print news has been on a collision course with computerization and, to some extent, automation, for four decades. I don’t think these adjustments, painful though they are, will replace the primary goal of news but ensure its existence. The channels need to be fed. The programming of the channels is, of course, worrisome. But that was the case in pre-digital times as well. From Reed Albergotti at the WSJ:

“On Thursday, Facebook introduced a long-awaited mobile app, called Paper, that offers users a personalized stream of news. Facebook said it will be available Feb. 3 for the iPhone; there is no date yet for Android.

Instead of editors and reporters, Facebook’s publication is staffed by a computer algorithm and human ‘curators.’ The content comes from outside sources, based on links shared by the social network’s 1.2 billion users. During a recent demonstration, the curated content featured articles from The New York Times, The Washington Post and Time magazine, among others.

The move is part of Facebook’s long-term strategy to be more than just a popular app, or a destination on the Internet. Facebook wants to be the global hub of human communication, essential in the lives of its users.”

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Three quick exchanges from Erik Lundegaard’s 1996 interview with then-fledgling Internet entrepreneur Jeff Bezos, when Amazon was merely books, and delivery drones and Washington Post ownership were most certainly not in the offing.

__________________

Question:

So how did you come up with the idea for this company?

Jeff Bezos:

… I looked at several different areas and finally decided that one of the most promising ones is interactive retailing. Then I made a list of 20 products, and force-ranked them, looking for the first-best product to sell on-line.

Original logo for amazon.comIn the top five were things like magazine subscriptions, computer hardware, computer software, and music. The reason books really stood out is because there are so many books. Books are totally unusual in that respect—to have so many items in a particular category. There are one and a half million English-language books, different titles, active and in-print at any given time. There are three million titles active and in-print worldwide in all languages. If you look at the number two category in that respect, it’s music, and there are only about 200 thousand active music CDs. Now when you have a huge number of items that’s where computers start to shine because of their sorting and searching and organizing capabilities. Also, it’s back to this idea that you have to have an incredibly strong value proposition. With that many items, you can build a store on-line that literally could not exist in any other way. It would be impossible to have a physical bookstore with 1.5 million titles. The largest physical bookstores in the world only have about 175,000 titles. It would also be impossible to print the amazon.com catalogue and make it into a paper catalogue. If you were to print the amazon.com catalogue it would be the size of seven New York City phone books.

So here we’re offering a service that literally can’t be done in any other way, and, because of that, people are willing to put up with this infant technology.

__________________

Question:

 Do you have a favorite book?

Jeff Bezos:

It used to be Dune. I’m sort of a techno-geek, propeller-head, science-fiction type, but my wife got me to read Remains of the Day and I liked that a lot. I also like the Penguin edition of Sir Richard Francis Burton’s biography

___________________

Question:

How will all of this affect physical bookstores?

Jeff Bezos:

I think you’ll see a continuation of the trend that’s already in place, which is that physical bookstores are going to compete by becoming better places to be. They’ll have better lattes, better sofas, all this stuff. More comfortable environments. I still buy about half of my books from physical bookstores and one of the big reasons is I like being in bookstores. It’s just like TV didn’t put the movies out of business—people still like to go to the movie theater, they like to mingle with their fellow humans—and that’s going to continue to be the case. Good physical bookstores are like the community centers of the late 20th century. Good physical bookstores have great authors come in and you can meet them and shake their hands, and that’s a different thing. You can’t duplicate that on-line.

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"Full of more shit than a diaper."

“Full of more shit than a diaper.”

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"I'm nicer with inventing more shit than Macgyver."

“I’m nicer, inventing more shit than Macgyver.”

Vanity Fair journalist Nina Munk is this week’s guest on a very good EconTalk podcast with Russ Roberts. Munk wrote a 2007 article, “Jeffrey Sachs’ $200 Billion Dream,” which looked at the passion and plans of the End of Poverty author. She then decided to follow Sachs’ work in a long-term way, and things got complicated.

If Munk didn’t exactly come to praise the economist, she didn’t think she would end up burying him–but that’s pretty much what happened. Her resulting book on the topic, The Idealist, is a story of good intentions run aground as it pertains to the Sachsian method of sustainable development in impoverished African communities. Munk acknowledges the Millennium Villages Project isn’t an abject failure as a charity, but believes it isn’t a success in its stated aspiration to find a poverty-fighting formula. Munk doesn’t seem to be attempting to demonize anyone (although she does accuse Sachs of “emotional blackmail”) but is trying to make sense of the naivete and folly and mistakes.

I like Roberts, though I find self-serving his suggestion that idealists who try and fail are crueler than Libertarians who oppose activism. 

Listen here and read a Vanity Fair Q&A about the book here. See some excerpts from Sachs’ recent Ask Me Anything at Reddit.

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