Betsy Morais

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Using invasiveness to battle criminality, a Google Glass app allows you to scan a stranger’s eyes and know within moments whether that person has been registered with a sex-offender database. Of course, the greater moral question will come when an app can look into eyes and determine what that person might be about to do, not only what they’ve done in the past. From “Through a Face Scanner Darkly,” Betsy Morais at the New Yorker blog:

“Anonymity forms a protective casing. When it’s punctured, on the street or at a party, the moment of recognition falls somewhere on a spectrum of delight and horror. Soon enough, though, technology will see to it that we can no longer expect to disappear into a landscape of passing faces.

NameTag, an app built for Google Glass by a company called FacialNetwork.com, offers a face scanner for encounters with strangers. You see somebody on the sidewalk and, slipping on your high-tech spectacles, select the app. Snap a photo of a passerby, then wait a minute as the image is sent up to the company’s database and a match is hunted down. The results load in front of your left eye, a selection of personal details that might include someone’s name, occupation, Facebook and/or Twitter profile, and, conveniently, whether there’s a corresponding entry in the national sex-offender registry.”

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I’ve never tried Booktrack, a service that provides a cinematic-ish soundtrack for digital books, but it sounds truly hideous. An excerpt from a Betsy Morais article at the Atlantic:

“There is a long-held belief about cinema: ‘There never was a silent film.’ From the early days, when moving images fascinated viewers in their mute spectacle, musical accompaniment drowned out the incessant whirring of the projector machine. Sound brought cinema’s haunting figures into being, amplifying their moods and heightening the intensity of the action.

Reading, however, is silent by design. Unless readers add their own accompaniment. On any given public transit commute, one might find an audience of readers trying to do just that, headphones in, books open, providing soundtracks to literature. Mark Cameron noticed this on his daily ferry rides, and as he selected his own music-reading pairings, found himself choosing songs that emotionally corresponded to the words on the page. When he told his brother, the two started cooking up an idea for ‘a more cinematic-type experience’ for reading, says Paul Cameron, who is now the CEO of the company they co-founded, Booktrack.”

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“Enter Booktrack, a radical new technology”:

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An Atlantic article by Betsy Morais explores whether the simian engineering in Rise of the Planet of the Apes could actually occur. While no one expects chimps to transform into geniuses overnight, there is fear that introducing human DNA into non-human creatures could create unfortunate hybrids. An excerpt;

Nature magazine published a report last year suggesting that non-human primates with sections of human DNA implanted into their genomes at the embryonic stage—through a process called transgenics—might develop enough self-awareness ‘to appreciate the ways their lives are circumscribed, and to suffer, albeit immeasurably, in the full psychological sense of that term.’

‘That’s the ethical concern: that we would produce a creature,’ says bioethicist Dr. Marilyn Coors, one of the authors of the Nature report. ‘If it were cognitively aware, you wouldn’t want to put it in a zoo. What kind of cruelty would that be? You wouldn’t be able to measure the cruelty—or maybe it could tell you. I don’t know.’

Although Walker doesn’t know of anyone doing research to enhance cognitive function in apes, and Coors knows of no transgenic apes, Coors points out that scientists theoretically have the technical capability to produce them.”

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Ham, the first Astrochimp, 1961:

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