I mentioned when the GOP “swept the nation” during the ’14 midterms, that Senate gains were more a result of each state having two national representatives regardless of population rather than some actual shift in ideology. It seems the Republicans are still favored by just the 46% or so of Americans who supported Mitt Romney for President in ’12. At Vox, Dylan Matthews breaks down the numbers even further. The opening:

“On Tuesday, 33 US senators elected in November will be sworn in by Vice President Joe Biden — including 12 who are new to the chamber. The class includes 22 Republicans and 11 Democrats, a big reason why the GOP has a 54-46 majority in the Senate overall.

But here’s a crazy fact: those 46 Democrats got more votes than the 54 Republicans across the 2010, 2012, and 2014 elections. According to Nathan Nicholson, a researcher at the voting reform advocacy group FairVote, ‘the 46 Democratic caucus members in the 114th Congress received a total of 67.8 million votes in winning their seats, while the 54 Republican caucus members received 47.1 million votes.'”

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  • 11 New Year’s Resolutions For Your Cat

We love you, Puddles, but you have a problem.

We love you, Puddles, but you need to get help.

I can stop anytime I want to.

I can stop drinking anytime I want to.

You're a friggin' mess, Puddles.

You’re a friggin’ mess, Puddles.

Youre not even a real doctor.

You’re not even a real doctor.

You're liver is diseased, Puddles. You will die if you don;t stop drinking.

But I am. Your liver is diseased. Quit drinking or you’ll die.

My name is Puddles, and I’m an alcoholic.

 

10 search-engine keyphrases bringing traffic to Afflictor this week:

  1. plot to rob president lincoln’s corpse
  2. what can i barter for an iphone?
  3. life in the year 2040
  4. chinese people breathing in bags of mountain air
  5. story about the 1870s wolf boy
  6. orson welles discussing computers
  7. if i have a nanobot i don’t need money
  8. wim klein the human calculator
  9. inside joe arpaio’s tent city jail
  10. patti smith muhammad ali

This week, the prospect of 2015 became worrisome after we met the Baby New Year.

  • Ken Kalfus argues against trying to put humans and colonies on Mars.
  • Ai Weiwei is watched even more than the rest of us.
  • Airbnb is now bigger than the largest hotel groups.
  • A brief note from 1922 about an owl hat.

From the December 6, 1901 Brooklyn Daily Eagle:

“A Colorado lawyer deliberately blew himself up with dynamite while smoking a cigar.”

Ken Kalfus, author of the wonderful short story collection Thirst, among other books, has written an n+1 piece in which he advocates for an unmanned mission to Alpha Centauri and strongly doubts the plausibility of a mission to Mars–soon or perhaps ever–let alone the planet’s colonization, believing there will be no refuge for us in outer space from Earth’s ultimate rejection of our species, noting soaring costs, low political will and high radiation levels. All that’s true, and pipe dreams like Mars One won’t get off the ground, though ever is a mighty long time. An excerpt:

A half-century after the conclusion of the Apollo mission, we have entered a new age of space fantasy—one with Mars as its ruling hallucination. Once again stirring goals have been set, determined timetables have been laid down, and artist’s renderings of futuristic spacecraft have been issued. The latest NASA Authorization Act projects Mars as the destination for its human spaceflight program. Last month’s successful test flight of the Orion space vehicle was called by NASA Administrator Charles Bolden ‘another extraordinary milestone toward a human journey to Mars.’ The space agency’s officials regularly justify the development of new rockets, like the Space Launch System, as crucial to an eventual Mars mission.

But human beings won’t be going to Mars anytime soon, if ever. In June, a congressionally commissioned report by the National Research Council, an arm of the National Academy of Sciences and the National Academy of Engineering, punctured any hope that with its current and anticipated level of funding NASA will get human beings anywhere within the vicinity of the red planet. To continue on a course for Mars without a sustained increase in the budget, the report said, “is to invite failure, disillusionment, and the loss of the longstanding international perception that human spaceflight is something the United States does best.”

The new report warns against making dates with Mars we cannot keep. It endorses a human mission to the red planet, but only mildly and without setting a firm timetable. Its “pathways” approach comprises intermediate missions, such as a return to the moon or a visit to an asteroid. No intermediate mission would be embarked upon without a budgetary commitment to complete it; each step would lead to the next. Each could conclude the human exploration of space if future Congresses and presidential administrations decide the technical and budgetary challenges for a flight to Mars are too steep.

The technical and budgetary challenges are very steep. A reader contemplating them may reasonably wonder if it’s worth sending people to Mars at all.•

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The TV show Desperate Housewives knew disparate influences, from Andrea Yates to Douglas Sirk, but more than anything it’s the most mainstream distillation ever of the influence of Pedro Almodóvar, one of the handful of cinema masters on the planet. In a Financial Times piece by Raphael Abraham, the director acknowledges the drift of talent and vision to smaller screens. An excerpt: 

“Almodóvar came to prominence during ‘La Movida,’ the Madrid counterculture that, following Franco’s death in 1975, enthusiastically cast off the oppressive mantle of dictatorship and embraced hedonism alongside sexual and political liberation. With their colourful and brazen depictions of modern Spanish life, Almodóvar’s earliest films shocked audiences and critics alike.

This power to shock remains intact. In preparation for our meeting I made the mistake of watching Pepi, Luci, Bom and Other Girls On the Heap (1980) on a laptop while riding the London Tube. Within the first 20 minutes of Almodóvar’s crudely shot debut feature there is a rape scene and an eye-popping encounter in which a young punk girl walks in on a knitting class and urinates on a masochistic Madrid housewife who purrs with delight. Already attracting disapproving looks from my fellow passengers, I only just managed to snap shut the laptop lid before she hoisted up her skirt.

Such extreme examples aside, the kind of domestic transgression with which Almodóvar made his name can today be found in mainstream US television series such as Desperate Housewives, Nurse Jackie and Breaking Bad. ‘I think at the moment in the US they’re producing TV that is much closer to reality than the cinema is,’ he says. ‘Breaking Bad is like early Scorsese, the most brutal, most acid television. And, over five series, every episode is a masterpiece of scriptwriting, direction and exaggeration — not that they exaggerate reality but that they’re dealing with a reality that is already very extreme. Breaking Bad, I think, is the culmination of American fictional TV.’

In this regard, he says, it is outstripping film.”

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I use to think that because of the efficacy of the tools we have created and are going to create, that the structure of surveillance couldn’t be dismantled no matter how much we wanted it to be. But a few years back I began to believe that most Americans wanted to watch and be watched, that we like the new abnormal more than we wanted to admit. The information titillated, the attention flattered. There are costs, however, for being on either side of the lens, and we’re all on both now. From Hans de Zwart’s Matter piece, “Ai Weiwei Is Living in Our Future“: 

“After 81 days of staying in a cell he was released and could return to his home and studio in Beijing. His freedom was very limited: they took away his passport, put him under house arrest, forbid him to talk with journalists about his arrest, forced him to stop using social media and put up camera’s all around his house.

Andreas Johnsen, a Danish filmmaker, has made a fantastic documentary about the first year of house arrest. 

A fascinating element of the documentary is that you can see Ai Weiwei constantly experimenting with coping strategies for when you are under permanent surveillance. At some point, for example, he decided to put up four cameras inside his house and livestream his life to the Internet. This made the authorities very nervous and within a few days the ‘WeiWeiCam’ was taken offline.

Close to his house there is a parking lot where Ai Weiwei regularly catches some fresh air and walks in circles to stay in shape. He knows he is being watched and is constantly on the lookout for the people watching him. In a very funny scene he sees two undercover policemen observing him from a terrace on the first floor of a restaurant. He rushes into the restaurant and climbs the stairs. He stands next to the table that seats the agents, who at this point try and hide their tele-lensed cameras and look very uncomfortable. Ai Weiwei turns to the camera and says: ‘If you had to keep a watch on me, wouldn’t this be the ideal spot?’

This scene shows how being responsible for watching somebody isn’t a pleasant job at all.”

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“Guaranteed human pee.”

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Perhaps you would like to add your own splotch of ammoniated urine to this high quality wool rug?

If so, I have the rug for you!

For just $99.99 this piss soaked rug could be yours.

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Cash and carry.

A switch to electric cars which get energy from solar sources is seen by some conservatives as a vast left-wing conspiracy, but California’s Governor Ronald Reagan, still the GOP standard-bearer, was completely on board with subsidizing EVs when he first witnessed the Enfield 8000 in 1969. An excerpt follows from a 2013 BBC article.

_______________________________

“In November 1969, the Enfield 8000 was shown off at the first ever international symposium on electric vehicles, held in Phoenix, Arizona, where it caught the eye of Ronald Reagan, then Governor of California.

“We took a truck across America with two Enfields on the back,” says Sir John Samuel, who was leading the delegation. “Some people just looked at them and laughed, but Ronnie Reagan was astounded, and he said, ‘Why can’t we do this here?'”

Governor Reagan offered to find a factory site in California, promising healthy subsidies and guaranteed orders. He even suggested giving the cars to all home-buyers on the island of Santa Catalina off the California coast, where the use of petrol-driven vehicles was – and still is – heavily restricted.

But Enfield Automotive’s owner John Goulandris, who was from a wealthy Greek shipping family, turned down Reagan’s offer and chose to continue production in Cowes on the Isle of Wight.•

_______________________________

The original BBC report about the Enfield 8000 at the 1:15 mark:

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I know the Internet is freer, fuller and more democratic–and I love it–but I’m glad I was raised in a time of traditional magazines, an era approaching endgame in many essential ways. When I was a kid, I would go to used-magazine stores in Manhattan and trade in copies of a few of these for some of those, usually Mad for baseball or baseball for Mad, which introduced me to statistics and satire and so much more. Everything wasn’t at your fingertips, so you had to use your legs to get such backdated periodicals. What a genius invention–pages contained beneath a cover, hand-crafted and magical.

In a Los Angeles Review of Books article inspired by the recent implosion at The New Republic, David A. Bell succinctly sums up a time when the information flows, when home pages, like house organs, have arrived at obsolescence, when even online magazines–any magazines–seem to be beside the point. An excerpt:

“If the sheer economics of the digital age is not necessarily dooming the larger project that began in the 18th century, other elements of digital publication and politics have already fundamentally changed its nature. Most importantly, with the coming of social media and news aggregators, an increasing number of readers no longer interact with entire publications, or even large chunks of them. From the early 18th century to the late 20th, readers had only one way to read a magazine: they held the entire issue in their hands. They might only read a few articles, but they had all the others literally at their fingertips. Even in the early days of the internet, most online reading started with a visit to a website that put some or all of a magazine’s current articles on the same page, with links helpfully underlined. But today, more and more, readers encounter only the disjecta membra of publications that social media and aggregators have broken up. They no longer even visit the front page of a website. Although a dedicated reader of TNR until December, in recent years I rarely visited its website, instead relying on Twitter, Facebook, and RSS readers to bring me the magazine’s individual articles as they went live. And I read these articles alongside a host of others from publications I didn’t subscribe to, whose websites I never visited, and which in some cases I had never even heard of. But friends would post pieces on social media, or other articles would link to them. (I presume the same is true of the way many of you are reading this essay, right now.) Back in the days of print, once I paid for a magazine, I had an obvious material incentive to read everything in it, rather than go out and purchase something else. Now, most of the articles I read cost me nothing to access. All in all, I pay far less attention than I once did to where a particular article originally appeared; I rarely pause, like many other readers presumably, to consider how editors might have shaped it, behind the scenes. When I read a magazine on paper, on the other hand, its overall editorial project still imposes itself strongly on my reading response.

In this new digital universe where words have broken free of their traditional covers — and reading so easily turns into skimming — arguments flow faster and fiercer than ever, but they are atomized, and hyper-accelerated. A group of authors may momentarily coalesce to argue a particular point — the way commentators from Ta-Nehisi Coates to Corey Robin came together to say ‘good riddance’ to TNR. But then the molecules of argument break apart again in the constant flow. In this universe where unified magazines are dissolving, it is becoming far harder for a group of editors and writers to have the sort of durable influence that TNR acquired at moments in its past, notably in the 1980s. For all the excellent articles that the surviving weekly magazines still publish, their existence as distinct editorial projects jibes poorly with the way more and more of its readers actually read.”

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In “The Lives of Ronald Pinn” in the London Review of Books, Andrew O’Hagan begins with a meditation on the creepy true-life practice of undercover UK police who secretly, for four decades, assumed the identities of actual people who’d died as children or young adults, using the deceased to construct new personas for themselves in order to stealthily investigate the activities of left-wing groups. They acquired backstories and “continued” the lives. It was grave robbery as identity theft, something like fan fiction married to police work. 

During the age of the Internet, such fictionalizing has even greater consequences. In what’s an admittedly very dubious ethical act, O’Hagan then creates a fake identity from the titular Mr. Pinn, a South Londoner who presumably died of a heroin overdose in 1984, discovering how easy it still is to raise the dead and breathe something like life into it, to acquire every last ungodly thing on the Dark Internet under the alias, and how much this falsification resembles much of what the average person really does in our time of avatars, usernames, purchased followers, “friends” and cryptocurrency. An excerpt:

“Stories of people pretending to be other people, of people feeling impelled to confect, imitate or perform themselves, describe a change not just in the technological basis of our lives but in the narrative strategies now available to us. You could say that every ambitious person needs a legend to deepen their own. Last year Manti Te’o, an exceptional Hawaiian linebacker, a Mormon who played for Notre Dame, found his when he told the sad story of having to succeed for his team after his 22-year-old girlfriend, Lennay Kekua, died of leukaemia. Despite his grief, the footballer stormed up the field, making 12 tackles in one game, before appearing on news programmes to talk about his heartbreak and to quote from the letters Lennay had written him during her terrible illness. Problem was: the girlfriend never existed. She was a complete invention – the photographs on social media sites were of a girl he’d never met. He’d missed Lennay’s funeral, Te’o said, because she insisted that he not miss the game. There are hundreds of stories like this, where ‘sock-puppet’ accounts on Facebook and elsewhere have allowed a ‘person’ – sometimes a whole ‘family’ – to put together a life that’s much bigger than the real one. The Dirr family from Ohio solicited sympathy and dollars for years after losing loved ones to cancer – a small village of more than seventy invented profiles shored up the lie. It was all the work of a 22-year-old medical student, Emily Dirr, who’d been inventing her world since she was 11. Her life was a reality show that she produced, cast, directed, starred in, and broadcast to the world under a pile of aliases that felt entirely real and moving to a large group of devoted followers.

By the middle of last summer, Ronnie Pinn had a Gmail account and an aol account, as well as accounts on Craigslist and Reddit. It took the best part of a week to install and run the software necessary to get the bitcoins he needed to confirm his existence. I bought them with a credit card – hundreds of pounds’ worth – on computers that couldn’t be traced back to me. In each case they had to be ‘mixed’, or laundered, before Ronnie could buy things. Around every corner on the web is a scam, and the Ronnie I invented had to negotiate with some of the dodgiest parts of the World Wide Web. He now had currency; next he got a fake address. I used an empty flat in Islington, where I would go to collect his mail, the emptiness of the hall seeming all the emptier for the pile of mail on the floor, addressed to someone who didn’t exist but was more demanding than many who did.

It wasn’t long before I saw Ronnie’s face on a driving licence. It took a few weeks to secure a passport. The seller was on the dark net website Evolution; having gathered all ‘Ronnie’s’ information, he produced scans on which the photographs were missing. Then he disappeared. This is common enough: the sellers no less often than those seeking to buy their wares are crooks. Another seller produced the documents quite quickly and with everything in place anyone could have been fooled. Not perhaps the e-passport gates at Heathrow, but a British passport is a gateway ID to many other forms of ID, as well as to a world of legitimacy. Slowly and digitally, ‘Ronnie’ began to be a man who had everything, a face, an address, a passport, discount cards. He began to have conversations with real people on Reddit, or people who might have been real, and his Twitter and Facebook life showed him to be a creature of enthusiasm and prejudice. Nowadays, everyone can be Frankenstein and his monster, both the hare-brained dreamer and his gothic offspring, and the enabling technology seems to encourage the idea. Ronnie, in the world, was a figment, but on discussion boards he was no less believable than anybody else. ‘Friend’ has become a verb, leaving the old world of ‘befriend’ to hint at warm handshakes and eyes that actually met. People ‘friend’ people on Facebook and they get ‘friended’, but many of them will never meet. Elsewhere on the net the connections may lead to a cold presence, a person who is legitimate but non-existent. Ronnie’s social interaction online could be involved and energetic and characterful, but it seemed that everyone he met had a self to hide and nothing to show for themselves beyond their quips and departures. At one point, Ronnie’s Twitter account got hacked and he was invaded by hundreds of robotic right-wing followers. His ‘information’ had opened him up to being exploited by spam-bots, by other machines, and by web detritus that clings to entities like Ronnie as a matter of digital course. None of these everyday spooks came in from the cold, and Ronnie moved, as if by osmosis, into the more criminal parts of the internet, where the clandestine earns its keep.”

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Torture performed by the U.S. government in the aftermath of 9/11 has gotten more Americans killed than those Al-Qaeda attacks did. False information from waterboarding and renditions brought forth “evidence” that led to the invasion of Iraq, which killed 4,500 American soldiers and who knows how many Iraqis. Despite the numbers, some still cling to their belief in these brutal methods.

In the New York Review of Books, Hugh Eakin interviews journalist Mark Danner, who’s been reporting on America turning to torture since the Towers fell, about the recent Senate-report findings. The opening:

Hugh Eakin:

Nearly six years ago, you published the secret report by the International Committee of the Red Cross documenting the CIA’s torture of more than a dozen ‘high value’ detainees. And now we have the Senate’s extensive investigation of the torture program itself. What are some of the most revealing findings of the Senate report?

Mark Danner:

There is a lot in the executive summary that we already knew but that is now told in appalling detail that we hadn’t seen before. The relentlessness, day in day out, of these techniques; the totality of their effect when taken together—walling, close-confinement, water-dousing, waterboarding, the newly revealed ‘rectal rehydration,’ and various other disgusting and depraved things—is recounted in numbing, revolting detail. The effect can only be conveyed by a full reading, through page after awful page of this five-hundred-page document, which is after all less than 10 percent of the report itself.

What I think is strictly speaking new is, first, how amateurish the torture program was. It was really amateur hour, beginning with the techniques themselves, which were devised and run by a couple of retired Air Force psychologists who were hired by the CIA and put in charge though they had never conducted an interrogation before. They had no expertise in terrorism or counterterrorism, had never interrogated al-Qaeda members or anyone else for that matter. When it came to actually working with detained terrorists and suspected terrorists they were essentially without any relevant experience. Eventually, the CIA paid them more than $80 million.

The second great revelation is the degree to which the CIA claimed great results, and did so mendaciously. Sometimes the attacks they said they had prevented were not serious in the first place. Sometimes the information that actually might have led to averting attacks came not from the enhanced interrogation techniques but from other traditional forms of interrogation or other information entirely. But what the report methodically demonstrates is that the claims about having obtained essential, life-saving intelligence thanks to these techniques that had been repeated for years and years and years are simply not true. And the case is devastating.

Hugh Eakin:

This was a central question the Senate investigation was looking at, wasn’t it? The issue of whether actual intelligence was gained from torture. In essence, ‘Was it worth it?’

Mark Danner:

From the beginning the CIA had claimed that these techniques were absolutely essential to saving the lives of tens of thousands, or even hundreds of thousands of people. Those claims have been made by many people and it is another revelation of the report that we see CIA people, notably the lawyers, raising these claims before the program even existed. The lawyers seemed to be thinking, ‘This is the only way we’re going to get away with this.’ There is a quote in the report that people would look more kindly on torture—that is the word used—if it was used to stop imminent attacks. This was the so-called ‘necessity defense,’ which, as the CIA lawyers put it, could be invoked to protect from prosecution ‘US officials who tortured to obtain information that saved many lives.’ This idea was there right from the inception of the program.•

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Long before Snowden, Richard Stallman warned of the surveillance state to little effect, a Cassandra of the Cloud. In “Why You Should Not Use Uber,” he continues to rail against a new machine he sees as soulless. An excerpt follows.

____________________________

• It requires you to let Big Brother track you, with a portable phone.

  • Uber requires you to identify yourself, both to order a cab and to pay.
  • Uber also records where you get the cab and where you go with it.
  • Uber’s clever policy of not being directly responsible for anything that goes wrong extends to harassment by drivers, and its practice of identifying passengers enables drivers to find out who the passenger is. This makes some women scared to use Uber.This problem comes directly out of the practices listed above that mistreat all users of Uber.
  • Uber is an unregulated near-monopoly, so it can cut rates for drivers arbitrarily.

Drivers are starting to complain that they’re left with little money for their work.

Uber drivers are getting shafted; Uber can arbitrarily cut their pay, and they have to work 15 hours a day. Some are trying to unionize.

We should not accept the whitewash label of ‘sharing economy’ for companies like Uber. A more accurate term is ‘piecework subcontractor economy.’

It would be easy for a non-plutocratic government to prohibit this, and that’s what every country ought to do, unless/until every person gets an adequate basic income so people don’t need to be employed.•

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I think they should all be in prison: Adnan, Jay, Sarah Koenig, the listeners, the MailChimp.

The whole Serial thing made me uncomfortable for many reasons–clumsy journalistic practices, race, class, true crime, celebrity–and a Liberal Arts major who knows just when to pause when reading a radio script can’t make that go away. To be fair, I think the popular podcast did shine a light on the huge holes that often exist in policing and in the justice system, and perhaps in its own bumbling way, the show will lead to some greater resolution of a dicey case.

Because he’s Alan Dershowitz, Alan Dershowitz gives his two cents at the Guardian. The opening:

“Everywhere I go, I’m asked whether I think that Adnan Syed ‘did it’, whether he received a fair trial and whether he has any chance of getting his conviction and life sentence reversed.

The answer to the first question is ‘I don’t know’; to the second, ‘no’; and to the third, ‘it will be an uphill struggle, but it is possible – largely due to the podcast itself.’

So many people ask because they’re all talking about the remarkable podcast Serial, which documents the factual weaknesses – and strengths but mostly weaknesses – in the prosecution and conviction of Adnan Masud Syed for the murder of his former girlfriend, Hae Min Lee, in 1999 when they were both high school students in Baltimore, Maryland. Sarah Koenig, who narrates and co-produces the podcast, turned her reporting about the case into a worldwide conversation about justice, doubts and the limitations of the American legal system.

Koenig, who has re-examined almost every aspect of the prosecution’s case from multiple angles, came to an uncertain conclusion: she believes Syed is probably not guilty, but she can’t swear to it. The evidence she presents raises considerable doubts about the prosecution’s case, but also leaves open the possibility that Syed committed the murder for which he is serving time in prison.”

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From the April 29, 1888 Brooklyn Daily Eagle:

“The newest attraction for a dime museum is a man from Terre Haute who can drink thirty gallons of water a day.”

The odds of NASA funding a floating airship city 30 miles above Venus that’s capable of sheltering a human community are not very hopeful, but that type of research is going on with the HAVOC project. From Peter Shadbolt at CNN:

“Venus has the advantage of being much closer to Earth. Its minimum distance to Earth is 38 million kilometers, compared with 54.6 million to Mars.

‘The kind of multi-decade mission that we believe could succeed would be an evolutionary program for the exploration of Venus, with focus on the mission architecture and vehicle concept for a 30-day crewed mission into Venus’s atmosphere,’ he said.

At the heart of the concept is the logistically difficult task of sending a spacecraft into the atmosphere of Venus without landing it.

The HAVOC model involves placing the astronauts inside an ‘aeroshell’ that would enter the atmosphere at 4,500 miles per hour.

Decelerating during its descent to just 450 meters per second and then deploying a parachute, the shell would fall away to reveal a folded airship. Robotic arms would unfurl the blimp which would be inflated with helium to allow the airship to float 30 miles above the planet’s fiery surface.

Jones said the key technical challenges for the mission include performing the ‘aerocapture’ maneuvers at Venus and Earth (the process of entering the orbit of both planets), inserting and inflating the airships, and protecting the solar panels and structure from the sulphuric acid in the atmosphere.

‘With advances in technology and further refinement of the concept, missions to the Venusian atmosphere can expand humanity’s future in space,’ he said.

Permanent mission

Ultimately, NASA could seek a permanent manned presence in Venus’s atmosphere.

Suspended in a gondola beneath the airships, astronauts would not have to contend with the physical challenges of zero gravity, where weightlessness causes muscles to wither and bones to demineralize.”

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If the overall American economy continues to brighten over the next two years, particularly employment and wage growth, a couple of very different potential candidates for the Presidency almost surely have no chance: Mitt Romney and Elizabeth Warren. The former’s greatest claim, valid or not, is that he’s a money man who can turn things around; the latter is seen as a populist who can dismantle and reorganize a failed system. Should another recession occur, however, particularly a second Great Recession, protest candidates of all sorts are back on the table.

In “FT Predictions: The World in 2015,” Edward Luce answers the most obvious question about the next U.S. national election:

“Will a serious rival emerge to Hillary Clinton in 2015?

No. We will not know the name of the Republican nominee until 2016. Even then, he — there are no female hopefuls among the 20 or so names doing the rounds — will be so bruised that Mrs Clinton will begin the general election with a head start.

In the Democratic field, she will be challenged by one or two second-tier candidates, such as James Webb, the former Virginia senator, and Martin O’Malley, the outgoing governor of Maryland. But Mrs Clinton will keep her grip on the primaries. Her only real threat, Elizabeth Warren, the populist senator from Massachusetts, will decline to run in spite of strong urging from the liberal left. When it comes to it, Ms Warren will not want to stand in the path of the election of America’s first female president.”

 

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The Uberization of the economy is a very convenient thing unless you’re one of those employed within that system. Then you could be inconvenienced. This cultural shift may be good or ill for workers in the long run depending on whether other companies utilize Uber’s rapacious business practices. From an Economist story about the proliferation of the Peer Economy in America, in which not everyone is an equal:

“Handy is one of a large number of startups built around systems which match jobs with independent contractors on the fly, and thus supply labour and services on demand. In San Francisco—which is, with New York, Handy’s hometown, ground zero for this on-demand economy—young professionals who work for Google and Facebook can use the apps on their phones to get their apartments cleaned by Handy or Homejoy; their groceries bought and delivered by Instacart; their clothes washed by Washio and their flowers delivered by BloomThat. Fancy Hands will provide them with personal assistants who can book trips or negotiate with the cable company. TaskRabbit will send somebody out to pick up a last-minute gift and Shyp will gift-wrap and deliver it. SpoonRocket will deliver a restaurant-quality meal to the door within ten minutes.

The obvious inspiration for all this is Uber, a car service which was founded in San Francisco in 2009 and which already operates in 53 countries; insiders say it will have sales of more than $1 billion in 2014. SherpaVentures, a venture-capital company, calculates that Uber and two other car services, Lyft and Sidecar, made $140m in revenues in San Francisco in 2013, half what the established taxi companies took (see chart 1), and the company shows every sign of doing the same wherever local regulators give it room. Its latest funding round valued it at $40 billion. Even in a frothy market, that is a remarkable figure.

Bashing Uber has become an industry in its own right; in some circles, though, applying its business model to any other service imaginable is even more popular.”

The main difference between the rich and the poor is that the rich have money. They aren’t any less likely to drink, use drugs or divorce than their less-bankrolled brethren, but they can paper over their failings.

My two biggest worries in life are getting sick and becoming homeless, and they’re not at all irrational fears. Everybody knows they can grow ill, but some seem unaware that they can go homeless. Nonsense. Or maybe the economic collapse has disabused us of this foolishness?

A companion to the great 1977 Atlantic article “The Gentle Art of Poverty” is “Falling,” William McPherson’s personal essay in the Hedgehog Review about his not-so-gentle decline into the ranks of the poor in modern America. The opening:

“The rich are all alike, to revise Tolstoy’s famous words, but the poor are poor in their own particular ways. 

Any reasonably intelligent reader could blow that generalization apart in the time it takes to write it. But as with most generalizations, a truth lies behind it. Ultimately, what binds the rich together is that they have more money, lots more. For one reason or another, the poor don’t have enough of it. But poverty doesn’t bind the poor together as much as wealth and the need to protect it bind the rich. If it did, we would hear the rattle of tumbrels in the streets. One hears mutterings, but the chains have not yet been shed.

I have some personal experience here. Like a lot of other people, I started life comfortably middle-class, maybe upper-middle class; now, like a lot of other people walking the streets of America today, I am poor. To put it directly, I have no money. Does this embarrass me? Of course, it embarrasses me—and a lot of other things as well. It’s humiliating to be poor, to be dependent on the kindness of family and friends and government subsidies. But it sure is an education.

Social classes are relative and definitions vary, but if money defines class, the sociologists would say I was not among the wretched of the earth but probably at the higher end of the lower classes. I’m not working class because I don’t have what most people consider a job. I’m a writer, although I don’t grind out the words the way I once did. Which is one reason I’m poor.”

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Faustian art-world figure Stefan Simchowitz, whose aggressive promotion and popular Instagram account grow art stars and his own bank account, sees himself as a Silicon Valley-ish disruptor of traditional dealers, a popularizer of the “Post-Internet” school, while he makes many others just see red, believing him more Wall Street-esque predator than patron, a philistine who flips collages like condos. Certainly not the first article about the Google Era anti-gallerist but one of the best is “The Art World’s Patron Satan,” Christopher Glazek’s just-published New York Times Magazine profile. An excerpt:

“Since 2007, Simchowitz has sponsored and promoted roughly two dozen young artists. In addition to arranging sales for their work, Simchowitz often provides them with a studio, purchases their materials, covers their rent and subsidizes their living expenses. Perhaps most consequentially, he also posts photos of them and their work on his influential Instagram account, thereby creating what he calls ‘heat’ and ‘velocity’ for the artists he supports, who have included market darlings like the Colombian Oscar Murillo, the Japanese-American Parker Ito and the Brazilian Christian Rosa, all under the age of 35. But Simchowitz’s methods call down the opprobrium of art-world stalwarts, who are contemptuous of his taste, suspicious of his motives and fearful of his network’s potential to subvert the intricate hierarchies that have regulated art for centuries.

Reputations in the art world are forged over many years across countless fairs, openings, reviews and dinners. Although laypeople may look at a $30 million Richter and compare it to splatters from a second grader, Richter’s prices are determined not by chance but by the elaborate academic, journalistic and institutional infrastructure the art world has built to mete out prizes and anoint the next generation of cultural torchbearers. The collector class has traditionally come from the very top of the wealth spectrum and has included people looking to trade money for social prestige by participating in the art world’s stately rituals. Over the last few years, though, a new class of speculators has emerged with crasser objectives: They are less interested in flying to Basel to attend a dinner than in riding the economic wave that has caused the market for emerging contemporary art to surge in the past decade.

Critics charge that Simchowitz often preys on vulnerable young artists without gallery representation — some say without talent — and buys up huge quantities of their work, then flips the pieces back and forth at escalating prices among a cultivated group of buyers: a network of movie stars, professional poker players, orthodontists, nightclub promoters, financiers, football players and corned-beef magnates, many of whom hold Simchowitz in such high esteem that they’re willing to purchase the pieces he acquires for them sight unseen, artist unnamed. In March, in an online screed for New York magazine, the art critic Jerry Saltz tore into Simchowitz with unusual ferocity, dubbing him a ‘Sith Lord’ and the Pied Piper of the ‘New Cynicism.’ Simchowitz’s artists may enjoy a temporary surge in prices, his critics argue, but they typically see little of the upside; in any case, or so the story goes, once their bubbles pop, they’re left for dead.”

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There had been other robots before the late 1930s, tin men who’d greeted conventioners and accomplished all manner of parlor trick, but Westinghouse’s Elektro took the mild amusements of early robotics national at the 1939 World’s Fair in NYC and in subsequent tours of the country. In addition to “playing” musical instruments and blowing up balloons, Elektro could smoke cigarettes, which the kids loved, because emphysema. Never reduced to the recycling bin, Elektro continues his travels to this day. The hacking, teeth-stained machine is one of the several displays of nascent artificial humans mentioned in a World’s Fair preview in the April 9, 1939 Brooklyn Daily Eagle.

Looking for House Cleaner – $100 (Midtown)

Looking for a house cleaner. Open-minded to clean light every few weeks.
R rated house cleaner would be preferred. Must be sexy, can also clean in high-heels, but is optional.

Serious offers only.

It would help if you sent a picture also.

Via the wonderful Longreads, I came across Geoff Manaugh’s 2013 Cabinet piece about Los Angeles’s 1990s reputation as bank robbery capital of the world, which includes an extended meditation on the inscrutable and illegal exploits of the “Hole in the Ground Gang,” which attempted to mole its way to millions. The opening:

“In the 1990s, Los Angeles held the dubious title of ‘bank robbery capital of the world.’ At its height, the city’s bank crime rate hit the incredible frequency of one bank robbed every forty-five minutes of every working day. As FBI Special Agent Brenda Cotton—formerly based in Los Angeles but now stationed in New York City—joked at an event hosted by Columbia University’s school of architecture in April 2012, the agency even developed its own typology of banks in the region, most notably the ‘stop and rob’: a bank, located at the bottom of both an exit ramp and an on-ramp of one of Southern California’s many freeways, that could be robbed as quickly and as casually as you might pull off the highway for gas.

In his 2003 memoir Where The Money Is: True Tales from the Bank Robbery Capital of the World, co-authored with Gordon Dillow, retired Special Agent William J. Rehder briefly suggests that the design of a city itself leads to and even instigates certain crimes—in Los Angeles’s case, bank robberies. Rehder points out that this sprawling metropolis of freeways and its innumerable nondescript banks is, in a sense, a bank robber’s paradise. Crime, we could say, is just another way to use the city.

Tad Friend, writing a piece on car chases in Los Angeles for the New Yorker back in 2006, implied that the high-speed chase is, in effect, a proper and even more authentic use of the city’s many freeways than the, by comparison, embarrassingly impotent daily commute—that fleeing, illegally and often at lethal speeds, from the pursuing police while being broadcast live on local television is, well, it’s sort of what the city is for. After all, Friend writes, if you build ‘nine hundred miles of sinuous highway and twenty-one thousand miles of tangled surface streets’ in one city alone, you’re going to find at least a few people who want to really put those streets to use. Indeed, Friend, like Rehder, seems to argue that a city gets the kinds of crime appropriate to its form—or, more actively, it gets the kinds of crime its fabric calls for.

Of course, there are many other factors that contribute to the high incidence of bank robbery in Los Angeles, not least of which is the fact that many banks, Rehder explains in his book, make the financial calculation of money stolen per year vs. annual salary of a full-time security guard—and they come out on the side of letting the money be stolen. The money, in economic terms, is not worth protecting.”

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Before Barnes & Noble added couches and coffee and before those amenities were disappeared brick by brick and mortar by mortar by Amazon, there was a vast and very unwieldy version of the store near Rockefeller Center which sold remainder copies of Evergreen and Grove Press paperback plays for a buck. That’s how I came to Eugene Ionesco, Harold Pinter, Edward Albee, Bertolt Brecht and Samuel Beckett, the latter of whom was an absurdist as well as chauffeur to a pre-wrestling Andre the Giant. I can’t imagine a more trying dramatist to act for than Beckett, but Billie Whitelaw tried and succeeded. The go-to thespian for the Godot author just passed away. Here’s an excerpt from her Economist obituary:

“For 25 years she was the chosen conduit for the 20th century’s most challenging playwright, the author of Waiting for Godot She played Winnie in Happy Days, buried up to her waist in sand, carefully turning out her bag as she babbled away; the Second Woman in Play, the role in which Beckett first saw her at the Old Vic in 1964, enveloped in an urn with her face slathered with oatmeal and glue; May in Footfalls, communing with her absent mother while endlessly pacing a thin strip of carpet; and, in Rockaby, an ancient woman listening to her own voice as she slowly rocked herself to death.

She never pretended to understand these plays. She just thought of them as a state of mind, something she could recognise in herself. That was what Sam wanted: no interpretation, just perfection. If, almost unwittingly—for she wasn’t good at words, couldn’t spell and seldom read books—she replaced an ‘Oh’ with an ‘Ah,’ or paused minutely too long, upsetting the rhythm of his music, she would hear his murmured ‘Oh Lord!’ from the stalls, and see his head fall to his hands. He was always her best, gentlest and most exacting friend. In a way they were like lovers, walking arm in arm when she visited him in Paris, and rehearsing in her kitchen close up, she speaking directly into his pale, pale, powder-blue eyes, as he whispered the lines along with her. When he died, in 1989, she felt that part of her had been cut away.

Stutterer, chatterbox

It seemed unbelievable that it was her voice in Beckett’s mind when he wrote. It was nothing special to her. She had a Yorkshire accent, reflecting her Bradford childhood, but after a run of early TV typecasting in ‘trouble at t’mill’ dramas it had become residual, like her fondness for meat pies and Ilkley Moor. Her northern roots showed mostly in her liking for blunt, straight talk. At 11, after her father died, she had developed a stutter, which her mother thought might be cured by taking up acting. The cure worked so well that she became a staple on BBC radio’s Children’s Hour playing rough-voiced boys at ten shillings a time, and at 14 started to act for Joan Littlewood’s Theatre Workshop. Any challenge or crisis, though, could bring the stutter back, together with paralysing stage-fright. When she played Desdemona to Laurence Olivier’s Othello at the National Theatre, in 1963, she could hardly stop her voice trembling.

Small wonder she was nervous. She had never read Shakespeare then, and had had no classical training. Her years in rep had mostly consisted of playing dizzy blondes, busty typists and maids.”

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Whitelaw as “Winnie” in Happy Days:

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