Ray Bradbury interviewed by Mike Wallace on the night of the first moon landing. He was ebullient, of course, but probably somewhat more restrained than Arthur C. Clarke and Robert A. Heinlein.
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Tags: Mike Wallace, Ray Bradbury
Oriana Fallaci was one of the people who overreacted after the tragedy of 9/11, seeming to believe that the West was at war with Islam rather than terrorism. But she was pretty spot-on in her assessment of Muammar el-Qaddafi when coversing with that shock jock Charlie Rose in 2003.
More Oriana Fallaci posts:
- Fallaci interviews Indira Gandhi (1972).
- Fallaci interviews Golda Meir (1972).
Tags: Charlie Rose, Muammar el-Qaddafi, Muammar Gaddafi, Oriana Fallaci
"I will give you a paypal where you can send some funds."
Dont go out greedy with the Rapture! (NY)
Please help out a struggling dude with no money. If you think you are chosen and on your way out please donate me your savings account or anything you can give.
Email me back on here and I will give you a paypal where you can send some funds.
Go out doing the right thing by helping someone in need.
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Tags: Harold Camping, Jesus Christ
Tom Snyder was no Dick Cavett, but a lost Hitchcock interview is always great.
Tags: Alfred Hicthcock, Tom Snyder
A passage from “Thinking in the Rain,” Susan Orlean’s 2007 New Yorker profile of Steve Hollinger, a sculptor of found and often unusual materials:
“One day last year, Hollinger walked around his neighborhood carrying another one of his surprises. The neighborhood is Fort Point Channel, a cluster of decommissioned factory buildings in downtown Boston which now house hundreds of artists, so it is commonplace to see residents kitted out in attire not sold at Talbots, carrying objects that appear extraterrestrial. Even so, Hollinger attracted attention. He had spent the previous month mostly locked in his apartment, furiously teaching himself the principles of aerodynamics, the physics of hydrology, and the basics of how to operate a Singer sewing machine, and he was at last testing what he had been working on — a reimagined, reinvented umbrella, with gutters and airfoils and the elegant drift of a bird’s wing. ‘I knew I was on to something,’ he says now. ‘I was hardly outside for five minutes before someone stopped me and said, ‘Where can I get one of those?’
Hollinger is not, per se, an umbrella man; he is a sculptor who makes assemblages out of found materials. They are often kinetic and frequently reference other media: a solar-powered flip-book movie of Hollinger doing a war dance, which you view through a prism in a large cement block, or perhaps a series of photo emulsions peeled off Polaroids showing trees being immolated in a nuclear test in the nineteen-sixties, or twenty-five atom-shaped spheres made of photo-sensitive tape, suspended between sheets of plate glass and a frame of barn wood. His sculpture has been displayed widely and is well respected, but it is his work as an inventor that pays most of his bills. He grew up in suburban Connecticut, but both his parents are artists, and bohemian enough to have found his unusual interests — breaking thermometers in order to add to his collection of mercury, for instance — the sign of a lively mind. He went on to study computer programming at SUNY Albany. When he graduated, in 1984, he worked first at Telex, a computer company in North Carolina, and then at Wang Laboratories, in Massachusetts, developing imaging-technology software. In 1989, he decided to become an inventor.”
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A Hollinger solar-powered mixed-media work:
Tags: Steve Hollinger, Susan Orlean
Even if you’re someone who doesn’t care at all about puppetry (like me, for instance), this TED Talk by Adrian Kohler and Basil Jones of the South African Handspring Puppet Company is pretty impressive.
Tags: Adrian Kohler, Basil Jones
A 1988 panel discussion about the origins of our universe and more, with an amazing lineup: Carl Sagan, Arthur C. Clarke and Stephen Hawking.
Treebot–from Hong Kong to your heart. (Thanks IEEE Spectrum.)
Creative destruction is an essential part of economic regeneration, as paradigms shift, structures change and tools develop. Fresh ideas challenge the accepted order, and emerging industries replace established ones. Simply put, it’s out with the old and in with the new. We’re experiencing it now as the information economy and digital communications ascend, disappearing other industries. But even if this process is best (and even necessary) for long-term solvency, what about those left behind in the shuffle, those dots on the graph who are made with red ink?
This situation, of course, is nothing new. Albert and David Maysles made this prickly transition period the crux of their breakthrough 1968 documentary, Salesman, which put a sad and human face on those who were moving as fast as they could while still being left behind. In vérité style, the filmmakers follow a crew of Massachusetts-based door-to-door bible salesmen who try to push handsomely illustrated books on working-class people who are struggling to feed the kids and pay the mortgage. By the late ’60s, itinerant peddling had reached obsolescence as enclosed malls became popular, people grew reluctant to open their doors for strangers and cars were so ubiquitous that no one needed the “store” to come to them. Additionally, religion and traditional values were losing their grip on the collective will of the people, so these sellers were up against it.
There are funny moments in cheap motels and in the modest, often shabby, homes they visit, but as one of the salesman, middle-aged Paul “The Badger” Brennan, struggles to keep his job and quell his frustrations, the movie develops into an American tragedy. Right before his eyes (and ours), Brennan’s way of life runs out of time before he does. As the regional managers berate the crew into producing bible sales that seem to grow scarcer by the day, the men have to fool themselves into not losing their religion. But Brennan, a wizened chain-smoker, can no longer manage the ruse. “If a guy’s not a success he’s got nothing to blame but hisself!” barks one of the bosses. But sometimes problems are more complex than that and the sweep of history wider.•
Jack Kroll of Newsweek interviews the Maysles:
Tags: Albert Maysles, David Maysles, Jack Krol, Paul "The Badger" Brennan
When this interview was taped in 1997, it probably wasn’t apparent to too many people–even Jon Stewart himself?–that the younger comic would inherit the mantle of outraged, clear-eyed American conscience from George Carlin. Such different people who arrived at the same destination.
Tags: George Carlin, Jon Stewart
Excellent post on the NeuroTribes blog by Steve Silberman about John Elder Robison, an author and auto mechanic with Asperger syndrome. An excerpt:
“John Elder Robison would stand out in a crowd even if he didn’t have Asperger syndrome. A gruff, powerfully built, tirelessly curious, blue-eyed bear of a man, he hurtles down a San Diego sidewalk toward a promising Mexican restaurant like an unstoppable force of nature. ‘What’s keepin’ you stragglers?’ he calls back to the shorter-legged ambulators dawdling in his wake.
As they catch up, Robison utters his all-purpose sound of approval — ‘Woof!’ — which he utters often, being a man in his middle years who is finally at peace with himself after a difficult coming-of-age. For the acclaimed author of the 2007 New York Times bestseller Look Me in the Eye, a diagnosis of Autism Spectrum Disorder in mid-life was liberating, giving a name to the nagging feeling that he was somehow different from nearly everyone around him.”
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Robison speaking at GoogleTalks:
The great Open Culture points out that the much-loved 1963-1988 nature TV program, Mutual of Omaha’s Wild Kingdom, has a Youtube channel with some great footage. Hosted by zoologists Marlin Perkins and Jim Fowler, the show raised environmental awareness and made it perfectly clear that the ecosystem was not something to be tampered with. And in years before cable and the Internet, this program, along with Wide World of Sports, introduced Cold War-era Americans to far-flung corners of the world they were supposed to ignore or fear.
Watch the “Land of Quaking Earth” episode, which features a reel-to-reel tape player and a monkey in a yellow suit slapping the crap out of an owl:
A wild tale about the normally mild-mannered Perkins from the Canadian Broadcasting Corporation site: “Of course, asking the difficult question can be hazardous to a host’s health. In 1982, the fifth estate investigated whether the many nature documentaries interfered with nature for dramatic purposes. Bob McKeown reported how a Disney documentary showing the phenomenon of lemmings plunging to their death over cliffs had in fact been the same film footage spliced together to give the appearance of mass suicide. When McKeown interviewed zoologist Marlin Perkins, host of Wild Kingdom about truth and fiction on wildlife programmes, he clearly hit a raw nerve. The octogenarian Perkins firmly asked for the camera to be turned off, then punched a shocked McKeown in the face.”
Tags: Bob McKeown, Jim Fowler, Marlon Perkins
(Image by Wikimedia Foundation.)
The Awl, that fascinating stream of information and ideas, has a particularly wonderful article-length post in “Wikipedia and the Death of the Expert,” which was written by Maria Bustillos. It was just a few short years ago that Jimmy Wales’ brainchild was being openly mocked. People were too focused on what Wikipedia wasn’t (a flawless source), ignoring what it was (an excellent starting point for a curious mind, one of the great triumphs of crowdsourcing and an apotheosis of amateurism). But the laughter has stopped. Wikipedia hasn’t contributed to the decline of civilization but to the storehouse of knowledge, widening it with a lack of disdain toward so-called “low culture.” The original idea for Wikipedia didn’t come from crowdsourcing, but it would still be an empty room without the crowd that occupied it.
The opening of Bustillos’ Awl post:
“It’s high time people stopped kvetching about Wikipedia, which has long been the best encyclopedia available in English, and started figuring out what it portends instead. For one thing, Wikipedia is forcing us to confront the paradox inherent in the idea of learners as ‘doers, not recipients.’ If learners are indeed doers and not recipients, from whom are they learning? From one another, it appears; same as it ever was.
It’s been over five years since the landmark study in Nature that showed ‘few differences in accuracy’ between Wikipedia and theEncyclopedia Britannica. Though the honchos at Britannica threw a big hissy at the surprising results of that study, Nature stood by its methods and results, and a number of subsequent studies have confirmed its findings; so far as general accuracy of content is concerned, Wikipedia is comparable to conventionally compiled encyclopedias, including Britannica.”
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Jimmy Wales describes the birth of Wikipedia at TED in 2005:
The conclusion of Stacy Schiff’s 2006 New Yorker article, “Know It All,” which realized that the Wiki mob was winning but wasn’t sure if the victory was Pyrrhic: “In the nineteen-sixties, William F. Buckley, Jr., said that he would sooner ‘live in a society governed by the first two thousand names in the Boston telephone directory than in a society governed by the two thousand faculty members of Harvard University.’ On Wikipedia, he might finally have his wish. How was his page? Essentially on target, he said. All the same, Buckley added, he would prefer that those anonymous two thousand souls govern, and leave the encyclopedia writing to the experts.
Over breakfast in early May, I asked Cauz for an analogy with which to compare Britannica and Wikipedia. ‘Wikipedia is to Britannica as ‘American Idol’ is to the Juilliard School,’ he e-mailed me the next day. A few days later, Wales also chose a musical metaphor. ‘Wikipedia is to Britannica as rock and roll is to easy listening,’ he suggested. “It may not be as smooth, but it scares the parents and is a lot smarter in the end.’ He is right to emphasize the fright factor over accuracy. As was the Encyclopédie, Wikipedia is a combination of manifesto and reference work. Peer review, the mainstream media, and government agencies have landed us in a ditch. Not only are we impatient with the authorities but we are in a mood to talk back. Wikipedia offers endless opportunities for self-expression. It is the love child of reading groups and chat rooms, a second home for anyone who has written an Amazon review. This is not the first time that encyclopedia-makers have snatched control from an élite, or cast a harsh light on certitude. Jimmy Wales may or may not be the new Henry Ford, yet he has sent us tooling down the interstate, with but a squint back at the railroad. We’re on the open road now, without conductors and timetables. We’re free to chart our own course, also free to get gloriously, recklessly lost. Your truth or mine?”
Tags: Maria Bustillos, Stacy Schiff
"Doe-ray-me."
Filmmaker with a Great Story!! (Upper East Side)
I am a PG screenplay writer with a delightful story waiting to be displayed
on the silver screen. I put a product on Ebay, a photo for sale at 99 cents
each. If I can sell enough of them, or if a person with means comes along
first with some ‘doe-ray-me”, we can make a great show!!
••••••••••
“With Basic Instinct…it took 13 days, literally, from the time I started writing to the time it sold.”
,
In 1997, William Gibson expounds with scary accuracy about the fast, cheap and out-of-control nature of that developing non-hierarchical mass medium known as the World Wide Web.
Tags: William Gibson
"About a week ago a glove fight, in which blood was spilled, was pulled off in front of the church."
In 1902, Brooklyn churches were hot spots for urchins who wanted to gamble and engage in blood-soaked fisticuffs. A story about such behavior was published in the March 31, 1902 Brooklyn Daily Eagle. An excerpt:
“Barney Ritter, 15 years old, of 157 Jefferson avenue, and his brother, Israel, 11 years old, were charged in the Gates avenue court this morning with gambling craps in front of the Church of the Reconciliation, Nostrand and Jefferson avenues, yesterday afternoon, as the members of the congregation were proceeding into the church to attend the Easter services.
The pastor of the church, the Rev. W. Russell Collins, a few days ago complained about the boys who congregate in front of the church and play ball and in other ways cause annoyance to the residents on Sundays as well as week days. About a week ago a glove fight, in which blood was spilled, was pulled off in front of the church. Policeman McGann was instructed to look out for the boys yesterday, and captured Ritter and his brother engaged in ‘throwing the bones.’ The boys, who pleaded guilty, were severely lectured and warned by the magistrate, who permitted them to go free.”
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Women also enjoy boxing, in 1901:
Tags: Barney Ritter, Israel Ritter, Policeman McGann, Rev. W. Russell Collins
Footage of the Stepper 3D humanoid robot perambulating at Tsinghua University. The bot is being developed to participate in an annual soccer tournament called RoboCup, which will be held this year in Istanbul in July. From Singularity Hub: “I love the idea behind RoboCup: using the game of soccer to develop robotics and promote science and technology. The robots operate autonomously during play, utilizing programs that determine how they will find the ball, control the ball, and score a goal. RoboCup’s ultimate mission is to generate robots that can beat humans at a soccer match by the year 2050.”
"California has absorbed some eight million people since 1950." (Image by Matthew Field.)
In the 1965 Pageant magazine article, “The 450-Square-Mile Parking Lot,” Hunter S. Thompson (who hadn’t yet begun using the middle initial) looked up at the sunny Los Angeles sky and saw it falling, with the county becoming overcrowded and choked with exhaust. In retrospect, of course, it all seems quaint. The opening:
“If you count yourself in that legion who’ve been ‘thinking’ for years about moving to California–and especially to the Los Angeles area in Southern California–you’d better get your plans into high gear pretty soon, or forget it. Because the Golden State is getting crowded. So many people have gone there seeking the ‘good life’ that every year it gets harder and harder to find.
California has absorbed some eight million people since 1950, and even state officials have admitted that the population boom is becoming a very mixed blessing, especially as concerns schools, highways, welfare, and recreational facilities–all fields in which California ranks ahead of most other states. Yet the soaring population continues to outstrip all efforts to accommodate it. Sacramento, San Diego, and the San Francisco Bay area are growing like mushrooms, but the hub of the boom is and always has been Los Angeles, the king city of what is now the nation’s most populous state.” (Thanks to The Electric Typewriter.)
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Starkly different views of 1965 L.A.: The Farmers Market and the Watts Riots.
Tags: Hunter S. Thompson
Great when they were silent and great when they talked, Stan Laurel and Oliver Hardy spend time together for the final time ever in this home movie, likely shot in 1956, the year before Hardy died. (Thanks Open Culture.)
From Hardy’s Los Angeles Times obituary: “Oliver Hardy, rotund film comedian, died yesterday. He was 65. Death came to the portly half of the famed Laurel and Hardy comedy team from the effects of a paralytic stroke he suffered last September 12. So severe was the stroke that it left him almost completely paralyzed. He was unable to speak and could hardly move one arm. He had wasted away to a comparative shadow from his comical bumbling bulk which at the height of his fame bulged to 350 pounds.”
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Fat & Skinny in “The Music Box” in 1932:
Tags: Oliver Hardy, Stan Laurel
"That's All Folks." (Image by Wildhartlivie.)
Ben Ehrenreich’s “The End.“ is an excellent 2010 Los Angeles magazine article which examines the act of dying in L.A. County. It rightly won a National Magazine Award. An excerpt:
“So here you are, dead and alone. Chances are you didn’t want this, but your wishes were ignored. Whatever happens to the part of you that you recognize as somehow quintessentially you (call it soul, self, spirit, spark), the other part isn’t finished yet—the fleshly part, the limbs and guts that ached and pleased you in so many ways, the meaty bits that you vainly or grudgingly dragged around for all those years. That piece is still of interest to the bureaucrats. It is still a potential source of profit. In your absence its journey is just beginning.
The path forks before it. Which way it goes will be determined by the cause of your demise. All the state wants is a death certificate: Think of it as a letter from your doctor excusing you from paying income tax forever. The county, though, wants to know why you died and if there might be a reason to push the cops and the courts and the jails into motion. The coroner holds the key to all that machinery. The key itself is what you once called you. If you have not been under the care of a physician for six months, if you die during surgery or as a result of injuries sustained in an accident or an assault (self-inflicted or otherwise), or if there’s any suspicion that your death might be something other than ‘natural,’ your next stop will be the Los Angeles County Department of Coroner—which is, assistant chief coroner Ed Winter tells me more than once, the busiest such department in the country.”
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The L.A. County Coroner’s souvenir shop:
Tags: Ben Ehrenreich, Ed Winter
In February, Paris Review Daily featured a James Atlas interview with Douglas Coupland about the latter’s recent biography of Marshall McLuhan:
“Did you see him as a prophet of the revolution in global communications?
Douglas Coupland: No. Like most people, I only knew his three clichés: Medium equals message, global village, and the scene from Annie Hall . I’ve found that most people truly would like to know more about the man, but it’s almost impossible to do. His language is a universe unto itself and is astonishingly dense and hard to navigate. He died the year I started art school [1980], and his stock was at an all time low. His name never came up.
Why did you believe he was still relevant?
Douglas Coupland: Well, I didn’t. I had to figure that out myself. It took months of reading and rereading his stuff to realize that in Marshall we had a classically trained scholar realizing that there’s this thing coming down the pipe—the Internet—yet because he didn’t understand the ultimate interface, he was frustrated in his inability to describe it clearly. I think that’s what people really respond to in Marshall: the almost vibrating sense of being in on one of the biggest prognostications of all time, yet having news of its arrival coming from this fuddy-duddy guy in 1950s Toronto. How on earth did that happen?”
More McLuhan posts:
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“Hello Doug. Would you personally miss bees if they disappeared?”
Have you noticed that Google searches done from two different locations or on two different computers will return markedly different results? Or that Facebook will feed you what its algortihms have decided you want to the exclusion of all else? Personalization is all the rage, as targeted information can maximize online advertising revenue. But is there a danger in algorithms fragmenting the news we receive based solely on potential profits? Are we getting what we want rather than what we need? Because of the diversity of material online, I’m not so sure this is as huge an issue as it might seem. But Internet advocate Eli Pariser, author of The Filter Bubble, believes it’s a critical flaw in Web 2.0 and took on the issue in his recent TED Talk.
Tags: Mark Zuckerberg
A digital coin of the realm, which emerged during Web 1.0 and collapsed when the Internet bubble burst, is trying to take root again in the form of Bitcoin. From Duncan Geere’s Wired UK article: “Bitcoins can be saved on a personal computer in a wallet file, or stored on the web in a third-party wallet service. On the one hand, that means that you’re not holding onto it yourself; on the other, it means that it’s safe if your hard drive fails.”
"Evidence of the city’s decline was everywhere: subway cars bruised with graffiti." (Image by JJ Special.)
Jonathan Mahler, author of the incredible book about NYC in crisis during the 1970s, Ladies and Gentlemen, the Bronx Is Burning, wrote a New York magazine article in 2005 that recalled how Rupert Murdoch’s rise to media domination was largely driven by the Aussie’s gambit that the beleaguered city would return to prominence. An excerpt:
“The year was 1976, and evidence of the city’s decline was everywhere: subway cars bruised with graffiti, arson fires that swallowed whole ghetto blocks, soaring murder rates, and annual six-figure job losses. The city put on its best face for the Democratic convention, hastily enacting an anti-loitering law that enabled cops to round up most of the prostitutes in the vicinity of Madison Square Garden. For a few days anyway, even Times Square was more or less hooker-free. But the area soon returned to being America’s most infamous erogenous zone.
Around the country, cartoonists poked fun at New York in its apocalypse: The city was a sinking ship, a zoo where the apes were employed as zookeepers, a stage littered with overturned props. Central Park had become a running joke in Johnny Carson’s nightly monologues (‘Some Martians landed in Central Park today . . . and were mugged’). The syndicated columnists Rowland Evans and Robert Novak understated the matter considerably when they wrote, ‘Americans do not much like, admire, respect, trust, or believe in New York.’
It’s easy now to look back at this moment and see it for what it was—a classic market bottom. But at the time, few recognized it as such. One man who did was Murdoch. Where others saw a city in financial distress, he saw a place ripe for entrepreneurship. Where others saw a failed experiment in social democracy, he saw an opening for simple supply-and-demand capitalism.”
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Walter Cronkite on New York City’s financial emergency, 1976:
Tags: Jonathan Mahler, Rupert Murdoch
Midge MacKenzie 1966 film, “Neon,” profiles Pop Art sculptor Billy Apple, who made good use of the titular gas. Tom Wolfe, seen here in those sad years before the white suit had been invented, is featured.
From a March 18, 1966 Time magazine piece: “BILLY APPLE, 30, a New Zealander (real name: Barrie Bates) who works in Manhattan, believes ‘neon is the purest, hippest color in the world; Day-glo phosphorescent paint looks 1929-ish next to it.’ In Auckland, he wanted to be an engineer, now carefully varies the diameter of his neon tubes to produce different hues. Apple turned to art and working in a paint factory, he contracted dermatitis and a lasting dislike for turpentine. Even before he arrived at London’s Royal College of Art, he says, he found his solution in electric colors. While experimenting with them, Apple learned to make highlights by bathing bronze objects in neon. The bronze tints are erased and only the fluid splash of reflected neon remains like a cloak of many colors.”
Tags: Billy Apple, Tom Wolfe