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Robert Wadlow was an attraction for Ringling Brothers in 1935.

Robert Pershing Wadlow was born in 1918 in Alton, Illinois, and never stopped growing during his brief life because of a pituitary gland malfunction. The tallest human being in recorded history, Wadlow reached close to nine feet high before his death in 1940. British Pathé made a pair of 35-second newsreels about him, in which he appeared to be a good-natured guy with an artistic side. Watch them here and here.

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A company called SPFX Masks makes realistic imitation faces that are creepy and have been used by criminals to commit robberies (though the company undoubtedly does not endorse this behavior). Your definition of “handsome” may vary–wildly!–but it is impressive-looking work in its own bizarre way. (Thanks to Boing Boing for pointing me toward this video.)

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James Dean: Who's that tough chick with all the algebra homework?

It’s 1958 and Sarah’s parents are worried because their teen daughter prefers doing high school math homework to hanging out with her dopey peers. The other kids think she’s stuck-up. But Sara doesn’t care because she’s a rebel–a rebel without a cause! The thing I like about this 13-minute time-warp mental hygiene film is that the James Dean role is played by a girl. And she’ll will beat your ass if you ask her to dance. It wasn’t intended as a movie about a feminist awakening, but that’s how it plays in retrospect.

Sarah is played by Vera Stough, who is excellent as the distaff Dean. It was directed by Herk Harvey, who four years later made the horror classic Carnival of Souls. Watch “The Snob” here.

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Keyboards, karate, crappy sci-fi costumes and male pattern baldness have never been combined so powerfully as in this brilliant 1980s music clip. Thank you to the ever-funny and demented Robert Popper for posting this craziness.

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“La Jetée” famously inspired “12 Monkeys.”

A nameless man on a futureless planet, the protagonist in Chris Marker’s perfect 28-minute film about post-apocalyptic Paris is held captive in a warren beneath the City of Lights, which has been reduced to radiated rubble during WWIII. The Man (Davos Hanich) defeatedly assents to be a lab rat for his captors, who want to attempt a time-travel experiment and send him back to the past to attain the materials that will make a future on the planet possible. But returned to a time and place he recalls from his childhood, the Man meets a Woman (Hélène Chatelain) who seems familiar–or perhaps she doesn’t. The pair struggle to grow closer inside what feels like a frustration dream, but just as they near an understanding, they face an end they didn’t see coming.

Rudely awakened from the experiment, the Man finds out that the past was merely a test run and it’s the future where he must go to find the elixir for the scorched Earth. But even if he is able to locate the antidote to apocalypse a thousand years hence, there will be no cure for him. After all, what good is tomorrow to someone who’s been poisoned with sweet dreams of perfecting yesterday?

Apart from one very brief passage, Marker uses no moving images in this film, just stark black-and-white still photographs, a chilling score and a measured voiceover narration. While he does more with less than any sci-fi director ever has, Marker is merely using the conventions of a genre picture to go where Proust and Resnais went: inside those temporal shifts that beat us about like waves at high tide.•

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These creeps really have a high opinion of themselves. It makes me so angry. This clip was apparently part of some sort of Mormon educational film and comes to us from the very twisted geniuses at Found Footage Festival.

We all want to cure disease, sure, but let’s never allow this to happen again. Host Richard Dawson seems somewhat unpersuaded after the performance. (Thanks to Robert Popper for pointing me toward the clip.)

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Thanks (I suppose) to the Found Footage Festival for pointing me in the direction of this excruciating and apparently real self-help video, which was filmed in the Bay Area god knows when. After watching it, I am sure I’m definitely not in touch with my feelings, and I’m grateful for that. Also: I now believe that people need to be suppressed, perhaps by fascism. Enjoy.

I'm late for Social Studies. Has anyone seen my cigarettes?

In 1961, the Burgess Hill School in Hertfordshire, England, was something of an alternative educational institution for bongo-playing beatniks. Teachers and students alike wore leather jackets and dark glasses, smoked cigarettes during class, rode motorcycles, listened to jazz and twisted to Chubby Checker records. If a kid didn’t understand an algebra problem, the teachers just talked to them calmly about it. Nobody freaked out, man. Thankfully, this time warp was captured by newsreel producers. Watch the five-minute video here.

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Well, at least Leslie wasn't a smoker. (Image by Anthony Liekens.)

I recently found a brief 1935 British Pathé newsreel of a ginormous 3-year-old boy named Leslie Bowles, who weighed 10 stone (or 140 pounds). Leslie couldn’t walk because his legs weren’t capable of supporting his body weight. And the guy who dangles a chocolate bar above the boy’s head is not helping matters. Watch it here and prepare for your mouth to be agape for 90 seconds.

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Gumby always waves. Pokey is standoffish. (Image by Bridget DeVries.)

Animation legend Art Clokey passed away in January at the age of 88. A pioneer in the field of stop-motion clay animation, Clokey created Gumby, Pokey and their many friends.  His first foray into creating clay-based films was the three-minute 1955 short called “Gumbasia.” This copy is very scratchy but very worth watching for insight into the history of the form. View it here.

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Henry Miller, who looked pretty shitty himself, dissing NYC.

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But he and Lou Kahn of Bakertowne Collectables need to work on their corporate handshake. This video was made in 2007.

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Duane awaits his next customer.

It was more than a decade ago that I saw the 11-minute b&w documentary, “The Last Guy to Let You Down,” at Sundance, and it still stands out as an impressively idiosyncratic and unique NYC portrait. Made by British-born photographer and filmmaker Rolf Gibbs, the movie is a melancholy and irreverent profile of a depressed East Village funeral director who’s had more luck dealing with the dead than loving the living. To watch the movie, visit Gibbs’ site and click on “Films” and the title.

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I don’t know when or where this occurred. But mostly, I don’t know why.

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    An automobile for fans of Buckminster Fuller, the Dynasphere was a 1932 mono-wheeled electric vehicle invented by Dr. J. A. Purves. It weighed a thousand pounds and looked incredibly stupid and dangerous, though you have to admire its experiment with electricity. I don’t want to be run over and killed by any car, but I would feel even worse if one that looked like this did me in. Here’s a British newsreel of the Dynasphere’s unveiling. Enjoy.

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    Thanks to the always great Boing Boing for pointing me in the direction of this insane video. It’s a 1979 clip from Kids Are People, Too which features punk rocker Pattti Smith singing the tune Debby Boone made famous, accompanied on piano by the song’s composer, Joseph Brooks, who is currently accused of being a serial rapist. At the very end of Smith’s performance, before going to a commercial break, host Michael Young looks into the camera and says, “Don’t go away. There’s still more to come. We have Count Dracula and Adam Rich.” The children look small and confused. Your mind will be blown.

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    Insane but impressive.

      Ricky Gervais vs. Elmo in a battle to the death. This glorious two-minute reel of Sesame Street outtakes via the Associated Press is preceded by a 15-second Amway commercial, but it’s worth sitting through the ad to get to the choice stuff.

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      Henry Ford: This movie is an utter blowjob to my legacy, but it contains some fantastic footage of America from 1915-1930.

      It was probably because he was close friends with Thomas Edison that Henry Ford became so interested in film. In his lifetime, the automotive magnate collected miles and miles of film footage that captured America in the early 20th century. The Ford Historical Film Collection (now housed at the National Archives) were used to create “Henry Ford’s Mirror of America,” an unobjective 35-minute piece of embarrassing pro-Ford propaganda that also happens to contain some amazing footage of the U.S. during the birth of the Industrial Revolution. Some highlights: a reunion of Civil War veterans (Blue and Gray) in Vicksburg in 1917, an Atlantic City hotel shaped like an elephant, the naturalist John Burroughs meeting his adoring public, Buffalo Bill Cody and his circus in action in 1916, women riveting in factories during WWI and the burial of the Unknown Soldier. Enjoy Part 1 and Part 2.

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      Fischli & Weiss, the Swiss art duo made up of Peter Fischli and David Weiss, create chain-reaction videos based on super-elaborate designs that would make even Rube Goldberg envious. In 1987, they introduced their pièce de résistance, “The Way Things Go,” a nearly 30-minute video that uses fire, tires, ladders, etc., to cause a jaw-dropping chain of physical interactions. The film’s distributor, Icarus, has put a three-minute clip online. Enjoy.

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      An incredibly inept wedding DJ follows up some patter (which would have sounded more appropriate at a cattle auction) by playing with a woman’s breasts. (Thanks Boing Boing.)

      Old Timey Lady: "Blow Me."

      What was going on inside of your average Hamtramck, Michigan, beauty salon in 1941? America had entered the war, but life was still pretty leisurely at Caroll’s Beauty Salon as women and their daughters got done up with the aid of heavy-duty machinery and steel curlers. The kid with the gigantic rollers on her tiny head probably experienced major neck problems later in life. Enjoy the three-and-a-half minute silent home movie.

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      The Dallas Cowboys played this past NFL season in a fancy-shmancy new billion-dollar home, so in April it was time for old Texas Stadium to bite the dust. Planned implosions of old decommissioned buildings are always oddly thrilling to watch, but Immersion Media has given the viewing experience a brilliant now twist. The video above has a tool embedded that allows you to watch Texas Stadium implode from the inside from any angle you like and change angles as the implosion unfolds. It’s glorious wreckage in panoramic form. Thank you to the legendary boing boing for pointing me in the video’s direction.

      Rock Hudson's vacant handsomeness was seldom used better.

      Rock Hudson’s vacant handsomeness was seldom used better.

      Despite bombing during its initial 1966 release, John Frankenheimer’s sci-fi psychodrama Seconds is something of a minor classic, telling the story of a suburbanite undergoing a curious cure for the mid-life crisis.

      John Randolph plays Arthur Hamilton, a respectable banker who lives a life of quiet desperation with his passionless marriage and humdrum job. His youth gone and his existential angst ever-present, Hamilton is driven to an extreme solution–pay a clandestine corporation big bucks to fake his death and reinvent him (via plastic surgery and any other means necessary) as a handsome bohemian artist (now played by Rock Hudson). But what if the artsy life and casual sex he wanted isn’t what he really needed?

      As Seconds careers toward its genre-appropriate chilling conclusion, the film’s underlying question is more chilling still: What if it isn’t poor life choices but a poverty deep within ourselves preventing us from attaining happiness?•

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