Excerpts

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telepaths-worshipping

I recently listened to a decades-old Jack Gariss radio lecture about Arnold Toynbee’s views on history and religion, with the host relating he’d come to disavow certain previously held beliefs in the aftermath of the Apollo moon landing. Gariss felt after Einstein and Armstrong, our place in the center of the universe had vanished. Everything was relative now. “I did not realize how much I’d changed, perhaps we’d all changed, in our perspective,” the spiritual guru said in response to re-reading An Historian’s Approach to Religion. As we aim for Mars and intelligent machines and more, we’re traveling even further from what were once considered indelible truths.

As the world turns, religions are supposed to stay steadfast, to provide a mooring to hold on to as progress runs ahead in other ways. Of course, that’s never been entirely true, as beliefs have continually evolved over centuries, if at a glacial pace. But something different is happening now with the Christian faith, as it’s begun to feel the stress of the rapid transformation of the Digital Age and the increasingly connected Global Village. Can Christianity pivot from its often-harsh Biblical teachings to reinvent itself for our decentralized era? If it somehow did, would that actually be beneficial or harmful to future progress?

In a Salon article, Zoltan Istvan considers the limits of Christian relativism:

In April, the pope made history when he told his flock to accept divorced Catholics. Last week, NPR reported a gay preacher had been ordained as a Baptist minister. Next year it might well be evangelicals in the deep South turning pro-choice. Everywhere around us, traditional Christian theology and its culture is breaking down in hopes of remaining relevant. The reality is with incredible scientific breakthroughs in the 21st century, ubiquitous information via the Internet, and an increasingly nonreligious youth, formal religion has to adapt to survive.  

But can it do so without becoming obsolete? Perhaps more importantly, can Christianity — the world’s largest religion with 2 billion believers — remain the overarching societal power it’s been for millennia? The answer is not an easy one for the old faith-driven guard.

To remain a dominant force throughout the 21st century, formal religion will have to bend. It will have to adapt. It will have to evolve. Hell, it will have to be upgraded. Welcome to the growing impact of Christian relativism.•

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0521160210-00Three months before we reached the moon, a moment when machines eclipsed, in a meaningful way, the primacy of humanity, National Geographic published the 1969 feature “The Coming Revolution in Transportation,” penned by Frederic C. Appel and Dean Conger. The article prognosticated some wildly fantastical misses as any such futuristic article would, but it broadly envisioned the next stage of travel as autonomous and, perhaps, electric.

The two excerpts I’ve included below argue that tomorrow’s transportation would in, one fashion or another, remove human hands from the wheel. The second passage particularly relates to the driverless sector of today. Interesting that we’re skipping the top-down step of building “computer-controlled” or “automated” highways, something suggested as necessary in this piece, as an intensive infrastructure overhaul never materialized. We’re attempting instead to rely on visual-recognition systems and an informal swarm of gadgets linked to the cloud to circumvent what was once considered foundational.


“People Capsule”: Dial Your Destination

Everywhere I found signs that a revolution in transportation is on the way. 

The automobile you drive today could probably move at 100 miles an hour. But you average closer to 10 as you travel our clogged city streets.

Someday, perhaps in your lifetime, it could be like this….

You ride toward the city at 90 miles an hour, glancing through the morning newspaper while your electrically powered car follows its route on the automated “guideway.”

You leave your car at the city’s edge–a parklike city without streets–and enter on the small plastic “people capsules” waiting nearby. Inside, you dial your destination on a sequence of numbered buttons. Then you settle back to reading your paper. 

Smoothly, silently, your capsule accelerates to 80 miles an hour. Guided by a distant master computer, it slips down into the network of tunnels under the city–or into tubes suspended above it–and takes precisely the fastest route to your destination.

Far-fetched? Not at all. Every element of that fantastic people-moving system is already within range of our scientists’ skills.•


0521160240-00Car-trunk Computer Issues Orders

Consider automated cars–and when you do, look at the modern automobile. Think of the rapid increase, in the past decade, of electric servomechanisms on automobiles. Power steering, antiskid power brakes, adjustable seats, automatic door locks, automatic headlight dimmers, electronic speed governors, self-regulated air conditioning.

Detroit designers, already preparing for the day your vehicle will drive itself, are getting practical experience with the automatic devices on today’s cars. When more electric devices are added and the first computer-controlled highways are built, the era of the automated car will be here.

At the General Motors Technical Center near Detroit, I drove a remarkable vehicle. It was the Unicontrol Car, one step along the way to the automated family sedan.

In the car a small knob next to the seat (some models have dual knobs) replaced steering wheel, gearshift lever, accelerator and brake pedal.

Moving that knob, I learned, sends electronic impulses back to a sort of “baby computer” in the car’s trunk. The computer translates those signals into action by activating the proper servomechanism–steering motor, power brakes, or accelerator.

Highways May Take Over the Driving

Simple and ingenious, I thought, as I slid into the driver’s seat. Gingerly I pushed the knob forward. Somewhere, unseen little robots released the brake and stepped on the gas.

So far, so good. Now I twitched the knob to the left–and very nearly made a 35-mile-an-hour U-turn!

But after a few minutes of practice, I found that the strange control method really did feel comfortably logical. I ended my half-hour test drive with a smooth stop in front of a Tech Center office building and headed upstairs to call on Dr. Lawrence R. Hafstad, GM’s Vice President in Charge of Research Laboratories. 

The Unicontrol Car–a research vehicle built to test new servomechanisms–is easy to drive. Still, it does have to be driven. I asked Dr. Hafstad about the proposed automated highways that would relieve the driver of all responsibilities except that of choosing a destination.

“Automated highways–engineers call them guideways–are technically feasible today,’ Dr. Hafstad answered. “In fact, General Motors successfully demonstrated an electronically controlled guidance system about ten years ago. A wire was embedded in the road, and two pickup coils were installed at the front of the car to sense its position in relation to that wire. The coils sent electrical signals to the steering system, to keep the vehicle automatically on course.

“More recently, we tested a system that also controlled spacing and detected obstacles. It could slow down an overtaking vehicle–even stop it, until the road was clear!”

Other companies are also experimenting with guideways. In some systems, the car’s power comes from an electronic transmission line built into the road. In others, vehicles would simply be carried on a high-speed conveyor, or perhaps in a container. Computerized guidance systems vary, too. 

“Before the first mile of automated highway is installed,” Dr. Hafstad pointed out, “everyone will have to agree on just which system is to be used.”• 

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Even in Kim Jong-un’s totalitarian state there are haves and have-nots who experience wildly different lifestyles. In the midst of the politically driven arrests and murders, military parades and nuclear threats, there exists a class of super rich kids familiar with squash courts, high-end shopping and fine dining. “Pyonghattan,” it’s called, this sphere of Western-ish consumerist living, which is, of course, just a drop in the bucket when compared to the irresponsible splurges of the Rodman-wrangling “Outstanding Leader.” Still weird, though. 

From Anna Fifield at the Washington Post:

PYONGYANG, North Korea — They like fast fashion from Zara and H&M. They work out to be seen as much as to exercise. They drink cappuccinos to show how cosmopolitan they are. Some have had their eyelids done to make them look more Western.

North Korea now has a 1 percent. And you’ll find them in“Pyonghattan,” the parallel ­universe inhabited by the rich kids of the Democratic People’s Republic.

“We’re supposed to dress conservatively in North Korea, so people like going to the gym so they can show off their bodies, show some skin,” said Lee Seo-hyeon, a 24-year-old who was, until 18 months ago, part of Pyongyang’s brat pack.

Women like to wear leggings and tight tops — Elle is the most popular brand among women, while men prefer Adidas and Nike — she said. When young people go to China, they travel armed with shopping lists from their friends for workout gear.

At a leisure complex next to the bowling alley in the middle of Pyongyang, they run on the treadmills, which show Disney cartoons on the monitors, or do yoga.•

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Founder and Chairman of Microsoft Bill Gates holding a copy of Business Adventures by John Brooks.

It’s funny Bill Gates is such a big fan of The Great Gatsby since F. Scott Fitzgerald was responsible for the line, “There are no second acts in America,” a very quotable and completely ludicrous uttering, silly especially in the case of the Microsoft founder, who it could be argued has had the best second act of any notable U.S. citizen.

In his earlier incarnation as a cutthroat software mogul, Gates was an a-hole. No way around it. His business practices were dicey from the start and his personal behavior detestable. You can’t take from him all he accomplished with Microsoft, but it was definitely done with poor form, for all the riches.

The sweater-clad, avuncular 2.0 Gates, the one who is eradicating disease and building the future along with his wife, Melinda, is a revelation, however, a wonder. He could have collected cars and sports franchises, rested on his laurels. Instead he chose to direct his analytical abilities to directly reduce the suffering of so many.

Gatsby is among his selections for Gates’ “My 10 Favorite Books” entry at T Magazine, which also includes my favorite title of 2015, Yuval Noah Harari’s Sapiens. Excerpts of the four books I’ve also read:

Sapiens: A Brief History of Humankind, Yuval Noah Harari

This look at the entire history of the human race sparked lots of great conversations at our family’s dinner table. Harari also writes about our species today and how artificial intelligence, genetic engineering and other technologies will change us in the future.

Business Adventures: Twelve Classic Tales from the World of Wall Street, John Brooks

Warren Buffett gave me this fantastic collection of articles that Brooks wrote for The New Yorker. Although Brooks was writing in the 1960s, his insights are timeless and a reminder that the rules for running a great company don’t change. I read it more than two decades ago, and it’s still my pick for the best business book ever.

The Great Gatsby, F. Scott Fitzgerald

The novel that I reread the most. Melinda and I love one line so much that we had it painted on a wall in our house: “His dream must have seemed so close that he could hardly fail to grasp it.”

The Better Angels of Our Nature, Steven Pinker

Proof that the world is becoming more peaceful. It’s not just a question for historians, but a profound statement about human nature and the possibility for a better future. This book may have shaped my outlook more than any other.•

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Came across a Vanity Fair article yesterday about Olivia de Havilland, who is still alive at 99 and living in Paris, where she’s resided for the past 61 years. Funny that, according to the piece, she grew disenchanted with Hollywood in particular and America in general in the 1950s because television’s emergence was making people stay home and ruining social life. The explosion of TV (and near-TV) content today and the many ways to watch it seems to me to have done even worse damage to NYC. People binge-watch programs here the same way as everywhere else and the landscape seems flatter. It’s like Disneyland for tourists, but many of the best characters stay inside their homes.

In a slightly related vein: While I was shocked to read that the Gone with the Wind actress is still alive, to become a centenarian if she makes it just another six weeks, Simon Kuper of the Financial Times writes that some researchers believe 105 is a conservative estimate for the average lifespan for those born in the West today. A lot can happen between now and then–pandemic, asteroid, climate disaster–but it’s worth considering, if conditions hold relatively steady, how life will change when ten decades becomes routine. Certainly career and education will be altered dramatically, even more so since technology is currently destabilizing both sectors.

Kuper’s opening:

baby born in the west today will more likely than not live to be 105, write Lynda Gratton and Andrew Scott of London Business School in their crucial new book, The 100-Year Life. That may sound like science fiction. In fact, it’s only cautiously optimistic. It’s what will happen if life expectancy continues to rise by two to three years a decade, its rate of the past two centuries. Some scientific optimists project steeper rises to come.

If turning 100 becomes normal, then the authors predict “a fundamental redesign of life.” This book shows what that might look like.

We currently live what Gratton and Scott call “the three-stage life”: education, career, then retirement. That will change. The book calculates that if today’s children want to retire on liveable pensions, they will need to work until about age 80. That would be a return to the past: in 1880, nearly half of 80-year-old Americans did some kind of work.

But few people will be able to bear the exhaustion and tedium of a 55-year career in a single sector. Anyway, technological changes would make their education obsolete long before they reached 80. The new life-path will therefore have more than three stages. Many people today are already shuffling in that direction.•

 

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On what would have been Andre the Giant’s 70th birthday, a reminder, via a 2014 Open Culture post, that playwright Samuel Beckett, a neighbor, sometimes drove the future wrestler-actor to school. The passage:

In 1958, when 12-year-old Andre’s acromegaly prevented him from taking the school bus, the author of Waiting for Godot, whom he knew as his dad’s card buddy and neighbor in rural Molien, France, volunteered for transport duty. It was a standing gig, with no other passengers. Andre recalled that they mostly talked about cricket, but surely they discussed other topics, too, right? Right!?•

1964, New York, New York, USA --- Samuel Beckett on the set of his movie, , looking at a fish through a magnifying glass. --- Image by © Steve Schapiro/Corbis

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My argument throughout the worst political season in modern U.S. history has been that as desperate as many Americans may be in the aftermath of the 2008 economic collapse, the rise of Trump has less to do with the fear of falling than the fear of other. From the first crude utterances about Mexicans during his campaign announcement in June, the hideous hotelier been selling an embrace of white privilege, an angry rebuttal to the election of our first African-American President. The methods and madness behind realizing this promise of making American white again change daily–only the supremacy is consistent. When Trump encouraged Mitt Romney in 2012 to attack Obama with the racist Birther garbage, he clearly wasn’t the only one who felt this way. Perhaps Thomas Frank and others believe that if only Kansans had been whispered to just so that none of this would have happened, but the hate speech Trump offers seems to be precisely what a surprising number of Americans want to hear.

The opening of “This Is How Fascism Comes to America,” Robert Kagan’s blistering Washington Post editorial:

The Republican Party’s attempt to treat Donald Trump as a normal political candidate would be laughable were it not so perilous to the republic. If only he would mouth the party’s “conservative” principles, all would be well.

But of course the entire Trump phenomenon has nothing to do with policy or ideology. It has nothing to do with the Republican Party, either, except in its historic role as incubator of this singular threat to our democracy. Trump has transcended the party that produced him. His growing army of supporters no longer cares about the party. Because it did not immediately and fully embrace Trump, because a dwindling number of its political and intellectual leaders still resist him, the party is regarded with suspicion and even hostility by his followers. Their allegiance is to him and him alone.

And the source of allegiance? We’re supposed to believe that Trump’s support stems from economic stagnation or dislocation. Maybe some of it does. But what Trump offers his followers are not economic remedies — his proposals change daily. What he offers is an attitude, an aura of crude strength and machismo, a boasting disrespect for the niceties of the democratic culture that he claims, and his followers believe, has produced national weakness and incompetence. His incoherent and contradictory utterances have one thing in common: They provoke and play on feelings of resentment and disdain, intermingled with bits of fear, hatred and anger. His public discourse consists of attacking or ridiculing a wide range of “others” — Muslims, Hispanics, women, Chinese, Mexicans, Europeans, Arabs, immigrants, refugees — whom he depicts either as threats or as objects of derision. His program, such as it is, consists chiefly of promises to get tough with foreigners and people of nonwhite complexion. He will deport them, bar them, get them to knuckle under, make them pay up or make them shut up.•

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It’s not that Uber shouldn’t switch to driverless vehicles when that technology is perfected, but the company shouldn’t simultaneously be selling themselves as a panacea for a tough employment market, using everyone from military veterans to the murdered Eric Garner to sell such nonsense. When not touting his company as a savior for those squeezed from a shifting job market, Travis Kalanick has spoken out fo the other side of his mouth about wanting to replace every Uber driver. He’s welcome to speak about how autonomous cars will be good for the environment and safety and costs–they likely will be–but he shouldn’t be trying to soft-pedal the effect it will have on Labor.

From Uber’s latest release on its driverless initiative:

If you’re driving around Pittsburgh in the coming weeks you might see a strange sight: a car that looks like it should be driven by a superhero. But this is no movie prop — it’s a test car from Uber’s Advanced Technologies Center (ATC) in Pittsburgh.

The car, a hybrid Ford Fusion, will be collecting mapping data as well as testing its self-driving capabilities. When it’s in self-driving mode, a trained driver will be in the driver’s seat monitoring operations. The Uber ATC car comes outfitted with a variety of sensors including radars, laser scanners, and high resolution cameras to map details of the environment.

Real-world testing is critical to our efforts to develop self-driving technology. Self-driving cars have the potential to save millions of lives and improve quality of life for people around the world.  1.3 million people die every year in car accidents — 94% of those accidents involve human error. In the future we believe this technology will mean less congestion, more affordable and accessible transportation, and far fewer lives lost in car accidents. These goals are at the heart of Uber’s mission to make transportation as reliable as running water — everywhere and for everyone.

While Uber is still in the early days of our self-driving efforts, every day of testing leads to improvements. Right now we’re focused on getting the technology right and ensuring it’s safe for everyone on the road — pedestrians, cyclists and other drivers. We’ve informed local officials and law enforcement about our testing in Pittsburgh, and our work would not be possible without the support we’ve received from the region’s leaders.•

 

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When reading Kevin Kelly’s effusive Wired article about the Florida-based VR firm Magic Leap, I flashed back to Umberto Eco’s 1986 essay, “Travels I Hyperreality,” which examined how the fake could be made to seem so real–enhance it, even–that actual reality was a disappointment. Holograms, he thought, would come to have real weight. Eco thought this adoration for automata and beyond as distinctly American, a celebration enjoyed at Disneyland and in cartoon panels, though it’s an ancient art and its ultimate realization will be planted everywhere around the world. It will be planted on the moon, too. 

The opening:

The Fortresses of Solitude

Two very beautiful naked girls are crouched facing each other. They touch each other sensually, they kiss each other’s breasts lightly, with the tip of the tongue. They are enclosed in a kind of cylinder of transparent plastic. Even someone who is not a professional voyeur is tempted to circle the cylinder in order to see the girls from behind, in profile, from the other side. The next temptation is to approach the cylinder, which stands on a little column and is only a few inches in diameter, in order to look down from above: But the girls are no longer there. This was one of the many works displayed in New York by the School of Holography.

Holography, the latest technical miracle of laser rays, was invented back in the ’50’s by Dennis Gabor; it achieves a full-color photographic representation that is more than three-dimensional. You look into a magic box and a miniature train or horse appears; as you shift your gaze you can see those parts of the object that you were prevented from glimpsing by the laws of perspective. If the box is circular you can see the object from all sides. If the object was filmed, thanks to various devices, in motion, then it moves before your eyes, or else you move, and as you change position, you can see the girl wink or the fisherman drain the can of beer in his hand. It isn’t cinema, but rather a kind of virtual object in three dimensions that exists even where you don’t see it, and if you move you can see it there, too.

Holography isn’t a toy: NASA has studied it and employed it in space exploration. It is used in medicine to achieve realistic depictions of anatomical changes; it has applications in aerial cartography, and in many industries for the study of physical processes. But it is now being taken up by artists who formerly might have been photorealists, and it satisfies the most ambitious ambitions of photorealism. In San Francisco, at the door of the Museum of Witchcraft, the biggest hologram ever made is on display: of the Devil, with a very beautiful witch. Holography could prosper only in America, a country obsessed with realism, where, if a reconstruction is to be credible, it must be absolutely iconic, a perfect likeness, a “real” copy of the reality being represented.

Cultivated Europeans and Europeanized Americans think of the United States as the home of the glass-and-steel skyscraper and of abstract expressionism. But the United States is also the home of Superman, the superhuman comic-strip hero who has been in existence since 1938. Every now and then Superman feels a need to be alone with his memories, and he flies off to an inaccessible mountain range where, in the heart of the rock, protected by a huge steel door, is the Fortress of Solitude.

Here Superman keeps his robots, completely faithful copies of himself, miracles of electronic technology, which from time to time he sends out into the world to fulfill a pardonable desire for ubiquity. And the robots are incredible, because their resemblance to reality is absolute; they are not mechanical men, all cogs and beeps, but perfect “copies” of human beings, with skin, voice, movements, and the ability to make decisions. For Superman the fortress is a museum of memories: Everything that has happened in his adventurous life is recorded here in perfect copies or preserved in a miniaturized form of the original. Thus he keeps the city of Kandor, a survival from the destruction of the planet Krypton, under a glass bell of the sort familiar from your great-aunt’s Victorian parlor. Here, on a reduced scale, are Kandor’s buildings, highways, men, and women. Superman’s scrupulousness in preserving all the mementoes of his past recalls those private museums, or Wunderkammern, so frequent in German baroque civilization, which originated in the treasure chambers of medieval lords and perhaps, before that, with Roman and Hellenistic collections. In those old collections a unicorn’s horn would be found next to the copy of a Greek statue, and, later, among mechanical cräches and wondrous automata, cocks of precious metal that sang, clocks with a procession of little figures that paraded at noon. But at first Superman’s fussiness seemed incredible because, we thought, in our day a Wunderkammer would no longer fascinate anybody. Postinformal art hadn’t yet adopted practices such as Arman’s crammed assemblage of watchcases arranged in a glass case, or Spoerri’s fragments of everyday life (a dinner table after an untidy meal, an unmade bed), or the postconceptual exercises of an artist like Annette Messanger, who accumulates memories of her childhood in neurotically archivistic notebooks which she exhibits as works of art.

The most incredible thing was that, to record some past events, Superman reproduced them in the form of life-size wax statues, rather macabre, very Musée Grévin. Naturally the statues of the photorealists had not yet come on the scene, but even when they did it was normal to think of their creators as bizarre avant-garde artists, who had developed as a reaction to the civilization of the abstract or to the Pop aberration. To the reader of “Superman” it seemed that his museographical quirks had no real connection with American taste and mentality. And yet in America there are many Fortresses of Solitude, with their wax statues, their automata, their collections of inconsequential wonders. You have only to go beyond the Museum of Modern Art and the art galleries, and you enter another universe, the preserve of the average family, the tourist, the politician.•

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In one way or another, Don DeLillo’s entire writing career has been about Airborne Toxic Events, though most specifically, of course, in White Noise. His oeuvre is one about the dark side of the Industrial and Digital Ages, which have allowed us to live longer and better, at least in the short run.

The novelist often focuses on those times when the machines go haywire and turn on us–when we turn them on each other–disappearing Presidents and Towers, threatening to make life impossible, literally as well as figuratively. He meditates on those who use guns and bombs and planes to wreak havoc on progress and how our simple incompetence sometimes effortlessly does the same.

Haven’t yet picked up DeLillo’s latest, Zero K, published this month, but it likewise has to do with the boon and bane of progress, the way our cleverness can save or kill us. Radical life extension through cryogenics is at its heart in a time when immortality (or a-mortality, at least) is in the minds of many newly minted Silicon Valley billionaires. They don’t ever want to head to the heavens, though with climate change, the sky may fall on us all. 

From a review by Jason Cowley in the Financial Times:

DeLillo is drawn to catastrophe and the spectacular. The themes of his fiction can seem portentous and overwrought — there are always screens in a DeLillo novel carrying news of the latest man-made or natural disaster. “Terror makes the new future possible,” he wrote in Mao II, long before the al-Qaeda attacks of September 11 2001. The major work of terrorists “involves mid-air explosions and crumbled buildings. This is the new tragic narrative”.

The first part of Zero K is set in the vast “desert waste” of one of the former Soviet Central Asian republics, in a labyrinthine, windowless compound called the Convergence, where experiments in cryonics are taking place. It has all the clinical efficiency of a well-funded private hospital combined with the corporate luxury of a first-class airport lounge in one of the Gulf states.

The novel’s central subject could not be more contemporary in an era of Silicon Valley utopianism and high-tech adventurism: the attempted preservation of human life through cryonics, a procedure known here as “Zero K”. The cast of characters are the usual mix of paranoiacs, crackpot sages and artists. And while this is an archetypal DeLillo novel, in subject matter and theme, it has obvious influences and antecedents, from Samuel Beckett to JG Ballard and Andrei Tarkovsky to Arthur C Clarke.•

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Even a non-Trekkie, non-TV-watching person like myself has fully absorbed the program’s ideas, so fully have they immersed themselves in the culture. Beyond the sheer entertainment of the Enterprise lies, of course, a colorblind society that during the days of Gene Roddenberry could only seem realistic in space. Imperfect though we still are, we’ve moved closer to realizing this world ever since the original Star Trek iteration debuted in 1966.

Another less talked about aspect of the sci-fi show is that it exists in a post-scarcity world. There are still challenges and obstacles, but basic needs are universally met. Manu Saadia, author of the soon-to-be-published Trekonomics, argues in a Money article that for all the very real concerns about wealth inequality, we may be closer than we think to achieving such a system.

An excerpt:

In Star Trek’s hypothetical society — the Federation — poverty, greed and want no longer exist. Most goods are made for free by robots known as replicators. The obligation to work has been abolished. Work has become an exploration of one’s abilities. The people of Star Trek have solved what British economist John Maynard Keynes pithily called “the economic problem,” that is, the necessity for individuals and societies to allocate scarce goods and resources. They live secure in the knowledge that all needs will be fulfilled and free from the tyranny of base economic pursuits.

The replicator is the keystone of Star Trek’s cornucopia. It’s a Santa Claus machine that can produce anything upon request: foods, beverages, knick-knacks, and tools. Like Captain Picard of Star Trek: The Next Generation, you merely have to ask for “tea, Earl Grey, hot,” and the machine will make your beverage appear out of thin air with a satisfying, tingling visual effect.

The replicator is the perfect, and therefore last, machine. You cannot improve upon it. You ask and it makes. This signals that Star Trek speaks to us from the other side of the industrial revolution. The historical process by which machines enhance and replace human labor has reached its conclusion. …

The replicator is a public good, available to all for free. In the show’s universe, the decision was made to distribute the fruits of progress among all members of society. Abundance is a political choice as much as the end result of technological innovation. And to underscore that point, Star Trek goes so far as to feature alien societies where replicators’ services aren’t free.

To a 21st century audience, beset by growing inequality and a sense of dread in the face of coming automation, such a world seems entirely out of reach. We will probably never go where no one has gone before, nor will we ever meet alien Vulcans.

But some of Star Trek’s blissful vision of society has already come to pass.•

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Deep Learning entails computers not being programmed but “taught.” The light ultimately goes on, but no one knows precisely why. The method is already being used widely enough to touch our lives daily, and improvements will see its continuous spread. Worth considering is that not only is the nature of this type of training mysterious but that the results can be as well.

A really good elucidation of what it means as we shift from coding to Deep Leaning can be had in “Soon We Won’t Program Computers. We’ll Train Them Like Dogs,” a Wired piece by Jason Tanz. An excerpt:

This approach is not new—it’s been around for decades—but it has recently become immensely more powerful, thanks in part to the rise of deep neural networks, massively distributed computational systems that mimic the multilayered connections of neurons in the brain. And already, whether you realize it or not, machine learning powers large swaths of our online activity. Facebook uses it to determine which stories show up in your News Feed, and Google Photos uses it to identify faces. Machine learning runs Microsoft’s Skype Translator, which converts speech to different languages in real time. Self-driving cars use machine learning to avoid accidents. Even Google’s search engine—for so many years a towering edifice of human-written rules—has begun to rely on these deep neural networks. In February the company replaced its longtime head of search with machine-learning expert John Giannandrea, and it has initiated a major program to retrain its engineers in these new techniques. “By building learning systems,” Giannandrea told reporters this fall, “we don’t have to write these rules anymore.”

But here’s the thing: With machine learning, the engineer never knows precisely how the computer accomplishes its tasks. The neural network’s operations are largely opaque and inscrutable. It is, in other words, a black box. And as these black boxes assume responsibility for more and more of our daily digital tasks, they are not only going to change our relationship to technology—they are going to change how we think about ourselves, our world, and our place within it.

If in the old view programmers were like gods, authoring the laws that govern computer systems, now they’re like parents or dog trainers. And as any parent or dog owner can tell you, that is a much more mysterious relationship to find yourself in.

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trumpmcmahon

Presidential used to mean roughly the same thing to the majority of Americans, Democrat or Republican. It was a code of behavior that meant that if you wanted to hold the highest office in the land it would be really helpful if you didn’t embarrass the rest of us. We were worried about the neighbors might think, so you needed to be a stuffed shirt who kept it in your pants–in public, at least. This behavior was just as important as being competent at the job, maybe more. Merely playing wind instruments in close proximity to Arsenio Hall could make you suspicious. In this Baba Booey of an election season, the word presidential has clearly come to mean something far different than it previously has.

President Obama can park himself in Marc Maron’s garage or bro it up with urine-drinking Bear Grylls and still maintain his dignity, but that trait is quaint today, almost an anachronism. It’s an extra coat of paint that doesn’t raise the value of the house, even if it’s the White House. Donald Trump’s disgusting bumfight of a campaign is more modern, resonating with a public prepared for it by our decentralized media and Reality TV landscape. For a large minority (at the minimum), his behavior is the new normal. The fly’s come undone.

In a smart New York Times essay, Wesley Morris looks for the true meaning of the word presidential. There are great observations like this one: “The Obama era is also our Hamilton moment, in which the state of being ‘presidential’ can belong to whomever we say it does.” The opening:

Of the many words Donald Trump has uttered over the last nine months — all the insightful insults and blustery boasts, all the syntax-slaying murk that sometimes boomerangs back into sense and all the hateful hate that doesn’t — last month brought a new flash of negative élan. Trump was speaking at a rally in Harrisburg, Pa., when he took stock of his own demeanor as a candidate.

“Now, my wife is constantly saying, ‘Darling, be more presidential.’ I just don’t know that I want to do it quite yet,” he told a packed, ready-to-rock house. “At some point I’m going to be so presidential that you people will be so bored. And I’ll come back as a presidential person, and instead of 10,000 people, I’ll have about 150 people, and they’ll say, ‘But, boy, he really looks presidential!’ ”

When we’re thinking about voting for president, we’re also thinking about what’s “presidential.” I never know quite what that means, except that, like the sitcom-wife version of Melania Trump in her husband’s anecdote, I kind of do. It connotes carriage and posture and intelligence. It captures dignified comportment and a degree of knowledge. It’s the ability to depict leadership, from lecterns to tarmacs. It’s partly cosmetic — is this person tall, passably fit, loosely attractive, warm? — and almost entirely presentational. It’s the seriousness a candidate has to project in order to be taken seriously, only without seeming dour or battery-operated. “Presidential” used to be something to aspire to. All of that authority, know-how, gravitas, good posture and moral rectitude — it seemed so important, so adult, so American.

But Trump has tapped into something else about “presidential”: If it’s a performance, then it can be switched on and off as needed.•

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Author Richard Brautigan 1968

A miscast spokesperson of drugged-out hippies, the writer Richard Brautigan wasn’t enamored with narcotics nor the wide-eyed, bell-bottomed set. He wrote two things I love: The 1967 novel Trout Fishing in America and the 1968 poem “All Watched Over by Machines of Loving Grace.

What follows is an excerpt from Lawrence Wright’s 1985 Rolling Stone article about Brautigan’s death and a German TV interview conducted a year before his passing. In the latter, he says this: “I think perception is one of the incredible qualities of human beings, and anyway that we can expand or define or redefine or adventure into the future of perception, we should use whatever means to do so.”


From Wright:

His passions were basketball, the Civil War, Frank Lloyd Wright, Southern women writers, soap operas, the National Enquirer, chicken-fried steak and talking on the telephone. Wherever he was in the world, he would phone up his friends and talk for hours, sometimes reading them an entire book manuscript on a transpacific call. Time meant nothing to him, for he was a hopeless insomniac. Most of his friends dreaded it when Richard started reading his latest work to them, because he could not abide criticism of any sort. He had a dead ear for music. [His daughter] Ianthe remembered that he used to buy record albums because of the girls on the covers. He loved to take walks, but he loathed exercise in any other form.

The fact that Richard couldn’t drive allowed him to build up an entourage of chauffeurs wherever he went. For many of them, it was an honor, and they didn’t mind that it was calculated dependency on Richard’s part.

Richard had wild notions about money. Although he was absurdly parsimonious, sometimes demanding a receipt for a purchase of bubblegum, he was also a heavy tipper, handing out fifty-dollar tips for five-dollar cab fares. He liked to give the impression that money was meaningless to him. The floor of his apartment was littered with spare change, like the bottom of a wishing well, and he always kept his bills wadded up in his pants pockets, but he knew to the dime how much money he was carrying. He was famously openhanded, but when he had to borrow money from his friends, he was slow paying it back. He often tried to pay them in “trout money,” little scraps of paper on which he had scrawled an image of a fish. He had the idea that they would be wildly valuable, because they had been signed by Richard Brautigan. At least, that’s what he told his creditors.

Christmas was a special problem for him. His friends were horrified that Richard liked to spend his Christmases in porno theaters. They decided it must have something to do with his childhood. Richard was mum on the subject. Ron Loewinsohn remembered when Richard came to read at Harvard. Yes, Richard was famous, a spokesman for his generation, but he was also a kind of bumpkin, half-educated, untraveled, a true provincial. He had never been East. He wanted to be taken seriously, of course, but he was suspicious and a little afraid of academicians — including Ron, who was in graduate school at Harvard when Richard arrived. Life magazine came along, and there was even a parade down Massachusetts Avenue, with a giant papier-mâché trout in the lead. After the reading, Ron and Richard went to Walden Pond, and as they walked along the littered banks of Thoreau’s wilderness, the photographer walked backward in front of them, snapping away. It was strange to be linked in this media ceremony to the two American writers who had most influenced Richard — Thoreau, who was like Richard at least in his solitariness and his love of nature, and Hemingway, who had also received the star treatment from Life.

In 1970, when Richard was still tremendously popular, he confided to Margot Patterson Doss, the San Francisco Chronicle columnist, that he had never had a birthday party. She let him plan one for himself at her house. He decorated the house with fish drawings — “shoals of them,” Margot said — and when she asked whom he wanted to cater the affair, he picked Kentucky Fried Chicken. Everyone came — Gary Snyder, Robert Duncan, Ginsberg, Gregory Corso, Phil Whalen, many of the finest poets of the era — all honoring Richard. When it came time to blow out the candles on the cake, Richard refused. “This is the Age of Aquarius,” he said. “The candles will blow themselves out.” He was thirty-five.


The German TV interview.

h-armstrong-roberts-men-and-women-standing-side-by-side-in-voting-booths-filling-out-election-ballots_i-g-56-5632-to4mg00z

For me Twitter is a place to put links to articles I’ve read that I love, to try to encourage others to also read them, so I pretty much ignore my feed. However, every now and then I’ll have a look and am sometimes happily surprised. An example:

I don’t know if I agree with Kirn on this argument–I’m pretty sure both requirements will need to be met before superintelligence will emerge–but it was great spending time thinking about the big idea he embedded in a few characters.

On the topic of recommending writing I love, Kirn has penned “The Improbability Party,” a beauty of a Harper’s essay about our algorithmic age running up against a tumultuous political season. Our new tools were supposed to measure the world better but haven’t, at least not so far during this mishegoss election. The writer sees gambling parlors and newsrooms as analogous, visiting a gaming professional in Las Vegas who explains that he “sells suspense.” You know, like CNN or pretty much anyone in the election-year horserace business. 

Two comments:

1) One caveat to Kirn’s theory is that primary seasons have low turnout and fewer polls, making prognostication far tougher. If Nate Silver and company get the general wrong, that would be surer proof of the article’s assertions. Of course, if that happens, we’re talking about a Trump Administration, and many may be too busy speeding north on the 281 to Canada to curse FiveThirtyEight.

2) Kirn also sees the fringe-gone-mainstream campaigns of Trump and Sanders as two very separate wings of a new party of sorts, one that can’t be pinned down, which gives him the title of his piece. You could also wonder if moderate Republicans and Dems will synthesize into a nouveau voting bloc if the two traditional groups swing even further to the Right and Left in 2020.

The opening:

like to think I’m unique. Don’t you? Complicated. Surprising. Unpredictable. I like to think that people who’ve only just met me or who know only the basic facts about me still have a lot to learn. I also like to think that people who’ve known me for a long time — family members, say — still don’t know the essential, the true me. What I really like to think, however, is that corporate statisticians, who track my consumer choices and feed them into algorithms to forecast my behavior for Google or Amazon, are capable, on occasion, of getting me wrong. No, just because I bought Tender Is the Night doesn’t mean I’ll like A Moveable Feast; the Fitzgerald book is fiction, see, and the Hemingway book that mentions Fitzgerald and happens also to be set in Paris is memoir. And I’m not a fan of memoir.

The slightly demeaning guesses are inescapable. I recently spoke to a young woman who accidentally left a streaming-video service running on her television while she went out. Show after show played with no one in the room. When the woman returned, the service’s suggestion engine had cued up a slate of grim reality programs about unwed teenage mothers. Such shows aren’t to her taste, she told me, and so the recommendations confused her. Then she solved the puzzle. If you averaged the subjects of all the programs she had supposedly watched, the result would be unwed teenage mothers.

This is similar to what Nate Silver does with polls, if I understand the super-pollster’s methods. On his vaunted website, FiveThirtyEight, Silver lumps together lots of polls and takes a weighted average to yield a single result. He then makes subtle adjustments to this result using a proprietary formula that I’ve seen referred to as his “secret sauce.” (Being more a language guy than a numbers guy — on the team that’s rarely favored to win — I can’t let it pass unremarked that “secret sauce” feels like a high-end rebranding of “bullshit.”) The word on the street is that if you bet with Silver, especially if you’re betting on elections, which were once thought to be incredibly complex events but turn out to be more like ball games without the balls, you can’t go wrong.

Except you can!•

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glennbeckurine

Trending Topics at Afflictor: Monkeys, Astronauts, Monkey Astronauts. Oh, and President Trump’s tiny monkey hands. Take it or leave it.

Facebook got into trouble last week with the GOP because a report claimed human editors choosing the social network’s Trending Topics are exercising bias against conservatives. It was widely thought these keywords rose and fell purely based on popularity, in an automated way.

What’s most amusing about this is that Republicans have been greatly aided in recent congressional races because of gerrymandering, in which humans draw up districts in a willfully biased way. Just suggest to them that prejudice-less algorithms decide the nation’s districts based purely on population statistics. The connection will go silent.

There’s no doubt that Facebook perhaps becoming our chief news source is problematic because the social network isn’t mainly in the journalism business and news will never be its main priority. But I wonder if what it delivers is really any more biased than what we get from traditional outlets. 

In a Wall Street Journal column, Christopher Mims looks deeper at the issue and questions if narrowcasting in Facebook feeds is actually a problem. An excerpt:

Claiming that Facebook is contributing to our age of hyper-partisanship by only showing us things that fit our own personal slant is, ironically, an example of confirmation bias, because the evidence around it is mixed.

After an exhaustive search of the literature around filter bubbles, five co-authors and Frederik J. Zuiderveen Borgesius, a researcher at the a researcher at the Personalised Communication project at the University of Amsterdam, concluded concerns might be overblown. “In spite of the serious concerns voiced, at present there is no empirical evidence that warrants any strong worries about filter bubbles,” Mr. Zuiderveen Borgesius wrote in an email.

The authors examined not only Facebook but other online services, including Google search. Mr. Zuiderveen Borgesius’s conclusion: We don’t have enough data to say whether Facebook is biasing the news its readers see, or—and this is even more important—whether it affects their views and behavior.

Facebook’s opacity aside, where does the hand-wringing come from? Two places, I think: the first is that everyone in the media is terrified of Facebook’s power to determine whether individual stories and even entire news organizations succeed or fail. The second is an ancient fear that, by associating only with people like ourselves, and being selective in what we read, we are biasing ourselves unduly.

Before the filter bubble, there was the so-called echo chamber.•

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Emilio-plastico-Overlook

Stanley Kubrick was, I think, the greatest filmmaker of them all, more than Lang or Wilder or Godard or anyone. Living a private life in London, he grew into a mythical figure, although he didn’t put on airs, enjoyed American football and was amused by White Men Can’t Jump. But he was an eccentric guy whose film productions often lasted longer than many wars. It’s somehow no surprise that one of his longest-tenured employees was a Formula One race driver who had no previous movie experience before signing on for a stint on A Clockwork Orange. That man, Emilio D’Alessandro, has written a book about his 30-year odyssey with Kubrick.

From a Vice interview conducted by Rod Bastanmehr:

Vice:

What were some of the projects that you would hear him talk about that didn’t end up being filmed?

Emilio D’Alessandro:

Anytime we would be working on one film and we’d go down to a location, he would always be making notes or moves for another project. It was A.I. once, or Napoleon, which he really, really, really wanted to make. But he was always working on other projects while he was filming.

The thing he loved doing just as much [making movies] was the research. He had boxes and boxes of research done, so if one day he was able to finally make, say, this Napoleon movie, he would be ready. And I would keep it safe for him in case [producers] decided to actually do something with it. I would be ready to unearth it all myself. He never stopped researching, ever.

Vice:

Do you remember where you were when you heard he’d passed away? Were you with him?

Emilio D’Alessandro:

I’ll speak briefly because it really hurts me now, still. But yes, I was with him, I left him a note the night before on his desk like I always did. I said, “Everything is OK down in your office, your fax is clear, people got their messages. Please stay and have a rest, you’re very tired. You can come down in the afternoon—I’ll be here in the morning as usual.” Then unfortunately midday I got a phone call telling me that Stanley had died in the night. And I just screamed the biggest swear word, and I never swear. I had to drive to his house before I could believe it. And even when I got there and his wife took me by the hand to tell me, I still wasn’t sure it was real. And I drove back home that night not believing it. Sometimes I still don’t know if I do.•

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alberteinsteinwitheinsteinpuppet

God knows we could use a few more Einsteins in the world, but should we be proactive about it?

When Freeman Dyson prophesied the games could get messy and possibly in reference to genetic engineering, that life forms might be born in garage laboratories in addition to maternity wards, he was sometimes dismissed as a physicist crossing disciplines with a sci-fi vision. But he was bound, sooner or later, to be correct.

Whether now is that moment is not yet determined, but we should begin to ask ourselves the important ethical questions that attend such progress. In one country or another, these games will soon begin in earnest, which will likely trigger a new space race with everyone shooting for the moon.

From Andrew Pollack of the New York Times:

Scientists are now contemplating the fabrication of a human genome, meaning they would use chemicals to manufacture all the DNA contained in human chromosomes.

The prospect is spurring both intrigue and concern in the life sciences community because it might be possible, such as through cloning, to use a synthetic genome to create human beings without biological parents.

While the project is still in the idea phase, and also involves efforts to improve DNA synthesis in general, it was discussed at a closed-door meeting on Tuesday at Harvard Medical School in Boston. The nearly 150 attendees were told not to contact the news media or to post on Twitter during the meeting.

Organizers said the project could have a big scientific payoff and would be a follow-up to the original Human Genome Project, which was aimed at reading the sequence of the three billion chemical letters in the DNA blueprint of human life. The new project, by contrast, would involve not reading, but rather writing the human genome — synthesizing all three billion units from chemicals.

But such an attempt would raise numerous ethical issues. Could scientists create humans with certain kinds of traits, perhaps people born and bred to be soldiers? Or might it be possible to make copies of specific people?

“Would it be O.K., for example, to sequence and then synthesize Einstein’s genome?” Drew Endy, a bioengineer at Stanford, and Laurie Zoloth, a bioethicist at Northwestern University, wrote in an essay criticizing the proposed project. “If so how many Einstein genomes should be made and installed in cells, and who would get to make them?”•

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WALT DISNEY AND DR. WERNER VON BRAUN, 1954

ironmanmusk

A few years back, I blogged about how the dream factory in California had migrated North, shifting from Hollywood to Silicon Valley. While Jules Verne’s visions required more than a century to be born, The Truman Show needed only a decade, and Her essentially came into the world already talking. 

Science fiction is no longer the starting gun for the future but is regularly lapped by it. It’s not only because Moore’s Law has speeded up research while culture still slowly gestates but because of the great wealth concentrated in the technology sector and the game-changing ambitions of those who possess it. They’re largely more concerned with legacy than bank ledgers, and ego is a powerful tool if harnessed correctly. Whether this new normal leads us to a better tomorrow is TBD.

In “The Future Is Almost Now,” Elizabeth Alsop writes wisely of this altered reality and more. An excerpt:

Many new works of science fiction seem to represent a strain of pre-apocalyptic cinema, characterized by a willingness to dramatize disasters that are less hypothetical than poised to happen. Both Ex Machina and Her, for instance, unfold against backdrops whose production design suggests that viewers are witnessing only a lightly futurized version of 21st-century life. However technically fictional the gadgets on display, the advances the films imagine—an artificially intelligent OS, a Turing-test approved robot—strike audiences as not just possible, but highly probable. As Ex Machina’s partly mad scientist declares, “[t]he arrival of strong AI has been inevitable for decades. The variable was when, not if.” Spike Jonze’s Her similarly takes its paradigm shift—humans falling in love with machines—for granted. Unlike The Terminator and Matrix franchises, these films don’t predict an apocalyptic “rise” of machines so much as a gradual digital takeover, the next phase of a revolution already in progress.

As such, the worlds of newer sci-fi films can look and feel eerily familiar. The opening shots of Interstellar, which feature hardscrabble towns and actual Depression-era footage, initially lead viewers to suspect they’re witnessing, if anything, the recent past. As the critic A.O. Scott noted in The New York Times,[the director Christopher] Nolan … drops us quietly into what looks like a fairly ordinary reality.” Or as NPR’s Amanda Fiegl put it, “it’s science fiction with an uncomfortable ring of truth.” It’s possible that such realistic settings—also seen in Ex Machina and Her—are meant to serve moralizing ends, reminding audiences that dystopia is nigh.•

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HamburgerMachine

If the only options many workers have are to either accept a less-than-living wage or be replaced by machines, we’re in trouble. Fast-food places use to offer starter jobs, but there’s no place for many burger-and-fries folks to advance to, so these are careers now, for lack of a better word. A $15 minimum wage is necessary yet may drive corporations to automate food ordering and even preparation. At the very least, some of the jobs will vanish. 

From Jed Graham at Investor’s Business Daily:

Wendy’s said that self-service ordering kiosks will be made available across its 6,000-plus restaurants in the second half of the year as minimum wage hikes and a tight labor market push up wages.

It will be up to franchisees whether to deploy the labor-saving technology, but Wendy’s President Todd Penegor did note that some franchise locations have been raising prices to offset wage hikes.

McDonald’s has been testing self-service kiosks. But Wendy’s, which has been vocal about embracing labor-saving technology, is launching the biggest potential expansion. …

In addition to self-order kiosks, the company is also getting ready to move beyond the testing phase with labor-saving mobile ordering and mobile payment available systemwide by the end of the year. Yum Brands and McDonald’s already have mobile ordering apps.•

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Kartograph

Thanks to Nicholas Carr’s great blog, Rough Type, for pointing me to Justin O’Beirne’s 2015 essay “The Universal Map,” which I missed last year. It addresses the quietly seismic changes occurring in cartography. The romance of the profession, formerly an often solitary and painstaking thing, has been replaced by (almost) real-time, computerized efficiency, or so it would seem.

So much of the next wave of AI and automation will demand insta-maps communicated from gadget to gadget and constantly updated (think driverless cars). That means maps will become increasingly universal as smartphones continue to spread. Mistakes will still sneak though most likely, and I suppose they’ll become universally accepted as well. Even if those flaws are corrected relatively quickly, they might cause problems for a brief spell. That at least is the best-case scenario.

As Carr notes, the map itself is being disappeared as tiny bits of information and directions obliterate the larger picture. O’Beirne himself is less sanguine on the topic a year later, writing that the work of Google Maps has surprisingly deteriorated. Is it more troubling to have one mediocre map for all of us than plenty of different ones of varying quality?

O’Beirne’s 2015 opening:

Just thirty years ago — and for most of human history — a cartographer would make a map, print and distribute it, and hope that maybe a few thousand or so people would ever use it before it went out of date. Apart from a handful of atlases and classroom maps, most maps had small, local audiences, went out of date quickly, and were often difficult to read and understand — let alone share.

Fast forward to today, and cartography has since undergone a number of profound changes:

  • An unprecedented level of detail is now available to the average person, for little or no cost. The same map literally shows every human settlement in the world at every scale, from the world’s largest cities to its tiniest neighborhoods and hamlets. Every country. Every city. Every road. All mapped in exquisite detail. Moreover, maps increasingly show every business open today — an interactive, visual yellow pages for the whole world. And add to that imagery, street view, and live transit and traffic. No one has ever had access to this much detail, for so cheaply, until now.
     
  • Maps are now always up to date. Errors are corrected in hours and minutes, instead of months and years — and new roads and businesses are added instantly. Unlike the paper maps of thirty years ago, today’s maps never expire.
     
  • Maps fit us, regardless of who or where we are. Foreign lands are presented in our own language, and we can easily and endlessly adjust scales, orientations, dimensions, and even time. We have day mode, night mode, and even basic personalization. And every corner of the globe is presented in the same style, and every map feature is made to be so intuitive, that there’s never a need for a map key. (Google and Apple Maps don’t even have one.) Thirty years ago, we adjusted ourselves to maps; now, maps adjust to us.
     
  • Maps are integrated with robust search & routing. No more looking up the coordinates of an obscure town or street in a map index. No more sitting down and painstakingly planning routes before you leave. Find any place in the world in milliseconds. Calculate any route — be it by walking, driving, or even flying — with unprecedented ease.
     
  • Advanced sensors keep us apprised of our current location, 24 hours a day.Now, we’re never lost.

These are all profound technical changes, 10x improvements that are hugely impactful in their own right. But there’s an even deeper, more profound cultural change seemingly on the horizon:

FOR THE FIRST TIME IN HUMAN HISTORY, THE MAJORITY OF THE WORLD MIGHT SOON BE USING THE SAME MAP.

Think of how deeply profound this is.•

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marklane123

JFK conspiracists seem nuts to me, but Mark Lane, author of 1966’s Rush to Judgement, a broadside directed at the Warren Commission, lived a colorful existence even beyond that explosive chapter in American history.

A lawyer for anti-war factions and civil-rights groups in the 1960s, Lane later became a legal representative for Jim Jones and his Jonestown settlement in Guyana, which in 1978 descended into madness. He was on the scene when the cult members prepared to follow their mad leader’s orders, to drink the Kool-Aid, and survived by escaping and hiding somewhere safer–the jungle.

However, it was definitely that horrible day in Dallas that allowed Lane, an anti-Vaughn Meader, to shoot to prominence. From his New York Times obituary by Keith Schneider:

The Kennedy assassination, one of the manifest turning points of the 20th century, was the pivotal moment in Mr. Lane’s life and career. He would go on to raise the possibility of conspiracy in the assassination of the Rev. Dr. Martin Luther King Jr. five years later, but it was his Kennedy inquiry that made his name.

Before the president’s murder on Nov. 22, 1963, Mr. Lane was a minor figure in New York’s legal and political circles. He had organized rent strikes, opposed bomb shelter programs, joined the Freedom Riders, took on civil rights cases and was active in the New York City Democratic Party. He was elected a State Assemblyman in 1960 and served one term.

After the Kennedy murder, Mr. Lane devoted much of the next three decades to its investigation. Almost immediately he began the Citizens’ Committee of Inquiry, interviewed witnesses, collected evidence and delivered speeches on the assassination in the United States and in Europe, where he befriended Bertrand Russell, the British philosopher, who became an early supporter of Mr. Lane’s efforts.

With a strong personality and a yen for visibility and risk, Mr. Lane also began cultivating and attracting high-profile clients. In the 1960s he worked with Jim Garrison, the New Orleans district attorney who was investigating the Kennedy assassination in a case that Oliver Stone featured in the 1991 movie JFK. He represented leaders of the Wounded Knee uprising by American Indians as well as the cult leader Jim Jones, narrowly surviving the mass suicide of Jones and his followers in Guyana.•


Lane, in 1966, discussing the Warren Commission with William F. Buckley.

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socialmediastar5

There’s an agency that enables you to hire your very own image-enhancing squad, so it’s no shock other companies are paid to pair off product pushers with social-media “stars,” celebrities shrunk down to smartphone size. Those who’ve mastered Vine or Instagram or Youtube, usually teens, are paid hundreds–occasionally hundreds of thousands–to post pictures of brands or do stunts involving them. If corporations feared wasting money on yesterday’s unquantifiable print ads, they’re really no more sure, even with all the new statistics, they aren’t burning currency on Gladwellian “influencers.” It doesn’t seem like sound business, even if it speaks to the further Warholization of fame.

From Shareen Pathak’s Digiday interview with an anonymous social-media executive about the new industry:

Question:

How do you find them?

Answer:

Social team is a bunch of millennials, so we’ll often find someone we like and we’ll throw it into a database with keywords. But usually it’s a CEO or CMO or whoever saying, “Oh, my kid likes this guy.” At this major car brand I worked for, we paid $300,000 for a few photographs because the CEO’s kid liked someone.

Question:

What about the influencer agencies?

Answer:

They’re huge now. Like the big media networks that say they work with 2,200 followers. They’re helpful. The big problem is, they don’t operate much like a traditional talent management company. They don’t provide insurance in case their talent doesn’t deliver or anything. Agencies can’t really hire them through them. They sort of just expect the brands to approach them. They don’t pitch them or anything. It’s silly.

Question:

Tell me about the process.

Answer:

We’ll do a meet and greet. Tell them what we’re thinking and ask them for concepts. You can tell right away who is serious: The good ones come back within a day with ideas. Some send us decks or presentations that are pretty but not tailored to the brand. They’re all nuts. “I want to take a car and pick it up in London and drive it around Europe, so give me $100,000,” they say. Nope, let’s totally never do it that ever. These people don’t understand budgets.•

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seance1

When my brother died last year, he remained in the ether. A devoted Facebook user, his likes and friends were gathered conveniently in one space, and the updates and comments keep coming even though he’s no longer here to read, or respond to, them. This Digital Age seance bothers me. It seems an odd and unsatisfactory afterlife of sorts.

That’s my own problem, however. He would have loved receiving messages on birthdays and holidays, even after he was gone. The question is this: If I knew my own end was approaching and I was the last relative alive who knew him, would I delete his account or let it “live on,” whatever that may come to mean? I’m pretty sure I would choose the latter.

In a BBC Future pieceBrandon Ambrosino writes about this social-media phenomenon, in which Facebook serves as not only a virtual city-state but also a necropolis, impacting the way we mourn, remember and forget. Someday, if the company lasts long enough–and not even that long, really–the dead will outnumber the living. An excerpt about the author’s late aunt:

Observing that phenomenon is a strange thing. There she is, the person you love – you’re talking to her, squeezing her hand, thanking her for being there for you, watching the green zigzag move slower and slower – and then she’s not there anymore.

Another machine, meanwhile, was keeping her alive: some distant computer server that holds her thoughts, memories and relationships.

While it’s obvious that people don’t outlive their bodies on digital technology, they do endure in one sense. People’s experience of you as a seemingly living person can and does continue online.

How is our continuing presence in digital space changing the way we die? And what does it mean for those who would mourn us after we are gone?

Observing that phenomenon is a strange thing. There she is, the person you love – you’re talking to her, squeezing her hand, thanking her for being there for you, watching the green zigzag move slower and slower – and then she’s not there anymore.

Another machine, meanwhile, was keeping her alive: some distant computer server that holds her thoughts, memories and relationships.

While it’s obvious that people don’t outlive their bodies on digital technology, they do endure in one sense. People’s experience of you as a seemingly living person can and does continue online.

How is our continuing presence in digital space changing the way we die? And what does it mean for those who would mourn us after we are gone?•

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elchapo990

Unsurprisingly, Sean Penn, misguided and stubborn, has still not realized the deep flaws of his ill-advised Rolling Stone jungle flatulence about El Chapo. The actor came off as poetaster, poseur and pawn, allowing the Mexican drug kingpin to use the nouveau print-journalist’s naivete to greatly downplay his horrific crimes. The lack of recognition comes across clearly in Matthew Garrahan’s smart Financial Times profile of the contentious actor-director, though Penn must be credited with summing up the Trump campaign quite succinctly: “It’s a masturbatory populism.”

An excerpt:

Now that the dust has settled, I wonder how he feels about his Rolling Stone article and the controversial visit to Guzmán. In the immediate aftermath of the fugitive’s arrest and the story’s publication, Penn appeared on CBS’s 60 Minutes, where he told Charlie Rose that he thought the article had failed. His intention had been to “start a conversation” about the war on drugs but, instead of a dialogue, most of the commentary about the piece was scathing about the publicity it gave to a violent killer.

Was he surprised by the criticism? “No. I’ve had reason to have concerns about the state of English-speaking media for a long time. But this was an all-time high.” Many people reading it missed the point or missed crucial parts, he says, such as the fact that he never actually interviewed Guzmán directly (the then fugitive answered prepared questions on video). He says he no longer thinks the story was a failure. “When I said it failed, that turned out not to be the case. There’s no question there’s ultimately been more conversation about the drug war.” And he’s sure that’s because of this story? “I can’t prove it. But I’ve noticed that there’s been more debate.”

He seems sure; I am less so.•

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