Two brief excerpts from “Writing in the 21st Century,” a thought-provoking Edge piece about the nature of composition by Steven Pinker.

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“The first thing you should think about is the stance that you as a writer take when putting pen to paper or fingers to keyboard. Writing is cognitively unnatural. In ordinary conversation, we’ve got another person across from us. We can monitor the other person’s facial expressions: Do they furrow their brow, or widen their eyes? We can respond when they break in and interrupt us. And unless you’re addressing a stranger you know the hearer’s background: whether they’re an adult or child, whether they’re an expert in your field or not. When you’re writing you have none of those advantages. You’re casting your bread onto the waters, hoping that this invisible and unknowable audience will catch your drift.

The first thing to do in writing well—before worrying about split infinitives—is what kind of situation you imagine yourself to be in. What are you simulating when you write, and you’re only pretending to use language in the ordinary way? That stance is the main thing that iw distinguishes clear vigorous writing from the mush we see in academese and medicalese and bureaucratese and corporatese.”

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“Poets and novelists often have a better feel for the language than the self-appointed guardians and the pop grammarians because for them language is a medium. It’s a way of conveying ideas and moods with sounds. The most gifted writers—the Virginia Woolfs and H.G. Wellses and George Bernard Shaws and Herman Melvilles—routinely used words and constructions that the guardians insist are incorrect. And of course avant-garde writers such as Burroughs and Kerouac, and poets pushing the envelope or expanding the expressive possibilities of the language, will deliberately flout even the genuine rules that most people obey. But even non-avant garde writers, writers in the traditional canon, write in ways that would be condemned as grammatical errors by many of the purists, sticklers and mavens. “