2012

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Wow. Original Beatles manager Brian Epstein on What’s My Line? in 1964. Host John Daly mistakenly identifies him as “Barry.” Epstein was allegedly the inspiration for Baby, You’re a Rich Man, the song used so effectively at the conclusion of The Social Network.

“How does it feel to be one of the beautiful people?”:

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I blogged before about Mike Daisey’s one-man show, The Agony and the Ecstasy of Steve Jobs, about Apple’s factories in Shenzhen, China, and the horrible work conditions that make possible our amazing and inexpensive consumer electronics. Daisey shares a generous portion of his performance on an episode of This American Life. (Embedding isn’t working for me; go here to listen.)

But is the existence of a terrible sweatshop still a positive step in impoverished corners of the globe? Listen to the provocative post-performance analysis by Ira Glass and company.

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Occupy Wall Street, Day 21. (Image by David Shankbone.)

From a smart oral history about the Occupy Wall Street movement, via Max Chafkin at Vanity Fair:

CHELSEA ELLIOTT
Freelance graphic designer
I’d gone there the first week, and I was telling my friends about it: ‘Oh, there’s this great march on Saturday. Marches are so fun. We dance, and there’s music, and we laugh the whole time.’ I mean, parts of it were like that, but it was huge and there was chaos.

RAYMOND W. KELLY
New York City police commissioner
You need a permit to have a parade—that’s 50 or more people. In our minds, if you’re not having an actual parade, we’ll let you walk on the sidewalk. But on Saturday in Union Square Park, they decided to violate the tacit understanding that they would stay on the sidewalk. It was at University Place where they ran down the street and started blocking traffic. I happened to be in the area that day and I actually saw people doing this. That’s where the first large number of arrests took place.

CHELSEA ELLIOTT
I was on the sidewalk at 12th Street and University, and this group of cops stood in front of me and said, ‘You can’t go past here.’ There was this girl behind me who was getting upset, screaming ‘Fascists.’ A cop came and slammed her down on the ground and dragged her by her hair. I just started screaming. Then another officer walked over and pepper-sprayed us. It took a few seconds to actually feel it. I was like, ‘What happened? Why am I wet?’ And then all of a sudden it hurts to open your eyes and you can’t really breathe. It’s this horrible burning all over your face.

Elliott was never arrested. She fell to the ground and was attended by volunteer medics. The officer who sprayed her was later identified by Anonymous as Deputy Inspector Anthony Bologna. A Police Department review found that he had broken protocol and docked him 10 vacation days as punishment.

CHELSEA ELLIOTT
I walked back to the park. I talked to some of the people I knew, and they were like, ‘Yeah, there’s already a video online.’

VLAD TEICHBERG
Former derivatives trader; co-founder, Global Revolution
When the pepper-spray video came out, that was the hook. That’s what made people focus on [Occupy Wall Street]. The video showed that we weren’t just a bunch of quote-unquote anarchists. It showed our humanity.”

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That amazing 1970s Schaefer Beer commercial featuring a Moog synthesizer reminded me of this 1969 Tomorrow’s World segment introducing Robert Moog’s great contribution to music.

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Since Major League Baseball is adding two extra Wild Card teams and a one-game playoff between the Wild Cards in each league, this is my suggestion:

End the regular season on a Wednesday and leave two days for possible tie-breaking games and travel. Three days after the season ends is Wild Card Saturday (“One Saturday, Two Celebrations”). You choose a neutral, warm-weather or domed location and hold both the AL and NL Wild Cards on the same day on the same field. (If you want a home playoff game, you have to win.) There would be one early game and one late game with “halftime” entertainment. Have cities bid on Wild Card Saturday a couple years in advance. Because you are guaranteeing two victory celebrations on the same day, it should be an easy sale for TV.

It would be impossible to implement this schedule during 2012, but it should be doable the following season.

Performance artist Momoyou Torimitsu–she’s wearing the nurse’s uniform–commenting on the rigidity of corporate culture.

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On the Inevitable Thoughts blog, Colin Vanderbilt argues that everything we fear from the rise of the machines is already here:

“Our society has become awe-inspiring because of the technology we created and used, but there was a cost. We are now dependent on it. Our planet is the Tower of Babylon, and every single support beam is a piece of technology. Our tower will continue to get higher every year as everything gets ‘better’ and ‘progress’ continues, but let’s consider why we are convinced that we must build our technological tower higher?

Technology kills hundreds of thousands of people every year (cars, guns, industrial working conditions), it causes upwards of 50,000 species a year to go extinct, it poisons our drinking water and our bodies every day, it cuts down 13 million hectacres of forest every year, and all this without any kind of artificially intelligent robots. Everything that we could possibly fear that robots will do when they rule the planet is already happening.”

 

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"He was discovered by a servant and medical aid was summoned, but he died two hours later." (Image by Edouard Manet.)

Marriage doesn’t agree with everyone. Such was the case with plutocrat Nicholas C. Creede who preferred a massive dose of morphine to matrimony, as evidenced by an article from the August 17, 1897 issue of the Brooklyn Daily Eagle. An excerpt:

“Los Angeles, Cal.–Nicholas C. Creede, millionaire mine owner, after which the town of Creede, Col., is named, committed suicide with morphine last evening at his home in this city, because his wife, from whom he had separated, insisted upon renewing their married relations.

On January 4 last, Creede and his wife separated and agreed to dissolve at once, so far as possible without legal process, their marital bonds. Mrs. Creede accepted $20,000 cash and surrendered all further claims upon her husband, at the time voluntarily withdrawing from his premises. It was understood, after the necessary time had elapsed, that Creede would institute legal proceedings and begin suit for absolute divorce. At that time it appeared that both husband and wife were well satisfied, and while Mrs. Creede considered that the amount of cash settled upon her was insignificant as compared with her husband’s wealth, she left him and took up her home in Alabama.

About three weeks ago Mrs. Creede returned to Los Angeles and proposed to her husband a reconciliation. This was much to Creede’s distaste and he endeavored to avoid his wife, but being unsuccessful, he determined to end his life. Last evening he took a large dose of morphine and went into the garden to die. He was discovered by a servant and medical aid was summoned, but he died two hours later. Mrs. Creede was notified of her husband’s death, but declined to discuss the tragedy. The 2-year-old child of Edith Walters Walker, the actress, adopted by Creede over a years ago, is in the care of his friends at Escondido.”

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on my nerves

Is it just me but ever since I’ve started yoga again my bitter side is really coming out…inner peace where r u?

"Obama issued a course correction and started pursuing a strategy that’s in line with the realities of public opinion." (Image by Elizabeth Cromwell.)

William Daley’s demotion from White House Chief of Staff today is the clearest sign yet that President Obama is loading up for bear during this year of election, that he’s through trying to make nice with those whose only goal is to bring him down, from GOP insiders to Wall Street bankers to corporate CEOs. An exceprt from Jonathan Chait’s smart assessment of the surprising news at New York‘s Daily Intel blog;

“The effort failed because Daley’s analysis — which is also the analysis of David Brooks and Michael Bloomberg — was fatally incorrect. Americans were not itching for Obama to make peace with corporate America. Americans are in an angry, populist mood — distrustful of government, but even more distrustful of business. In the most recent NBC/The Wall Street Journal poll, 60 percent of Americans strongly agreed with the following statement:

The current economic structure of the country is out of balance and favors a very small proportion of the rich over the rest of the country. America needs to reduce the power of major banks and corporations and demand greater accountability and transparency. The government should not provide financial aid to corporations and should not provide tax breaks to the rich.

What’s more, it may be true that a bipartisan deal to reduce the deficit would have bolstered Obama’s standing. The trouble is that Republicans believed the exact same thing. Here’s how McConnell frankly explained his calculation:

‘The only way the American people would know that a great debate was going on was if the measures were not bipartisan. When you hang the ‘bipartisan’ tag on something, the perception is that differences have been worked out, and there’s a broad agreement that that’s the way forward.’

Republicans believed that making bipartisan agreements with Obama would make Obama and his agenda more popular. Republicans are not in the business of helping Obama win reelection. And so they refused to sign a bipartisan agreement, and Obama simply looked weak and ineffectual.

Since that debacle, Obama issued a course correction and started pursuing a strategy that’s in line with the realities of public opinion and the Congress, as opposed to Daley’s fantasy version thereof. Recognizing public populism and GOP intransigence, he is outlining the legislation he wants on jobs, under no illusion that Republicans will cooperate, in order to clarify which party is responsible for inaction. Obama’s approval ratings, after sinking under the weight of Daley’s failed gambit, now appear to be rising.”

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The great Memphis photographer William Eggleston was at the vanguard of color photos as a legitimate aesthetic. An inveterate drinker who somehow functions at a very high level, he’s appropriately on display in the Cat Power video, Lived in Bars. Eggleston can be seen most clearly at the 2:14 mark when he gives the singer a kiss on the side of the head.

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Never knew that Laurie Anderson was a running partner–and wrestling partner–of Andy Kaufman back in the day, until I read this passage from a Believer Q&A conducted by Amanda Stern:

BLVR:

Did he talk about why he was doing what he was doing?

Laurie Anderson:

He didn’t have to. The hardest part was wrestling with him, because he would be doing these club shows where he was very abusive to women, very abusive: ‘Those broads think they are… Who do they think they are?’ You know, ‘I will not respect a woman until she comes up here and wrestles me down,’ and that was my cue to come up there and wrestle him down, and I’m like on my third whiskey—I don’t usually drink, but trying to get up the nerve—and he would fight, and he wasn’t pretending. He’d twist my arm.

BLVR:

Did you ever get really hurt?

Laurie Anderson:

No, he wouldn’t break my arm, but he would really twist it around, and I fought back. It was definitely not pretend-wrestling. He wasn’t acting, and neither was I, but at the same time it was a game. There are plenty of ways you can play the game of fighting and really seem to be fighting without going for the jugular. Anyway, he was just curious about taboos. To be playing bongos and sobbing—I mean, everyone in the club is looking at that and going, ‘My god, this is so embarrassing.’ You’re not supposed to cry while you sing or play. That’s our job as the audience. We get to have a tear roll quietly down our cheeks, but not the performer.”

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Andy was Intergender Wrestling Champion, back when that title still meant something:

Laurie looked at the viral nature of language in 1984, before all communication went in that direction:

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Server issues. Will add some stuff now.

Consumer electronics begin shrinking in earnest, 1985.

Another moral failing in the recent history of the Catholic Church came in response to the death sentence imposed on Salman Rushdie by Ayatollah Khomeini after the publication of The Satanic Verses. From a 1989 New York Times piece by Michael T. Kaufman:

“In the United States, 17 Roman Catholic writers, including William Kennedy, Maureen Howard, Garry Wills and the Rev. Andrew Greeley, wrote a letter critical of statements by John Cardinal O’Connor, the Archbishop of New York. The letter noted the statement Sunday by the Cardinal in which he said that he would not read the book but that he proclaimed ‘his sympathy for the aggrieved position’ of Muslims.

The Catholic writers said they ‘deplore the moral insensitivity to the plight of Mr. Rushdie and an ecumenical zeal that would appear to support repression.’

Gara LaMarche, the head of the freedom-to-write program of American PEN, an international writers’ group, acknowledged that ‘for a short period of time immediately after the death threat there was a great deal of discussion about what was the best way to help Salman Rushdie.’ He said that this may have ‘given an impression of reluctance,’ but he added that in recent days writers have been calling from all over the world to offer their help with petitions and readings.”

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Christopher Hitchens addresses the non-defense of Rushdie, 1989:

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The electric street lamp, a beacon of modernization, is disappearing across America due to the flagging economy. A. Roger Ekirch looks at a darker reality in an Opinion section piece in the New York Times. An excerpt:

“Leaving the hyperbole aside, artificial illumination has arguably been the greatest symbol of modern progress. By making nighttime infinitely more inviting, street lighting — gas lamps beginning in the early 1800s followed by electric lights toward the end of the century — drastically expanded the boundaries of everyday life to include hours once shrouded in darkness. Today, any number of metropolitan areas in the United States and abroad, bathed in the glare of neon and mercury vapor, bill themselves as 24-hour cities, open both for business and pleasure.

So it is all the more remarkable that, in what appears to be a spreading trend, dozens of cities and towns across America — from California and Oregon to Maine — are contemplating significantly reducing the number of street lamps to lower their hefty electric bills. In some communities, utility companies have already torn posts from the ground. Faced with several million dollars in unpaid bills, Highland Park, Mich., has lost two-thirds of its lamps, whereas officials in Rockford, Ill., have extinguished as many as 2,300, or 16 percent of all the city’s streetlights.”

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A 1917 clip of pioneer and entertainer Buffalo Bill Cody, with his unusual handshake. He realized early on that the Old West could be commodified.

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"It wouldn't be Stephen's voice any more" (Image by Errol Morris.)

From “The Man Who Saves Stephen Hawking’s Voice,” a New Scientist Q&A conducted by Catherine de Lange with the phsyicist’s personal technician, Sam Blackburn, who is soon leaving his post:

Stephen’s voice is very distinctive, but you say there might be a problem retaining it?
I guess the most interesting thing in my office is a little grey box, which contains the only copy we have of Stephen’s hardware voice synthesiser. The card inside dates back to the 1980s and this particular one contains Stephen’s voice. There’s a processor on it which has a unique program that turns text into speech that sounds like Stephen’s, and we have only two of these cards. The company that made them went bankrupt and nobody knows how it works any more. I am trying to reverse engineer it, which is quite tricky.

Can’t you update it with a new synthesiser?
No. It has to sound exactly the same. The voice is one of the unique things that defines Stephen in my opinion. He could easily change to a voice that was clearer, perhaps more soothing to listen to – less robotic sounding – but it wouldn’t be Stephen’s voice any more.”

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“Which came first, the chicken or the egg?”:

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This is tremendous. During the 1970s, at the height of prog rock popularity, Schaefer Beer had multitalented musician Edd Kalehoff make a commercial in which he played the company’s jingle on a Moog synthesizer. Kalehoff is a legend in the TV biz, having created the cues for The Price Is Right and the Monday Night Football theme song. But here he rocked at his most progressive.

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Some seach-engine keyphrases bringing traffic to Afflictor this week:

Afflictor: Thinking the Victoria's Secret catalog will change during a Santorum Administration.

  • Jack Hitt looks at the process of language death.
  • Kevin Kelly holds forth on copyright law and the public commons.
  • Matt Romney forgets to speak about Obama in code like his dad does.

Thanks to Rebecca J. Rosen of the Atlantic for pointing out that some 19th-century drawings of space by French astronomer Étienne Léopold Trouvelot have been digitized. Trouvelot is infamous for accidentally introducing the gypsy moth into America when he emigrated in 1851.

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“The Planet Jupiter”:


“Auroura Borealis”:


“Zodiacal Light”:

“Mare Humorum”:

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One final clip of conservative cartoonist Al Capp in all his smart-ass glory. With William F. Buckley in 1969.

More Al Capp posts:

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From Kevn Kelly’s comments on the Technium about copyright law and the public commons:

“It is in the interest of culture to have a large and dynamic public domain. The greatest classics of Disney were all based on stories in the public domain, and Walt Disney showed how public domain ideas and characters could be leveraged by others to bring enjoyment and money. But ironically, after Walt died, the Disney corporation became the major backer of the extended copyright laws, in order to keep the very few original ideas they had — like Mickey Mouse — from going into the public domain. Also ironically, just as Disney was smothering the public domain, their own great fortunes waned because they were strangling the main source of their own creativity, which was public domain material. They were unable to generate their own new material, so they had to buy Pixar.

A tragedy of the commons occurs when members behave selfishly and deny the commons what is due. As Disney shows, when members keep their creations out of the common pool for others to exploit, their gain is only short lived. Mickey Mouse, Superman, and eventually Darth Vader and Luke Skywalker all belong in the commons. The world will be a better place when they are.

We should repeal unreasonable intellectual property laws, to keep the incentives for a period no longer than the life of its creators (how can you be invented if you are dead?). But in the meantime, imagine what the creative public could do with these works, and weep — because nothing like that will happen for a very long time.”

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Inside the Disney vault, with Robert Smigel:

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