Lewis Hine

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"Everybody has seen these little waifs at watering places, on cars, steamers, and to every crowd of people where there was a chance to earn a few pennies." (Image by Lewis Hine.)

The August 21, 1873 edition of the Brooklyn Daily Eagle published a disturbing story about a child-smuggling ring that supplied New York City ringleaders with waifs to play music on the street and earn money. An excerpt:

“The examination of the case of Vincenzo Motto, of 45 Crosby Street, New York, who is charged with violation of the Civil Rights bill by kidnapping Italian children, bringing them to this country and compelling them to earn a living for him by performing on instruments in the streets, was resumed yesterday before Commissioner Osborn, in the United States District Court, New York. Everybody has seen these little waifs at watering places, on cars, steamers, and to every crowd of people where there was a chance to earn a few pennies by rasping “Old Dog Tray” and kindred tunes out of a cracked violin in the most persistent manner. It is only recently, however, that public attention has been called to the secret history of their lives here and the cause of their presence.

Some time since one of these little musicians ran away from the ‘padrone’ with whom he lived, and by whom he was brought to the country, and from the statements made by him to authorities, it appeared that all these little musicians were owned by a company in New York. They had agents in Italy, who purchased the children from their parents, and when that was not possible, kidnapped them, and sent them out here consigned to some padrone who was a member of the fraternity, and who owned when as much as any slaveholder ever owned his negro.

The unfortunate children, who were subjected by the lazy padrones in order to make them return so much money every day, excited a storm of public indignation, and it is expected that the present proceedings will result in breaking up the whole thing and emancipating hundreds of these unfortunate little fellows, from their brutal taskmasters.

In the examination yesterday, the principal witness was the boy Joseph, one of the complainants against Motto, and his testimony which shows the working of the system was as follows:

"He sent me out in the streets with other children to play the triangle."

I am twelve years old; I came to the United States three years ago, and have been here during that time; I came to this country with my master Vincenzo Motto; I used to live at Cavalli, Italy; the defendant is here (points him out); I left Naples to come to this country; I first met the defendant at my mother’s house; he said to me, ‘You come to my house, and I will let you come back in the evening’; he made me walk all night to Naples, and there I was put on board the steamer, and I came to New York with the defendant; as soon as we got to New York I was taken to Crosby Street, and he kept me one day at the house; the defendant brought three more boys with me; after the first day he sent me out in the streets with other children to play the triangle; he told me to stick with the other children; he afterwards told me to bring home money; he told me this the next week; he sent me out as early as seven o’clock in the morning; he gave me bread for breakfast and told me to come back with the other children at night; I never come home without bringing money; Motto gave me bread and cheese; he did not give me my clothes; he was kind to me at first; then he beat me in the morning and in the evening; he beat me and kicked me; he tied me up with a big cord and kept me in the cellar all day; he bit me; he bit my ear one year ago because I did not bring home much money; I left my master one year ago because I had no money to bring home; I went to sleep in the cars at the depot; a lady, Mrs. McMonoho, now present, took care of me; I do not remember my home.”

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Straight razor applied to lathered face by pubescent boy.

A muckraker and an artist, the great photographer Lewis Hine took this classic 1917 shot of 12-year-old barber Frank De Natale plying his trade in Boston. By this point, child labor laws, which Hine’s work had helped advance, precluded this lad from working full-time; he was a barber after-school and on Saturdays. A note from an 1884 Brooklyn Daily Eagle article about the child barbers of an earlier era:

“‘How are barbers taught?’

‘We generally get small boys. They are regularly indentured to us by their parents. They are compelled to stay with us for three years. We give them about $50 for the first year and increase their wages as they become accustomed to the work. At first they do nothing but brush the clothes of the customers. Then we make them watch us while we are shaving or hair cutting. If the boy is smart he is soon permitted to lather the customers’ faces, while the hands are busy with other men. They finally graduate into full fledged barbers and receive a salary of from $5 to $12 per week.'”

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Lewis Hine was a schoolteacher, a photographer, a muckraker, and, above all, an artist. His work brought about real changes in American child-labor laws, but his pictures remain brilliant because of his amazing eye for subject and composition. In the above classic photo, an Italian-American immigrant woman on Bleecker Street in New York hauls an enormous dry-cleaning box the best she can. To see more great work by Hine, go here.

Hine’s philosophy on photography: “Whether it be a painting or photograph, the picture is a symbol that brings one immediately into close touch with reality. In fact, it is often more effective than the reality would have been, because, in the picture, the non-essential and conflicting interests have been eliminated.

The average person believes implicitly that the photograph cannot falsify. Of course, you and I know that this unbounded faith in the integrity of the photograph is often rudely shaken, for, while photographs may not lie, liars may photograph.”

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Newsies on the Brooklyn Bridge clutch copies of the "Morning Telegraph."

These ragamuffins selling newspapers look cute in their caps and coats, sure, but they were largely homeless children who eked out a meager existence by screaming “Extra, Extra!” and hoping to acquire some change. The newsboys were independent contractors who purchased papers from the publishers, and then worked long hours to make a small profit. Their treatment, especially by Hearst and Pulitzer, was Dickensian, and they went on strike many times. But it was their strike in 1899 that finally showed that child labor had clout and got them a small measure of justice. The great photo above, taken by Lewis Hine, shows the boys poised to peddle their papers. Another Hine photo below, which features a female newsie, was taken outside a Bowery saloon in 1910.



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