John Cassavetes

You are currently browsing articles tagged John Cassavetes.

Dick Cavett conducted a 1970 interview with a very drunk John Cassavetes, Ben Gazzara and Peter Falk, the latter of whom just passed away. Best known as Colombo, but much more diverse than that, Falk played a special role in the work of Cassavetes and Wim Wenders.

The first graph of Richard Brody’s smart Falk post at the New Yorker blog: “It’s surprising to learn, from reading biographical sketches of Peter Falk on the occasion of his death, at the age of eighty-three, that he got a master’s degree in public administration and was working in Connecticut as an efficiency expert when, in his mid-twenties, he decided to take a chance on an acting career. It’s equally odd to note that he had two Oscar nominations for Best Supporting Actor in consecutive years—1960 and 1961—for his roles in Murder, Inc. and A Pocketful of Miracles. They hardly helped. He was working mainly on television, doing some movies but not getting plum roles, when, in 1967, he met John Cassavetes at a Lakers game and then had lunch with him at the Paramount commissary. As Marshall Fine writes in his biography of Cassavetes, Accidental Genius, ‘Falk had a script by Elaine May, Mikey and Nicky, that he thought Cassavetes would be perfect for.’ At the same time, Cassavetes pitched Husbands to Falk. Each actor thought the other had agreed to the projects, and each had misunderstood.'”

Tags: , , , ,

Tommy Reynolds (left) and Homer Nish.

Tommy Reynolds (left) and Homer Nish.

British expat director Kent MacKenzie’s 1961 neorealist drama, The Exiles, played at the Venice and San Francisco film festivals, but it never received a proper threatrical release until 2008. Even now, this story about young Indians (as they were called then) trading in life on an Arizona reservation for a marginal existence in Los Angeles, feels strange enough to deny classification. It’s part ethnography, part urban history. part early-rock-era free-for-all. MacKenzie and his brilliant cinematographer Erik Daarstad follow the characters (all played by Indian non-actors) as they drink, gamble, carouse and brawl their way through a 12-hour night. (Cassavetes was shooting Shadows in Manhattan at roughly the same time, and both films share a freewheeling, improvisational look at hell-raising machismo.) The director refused to idealize his subjects, believing he had made an existential film rather than an Indian one.

MacKenzie died at age 50 and made just one other feature, but this film is an impressive legacy and Milestone has done an excellent job on the DVD. Also included in the extras is MacKenzie’s “Bunker Hill: 1956,” a 17-minute documentary about elderly pensioners gingerly making their way through life in a neighborhood marked for demolition and renovation. It’s an absolute treasure for the urban anthropologist. Just as much as the main feature, it confirms what documentarian Thom Andersen said of Exiles, “It proves that there was once a real city here before they tore it down and built a simulacrum.”

ALSO:

  • The Exiles official site.
  • Milestone’s official site.
  • On Bunker Hill: A Lost Neighborhood Found site.
  • Manohla Dargis’ 2008 review of Exiles, The.
  • Moreabout Thom Andersen.

Tags: , ,