Joaquin Phoenix

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The bold new face of America.

The Maniac Will Be Televised,” Walter Kirn’s contribution the Atlantic‘s new feature, “The 14 Biggest Ideas of the Year,” is a meditation on how Trump and Sheen and the Tea Party brought the lunatic fringe to the mainstream, realizing that truth was negligible during a suspicious era, outscreaming the white noise of the Digital Age. Joaquin Phoenix’s 2009 attempt to become our ubiquitous madman seemed a failure at the time, but it was really just prelude. An excerpt:

“Sheen was the spilled beaker in the laboratory who proved that in an age of racing connectivity, a cokehead can be a calming presence. His branching, dopamine-flooded neural pathways mirrored those of the Internet itself, and his lips moved at the speed of a Cisco router, creating a perfect merger of form and function. Trump, though his affect is slower and less sloppy, also showed mastery of the Networked Now by speaking chiefly in paranoid innuendo. The Web, after all, is not a web of truths; its very infrastructure is gossip-shaped. The genius of Sheen and Trump and other mediapaths (Michele Bachmann belongs on this list too) is that they seem to understand, intuitively, that the electronic brain of the new media has an affinity for suspicious minds.”

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James Gray’s beautiful 2008 romantic drama was largely lost in the wreckage of Joaquin Phoenix’s misguided, well-calibrated and public “mental breakdown,” which served as a test run of sorts for Charlie Sheen’s sadly real and much more interesting one. Making the stupid stunt even more maddening is that Two Lovers contains the best performance of Phoenix’s career.

Leonard Kraditor (Phoenix) is recently out of a mental hospital but not nearly out of danger. A broken engagement led to a suicide attempt and once liberated from the facility Leonard spends time in between subsequent attempts to do himself in by working at his father’s Brooklyn dry cleaners and taking gorgeous black-and-white photographs of street scenes. Into his life come two very different women: Sandra (Vinessa Shaw), the daughter of his father’s business partner who yearns to tend to his wounded, sensitive soul; and his druggie next-door-neighbor, Michelle (Gwyneth Paltrow), who is caught up in a destructive romance with a married man.

Leonard is trapped between what’s right and what feels right, dating the stable woman but longing for the one whose inner turmoil matches his own. But as he’s forced to make a choice he realizes that perhaps the choice isn’t his, and that the decisions made for us are almost always less satisfying than the ones we make ourselves, whether they’re for the best or not.•

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