Jane Homlish

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The late magazine publisher Bob Guccione, whose face and pants were both made of leather, was profiled in Vanity Fair in 2005 by his former Viva editor, Patricia Bosworth, at a time when the erstwhile porn king was in steep decline, as cancer and creditors, not critics and censors, were his chief concerns. Say what you will about him, but pornography being readily available on screens in shirt pockets and on top of laps is proof Guccione understood the extent of our urges long before we did. Even as he was losing his personal battle, he had won the war. The opening:

“I‘m frankly amazed at my own optimism,” says Bob Guccione, the 74-year-old pioneering pornographer and founder of Penthouse magazine. “Whenever I’m facing a crisis—and I’m certainly facing a crisis now—I just fight harder. I know I’m going to survive.”

Recent news reports have portrayed Guccione as a broken man. Having lost his entire Penthouse empire, he is said to be destitute, camping out in just four rooms of his princely home, on East 67th Street in Manhattan, spending most of his days curled up in bed asleep or watching CNN.

“An exaggeration,” he croaks, attempting to smile. “Exaggeration,” repeats his special assistant, Jane Homlish, to make sure he is understood. In 1998, a doctor performed laser surgery on Guccione’s tongue in an experimental cancer treatment, so it is hard to understand him when he speaks. Because he has difficulty swallowing, a liquid nutrient called Boost is piped into his stomach.

And yet he looks trim, tanned, and healthy. His skin positively glows, and he appears almost serene, except for the dark, haunted eyes that glare out from under his thick, grizzled brows. The reason he sleeps during the day, he says, is that he is up until four in the morning working on projects and his oil paintings.

He has just given me a tour of his mansion, one of the city’s largest private homes, which he designed himself. He uses the entire place—he even had a small dinner party here recently. He’s especially proud of the mosaic-lined swimming pool on the ground floor, flanked by two lead Napoleonic sphinxes, each with a Marie Antoinette head. They’re at the far end of the pool. On the floor below is a fully equipped gym. There’s also a huge paneled screening room, a winding marble staircase up to the “ballroom,” and a double living room with antique-mirror walls. Part of a great carved fireplace that once belonged to the architect Stanford White is in Guccione’s bedroom.

The mortgage on the house is now owned by Mexican businessman Dr. Luis Enrique Molina, who literally saved Bob from eviction in February 2004 by paying $24 million to his creditors. Bob says he doesn’t know how long he’ll remain here, since he and his girlfriend, April Warren, are the only occupants of the house’s 45 rooms. He still has 6 servants (down from 22), in addition to Homlish, who says she has no plans to leave him.

She was working with Guccione when I first met him, in 1974. He hired me as the executive editor of Viva, a sister publication of Penthouse that was billed as ‘the world’s most sophisticated erotic magazine for women.’ That was during Guccione’s glory days, when he was said to be one of the richest men in the world. According to a report in the New York Post last October, Penthouse has earned $4 billion since 1965, when Guccione founded it. During that time Guccione has squandered about $500 million of his personal fortune on bad investments and risky ventures.

Today, Penthouses circulation is down to 400,000 from a 1979 high of 4.7 million, a victim of X-rated videos and pornographic Web sites.•

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Omni magazine was the fascinating science journal turned out by pornographer Bob Guccione, whose face and pants were both made of leather. The singular publication was by turns brilliant and bullshit and batshit. Claire Evans of Vice recently got to visit an awe-inspiring archive of the defunct mag and filed a report. An excerpt:

“When I was given, offhandedly, in an email, a shot at poking through this collection, I’d imagined long tables stacked with documents and boxes brimming with unpublished science-fiction gems. I was told it was an archive, and, to me, the word ‘archive’ implied something academic, a facility staffed by white-gloved attendants. Instead, the OMNI archive is a nebulous assortment of filing cabinets, piles of paintings, folders haphazardly stuffed with printing acetates and doodles—all strewn about a medical-supply sales office in Englewood, New Jersey. There are attendants, but they aren’t librarians; they’re employees of Jeremy Frommer, a financier and fast-talking entrepreneur who came upon the collection accidentally, when a storage locker he bought on a whim last November happened to contain a sizable chunk of the estate of Bob Guccione, lord and master of the Penthouse empire and, less famously, publisher of OMNI magazine.

Guccione, if he is remembered at all, is usually mythologized as a kitsch tycoon dripping with gold chains, shirt open practically to his waist. His 27,000-square-foot home in Manhattan was the largest private residence in the city. He collected Van Gogh and Picasso paintings and filled his homes with busts of Caesar, Napoleonic sphinxes, and hand-molded brick shipped from Italy. He was a recluse, by some accounts. He shot the early Penthouse pictorials himself. And he loved science fiction. Jane Homlish, Bob’s personal assistant for 37 years, who I met in Englewood, explained it to me this way: ‘He always said that people with genius minds—and his mind was established as genius—were always as fascinated with sex as they were science.’

Bob Guccione died in 2010, by which point OMNI magazine was long gone—but in Englewood, they both live on. Sheet after sheet of slides are being dusted off, examined, and photographed. Original cover artwork from the magazine is being hunted down. Paintings are being uncrated. People like me are being brought in, simply to marvel at the goods. In one afternoon, I found cover drafts with greasy pencil notations, thousands of 35-mm slides, large-format chromes, magazines bundled with stapled paperwork, production materials, and untold amounts of photos and artwork. It’s chaos. Everything is still being fussed through and tossed around; after his storage unit mother lode, Jeremy got the bug, and the OMNI collection keeps growing. He has but one goal: to own the most complete collection in the world of ephemera relating to this largely forgotten magazine. ‘I don’t think there is anything like this collection,’ Jeremy told me. ‘I don’t even think it exists for a specific magazine, let alone the coolest geek sci-fi magazine of the 80s and 90s.'”

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Guccione discusses Omni and other topics. Crappy footage but worth it.

Omni commercial from 1978, with a voiceover by the Gooch:

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