James Gray

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The recently deceased cinema savant Ric Menello existed on the fringes of the film world–of society, actually–yet some chance meetings gave him an unlikely Hollywood career. From Richard Brody’s appropriately all-over-the-place New Yorker blog post, a segment about the director James Gray remembering his first interaction with the man who would become his most eccentric collaborator:

I got a phone call—this is about 1996, I think, late ’96, somewhere around there—from Rick Rubin, who, along with Russell Simmons, started Def Jam Records. And Rick said [deepening his voice in impersonation], ‘I have somebody on the phone I want you to talk to.’ You know, he had made a three-way call.

I said, ‘Hello?’

[Adopts a nasal voice] ‘Hello?’ ‘Who’s this?’

[Shrill voice] ‘Who’s this?’

‘This is James Gray.’

‘Did you direct Little Odessa?

‘Yes.’

‘Ah, that wasn’t too good.’

‘Who is this?’

‘This is Ric Menello.’

[In the deep voice of Rick Rubin] ‘This is my friend Ric Menello. He knows much more about movies than you do.’

And all of a sudden I started talking to the guy. And, of course, I immediately liked him because he disparaged my work. And I realized that Rick Rubin was absolutely correct: he knew everything. He was working at the desk of the dorm—Weinstein dorm at N.Y.U.—when Rubin met him. And he would hold court talking about movies, and they quickly recognized him as kind of a savant, and they befriended him.”

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Menello directed the “Going Back to Cali” video in 1989:

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James Gray’s beautiful 2008 romantic drama was largely lost in the wreckage of Joaquin Phoenix’s misguided, well-calibrated and public “mental breakdown,” which served as a test run of sorts for Charlie Sheen’s sadly real and much more interesting one. Making the stupid stunt even more maddening is that Two Lovers contains the best performance of Phoenix’s career.

Leonard Kraditor (Phoenix) is recently out of a mental hospital but not nearly out of danger. A broken engagement led to a suicide attempt and once liberated from the facility Leonard spends time in between subsequent attempts to do himself in by working at his father’s Brooklyn dry cleaners and taking gorgeous black-and-white photographs of street scenes. Into his life come two very different women: Sandra (Vinessa Shaw), the daughter of his father’s business partner who yearns to tend to his wounded, sensitive soul; and his druggie next-door-neighbor, Michelle (Gwyneth Paltrow), who is caught up in a destructive romance with a married man.

Leonard is trapped between what’s right and what feels right, dating the stable woman but longing for the one whose inner turmoil matches his own. But as he’s forced to make a choice he realizes that perhaps the choice isn’t his, and that the decisions made for us are almost always less satisfying than the ones we make ourselves, whether they’re for the best or not.•

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