George Foreman

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In Nick Tosches great book, The Devil and Sonny Liston, the author identifies his subject’s main problem: “In the Saturday night cigarette smokehouse neon dark of that dive, Charles Liston, who neither knew his age nor felt any ties of blood upon this earth nor saw any future beyond the drink in front of him and the smoky dark spare refuge of this barroom from the bone-cutting, river-heavy dank and freezing chill, knew only that he was nobody and that he had come from nowhere and that he was nowhere. He did not see that one could be nobody with a capital ‘N.’” Smokin’ Joe Frazier, who just passed away, and his two greatest opponents, Muhammad Ali and George Foreman, became not just important nobodies but cultural kings.

Frazier, who could barely get a word in, with Ali and Dick Cavett:

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New DVD: Soul Power

I'm not a doctor, but I believe that man is breaking into a cold sweat.

A perfect complement to Leon Gast’s great boxing documentary, When We Were Kings, Soul Power chronicles the titanic 1974 fight’s companion music festival in Zaire, which coupled great African musicians with excellent African-American artists. Director Jeffrey Levy-Hinte tries to make some hay from the behind-the-scenes drama that occurs when the prizefight is delayed and the concert is briefly imperiled, but name me a huge music fest from that era that didn’t have logistical problems (Isle of Wight) or far worse (Altamont). The real story here is the performances (a pensive Bill Withers, an expansive Miriam Makeba, the ever-professional Spinners) and the racial pride that fueled the performances. The biggest stars of all, as expected, are Muhammad Ali on the microphone and James Brown on stage, both still in their primes. When Ali delivers his sermons on race in America and James Brown does his splits, Soul Power is powerful excitement.

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