Andrew Goldman

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A discussion about wearable computing from Andrew Goldman’s smart interview with Silicon Valley bigwig Marc Andreessen, in this Sunday’s New York Times Magazine:

People view you as an oracle in the valley. I was hoping you’d blow my mind with something you see in the future. 

Gordon Bell at Microsoft is working on wearable computing, where it literally records everything around you all the time — video, your conversations. He wants to get to where it’s like a pendant around your neck. We also have a company called Jawbone that makes peripherals for smart phones and tablets. Today, they sell Bluetooth headsets and speakers, but soon they will sell all kinds of wearable computing devices.

Will we soon be dealing with antigaming laws so that drivers can’t play wearable video games while driving down the highway?

That assumes they’re driving. Google is working on self-driving cars, and they seem to work. People are so bad at driving cars that computers don’t have to be that good to be much better. Any time you stand in line at the D.M.V. and look around, you’re like, Oh, my God, I wish all these people were replaced by computer drivers. Ten to 20 years out, driving your car will be viewed as equivalently immoral as smoking cigarettes around other people is today.”

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Gordon Bell records his whole life:

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In this week’s Sunday Times Magazine, Andrew Goldman has a smart interview with Jimmy Lai, the Chinese clothing retailer-cum-media mogul behind those insane (and insanely popular) animations of scandalous news stories. Lai’s explanation for what he does is honest and simple and blunt and a little depressing. An excerpt:

You own magazines and newspapers in Hong Kong and Taiwan and have been called the Rupert Murdoch of Asia — and yet you’re best known here for your company’s very enjoyable and weird animated re-enactments of news events. The one you did for Tiger Woods’s Thanksgiving-weekend car accident got more than five million YouTube views. Why did you get into animation?

I started the animations because print media was going into a sunset business environment. It’s obvious that we have arrived at an era of images. I thought that if I could speed up the production of animation, I could make a big business out of recreating the amazing images of the news, because what we get on TV is always the last bit of image. What happened before that image is always missing.

You mean that all we ever see is the wreckage after the plane crash, not the crash itself?

Exactly. We don’t see the pilot flying the plane drunk and what happened in the cabin. If somebody jumped off a roof, we only see the body even though we know that eight months ago, the guy might have gone to Macau, lost a lot of money in a casino, was chased by a loan shark, so he got depressed and decided to jump off a roof.

So you envision these animations as a substitute for reading news?

Exactly. If I hold an image in front of you, you can right away assimilate a story that may take me 20 minutes to explain or take you 10 minutes to read.”

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