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Prince Rupert zu Loewenstein, the money manager who made those three-chord wonders, the Rolling Stones, into multi-millionaires, just passed away. Unsurprisingly, his life was colorful. From his New York Times obituary by Douglas Martin:

“On the most prosaic level, Prince Loewenstein got the group to stop accepting paper bags full of cash as payment. On the grand scale, he led in planning a tour — its biggest at the time — to coincide with the release of the Steel Wheels album in 1989. The tour grossed $260 million worldwide and represented a patching up of the strained relationship between Mick Jagger and Mr. Richards.

The prince once described himself as ‘a combination of bank manager, psychiatrist and nanny.’ He helped Mr. Jagger negotiate his divorce from Bianca Jagger in 1978 and his estrangement from Jerry Hall in 1999.

When Mr. Richards was arrested on heroin-trafficking charges in Toronto in 1977, Prince Loewenstein showed the extent of Mr. Richards’s casual spending — $350,000 in the previous year — as evidence that Mr. Richards was wealthy enough not to have to commit crimes to feed a heroin habit. The charge was reduced to ‘simple possession of heroin.’

Rupert Louis Ferdinand Frederick Constantine Lofredo Leopold Herbert Maximilian Hubert John Henry du Loewenstein was born on Aug. 24, 1933, into Bavarian royalty on the Spanish island of Majorca. An ancestor helped repel the Huns in 907.”

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“Please allow me to introduce myself, I’m a man of wealth and taste”:

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In 1979, Germaine Greer, part genius and part cuckoo clock, comments on creativity under various political systems.

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Harry Reems, the Olivier of oral and progenitor of the pornstache, did one day of work on the 1972 porn film Deep Throat which made him globally famous and a target of federal prosecutors looking for someone to punish for the film’s blockbuster status. The adult actor passed away last year, but here he is in 1976, before his descent into alcoholism and homelessness and rebirth as a devoutly religious realtor, discussing the FBI’s pursuit of him. I could be wrong, but that looks like John Candy on the panel.

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The Los Angeles family home of Ray Bradbury, who thought it imperative that humans leave Earth, has just been put on the market at a cool $1.495 million. From Carolyn Kellogg at the Los Angeles Times:

“His three-bedroom, 2500-square-foot house, built in 1937, is painted a cheery yellow. It has three bathrooms, hardwood floors, and sits on a generously sized 9,500-square-foot lot. It is loaded with original details, the sort that were part of the texture of the author’s daily life.

‘I’m surrounded by my metaphors,’ he explained in a 2001 video shot in the house’s converted basement, which was crammed with books and ephemera. ‘I realized, all this ‘junk’ here, I couldn’t live without.’

Around 1960, Bradbury and his wife, Maggie, bought the house in Cheviot Hills for a few reasons: Their family was growing, Bradbury was making more money writing, and it had the kind of space writers crave.

‘Ray has saved everything since his first birthday,’ Maggie told The Times in 1985. ‘I try to throw out newspapers and magazines and whatever can be thrown out. Ray is a pack rat. He refuses to let anything go. When we bought our house 25 years ago, it had a large basement, and that was the irresistible ingredient, because we needed a place where Ray could store everything he refuses to throw away.’

For many years, Bradbury kept an office in Beverly Hills where he wrote (and sometimes napped). When he got older, he used the basement space in Cheviot Hills to write. ‘I feel very comfortable here,’ he said in another 2001 video clip.”

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A peek inside Bradbury’s office, 1968:

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Sir Edmund Hillary, who scaled Everest in 1953 and searched for the Abominable Snowman in 1961, sitting for an interview on a Canadian talk show in 1977.

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In 1966, British designer Mary Quant, popularizer of skirts that are mini and pants that are hot, stopped by What’s My Line? while in NYC conducting business with JC Penney.

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This year is the 25th anniversary of a great, if largely unheeded, speech by Isaac Asimov about how the human race can survive on Earth in the long run and the role space exploration would need to play in that endeavor.

In a Guardian piece by Andrew Pulver about David Cronenberg, who’s at Cannes for the screening of his latest film, Maps to the Stars, the director asserts that the automobile deserves a place alongside the Pill in green-lighting the sexual revolution. And now that tablets and smartphones are more important than cars, what does that say about us? From Pulver’s article:

“Cronenberg was also quizzed on his fondness for sex scenes set in cars, with one journalist pointing out it went all the way back to his JG Ballard adaptation Crash. Cronenberg replied, not entirely seriously: ‘Crash was suppressed by Ted Turner [CEO of TBS, parent company of Crash’s US distributor Fine Line] because he said it would encourage them to have sex in cars. I said: there’s an entire generation of Americans who have been spawned in the back seats of 1954 Fords. I doubt I invented sex in cars. You have to remember, part of the sexual revolution came about because of the automobile, because young people could get away from their parents, and that was freedom. I don’t think I’m breaking any new territory.

‘I mean… why wouldn’t you? There are such great cars around.'”

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In 1979, David Cronenberg discusses casting porn star Marilyn Chambers:

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The thing that always strikes me first when I go to Los Angeles is that the homeless guys there dress like apostles. In New York, they’re secular. Fran Lebowitz, in 1983, shared other observations about California cities with David Letterman.

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In 1978, Robbie Robertson and Martin Scorsese discuss the making of The Last Waltz, perhaps the best concert film ever. Little known fact: The movie’s cocaine wrangler was nominated for three Golden Globes.

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In this 1977 Canadian talk show, Fran Lebowitz, selling her book Metropolitan Life, plays on a familiar theme: Her complicated relationship with children. She was concerned that digital watches and calculators and other new technologies entitled kids (and adults also) to a sense of power they should not have. She must be pleased with smartphones today.

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William S. Burroughs, in 1977, offering questionable advice regarding drugs, though, in all fairness, he had conducted a great deal of field research. Heroin use certainly didn’t diminish his powers with Junky. The prose is flawless.

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Sylvia Anderson, legendary British TV producer and brilliant costume designer, explaining in 1970 why her moon suits, created for the program UFO, would be a suitable style for women of the future.

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Nintendo, a 19th-century Japanese playing-card company that became an American video-game sensation nearly a hundred years after its founding, is one of the subjects of Blake J. Harris’ new book, Console Warswhich Grantland has excerpted. A piece about how in the 1980s Nintendo presciently identified the existence of a ravenous appetite of fans for not just a piece of pop culture but for a community built around it, a phenomenon that later exploded on the Internet:

“[Gail] Tilden was at home, nursing her six-week-old son, when [Minoru] Arakawa called and asked her to come into the office the next day for an important meeting. So the following day, after dropping off her son with some trusted coworkers, she went into a meeting with Arakawa. The appetite for Nintendo tips, hints, and supplemental information was insatiable, so Arakawa decided that a full-length magazine would be a better way to deliver exactly what his players wanted.

Tilden was put in charge of bringing this idea to life. She didn’t know much about creating, launching, and distributing a magazine, but, as with everything that had come before, she would figure it out. What she was unlikely to figure out, however, was how to become an inside-and-out expert on Nintendo’s games. She played, yes, but she couldn’t close her eyes and tell you which bush to burn in The Legend of Zelda or King Hippo’s fatal flaw in Mike Tyson’s Punch-Out!! For that kind of intel, there was no one better than Nintendo’s resident expert gamer, Howard Phillips, an always-smiling, freckle-faced videogame prodigy.

Technically, Phillips was NOA’s warehouse manager, but along the way he revealed a preternatural talent for playing, testing, and evaluating games. After earning Arakawa’s trust as a tastemaker, he would scour the arcade scene and write detailed assessments that would go to Japan. Sometimes his advice was implemented, sometimes it was ignored, but in the best-case scenarios he would find something hot, such as the 1982 hit Joust, alert Japan’s R&D to it, and watch it result in a similar Nintendo title — in this case a 1983 Joust-like game called Mario Bros. As Nintendo grew, Phillips’s ill-defined role continued to expand, though he continued to remain the warehouse manager. That all changed, however, when he was selected to be the lieutenant for Tilden’s new endeavor.

In July 1988, Nintendo of America shipped out the first issue of Nintendo Power to the 3.4 million members of the Nintendo Fun Club. Over 30 percent of the recipients immediately bought an annual subscription, marking the fastest that a magazine had ever reached one million paid subscribers.”

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Nintendo Arm Wrestling, 1985:

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Viewtron, an early online service from AT&T and Knight-Ridder, opened its virtual doors in South Florida in 1983, offering email, banking, shopping, news, weather and updated airline schedules. Despite quickly reaching 15 U.S. markets, Viewtron folded in 1986, victim of being ahead of the wave before people had learned how to surf.

The original 1971 Walter Cronkite report about the D.B. Cooper hijacking, heist and escape. Interviews with many members of the shaken flight crew.

Audio only of Ray Bradbury lecturing in 1964 at UCLA during the “most exciting age in the history of mankind,” labeling the Space Age as greater than the Renaissance. He was right that we would soon be on the moon, but he didn’t foresee the forestalling of space exploration post-Apollo and the geographical barriers to global unity.

Bradbury also speaks adoringly of Mad magazine and discusses a Life short story to be published at the beginning of 1965.

From a 1979 People article about the auto-racing exploits of Est scream machine Werner Erhard, who has always been a piece of work:

“For hours mechanics have been fine-tuning the squat red-and-silver race car, while assistants check their clipboards and keep the Watkins Glen (N.Y.) bivouac free of litter and strangers. One fan wanders through in a T-shirt with the baffling slogan: ‘Before I was different, now I’m the same.’ Presently the driver emerges from an enormous van, astronaut-like in his creamy flame-proof suit, and heads for the Formula Super Vee racer (named for its Volkswagen engine). At the wave of a flag he will roar around a 3.3-mile Grand Prix course at speeds up to 130 mph. 

There are 29 other qualifiers in this Gold Cup event, but only driver Werner Erhard claims he is here for the sake of mankind. Erhard, the founder of est (Erhard seminars training), says that when he slides into his 164-horsepower Argo JM4, he is raising consciousness, not merely dust. 

‘Real people—you and me—feel like they don’t make any difference in this lousy world,’ says the 43-year-old Erhard. He is tall and loose-limbed with icy blue eyes; he insists on eye contact during a conversation. If his listener looks away, even momentarily, Erhard stops talking. He wants everyone to understand why he is driving fast cars these days in addition to heading the $20 million business that est has become, plus a 1977 spin-off, his program ‘to end world hunger by 1997.’ ‘I wanted to organize a high-performance team,’ Erhard continues, ‘that could master a complex skill in a very short time with winning results and show that everyone involved makes a big difference, from grease monkeys to spectators.’ In order to prove this estian point, Erhard says he considered such adventures as skydiving and karate, but rejected them as not collective enough. ‘Auto racing was perfect!’ he exclaims. ‘I hadn’t driven a car in six years and didn’t know the first thing about racing. Whatever we’d achieve, we’d achieve together.’”

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“I found it a remarkable technology”:

Another trippy video showing the work of the late anti-fashion designer Rudi Gernreich, this one exhibiting some of his 1973 styles and an outré line of soft metallic armor he dreamed up to promote Max Factor cosmetics. Gernreich thought that designs in the future would need to be anonymous because the world was to become harsh and invasive. “Public Privacy” is what he called the look.

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There are likely numerous reasons for Colony Collapse Disorder, but new research seems to confirm that the most popular pesticides on the planet are likely a dramatic cause of bees being under siege. From Damian Carrington at the Guardian:

“The mysterious vanishing of honeybees from hives can be directly linked to insectcide use, according to new research from Harvard University. The scientists showed that exposure to two neonicotinoids, the world’s most widely used class of insecticide, lead to half the colonies studied dying, while none of the untreated colonies saw their bees disappear.

‘We demonstrated that neonicotinoids are highly likely to be responsible for triggering ‘colony collapse disorder’ in honeybee hives that were healthy prior to the arrival of winter,’ said Chensheng Lu, an expert on environmental exposure biology at Harvard School of Public Health and who led the work.

The loss of honeybees in many countries in the last decade has caused widespread concern because about three-quarters of the world’s food crops require pollination.”

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“If you’re after getting the honey  / Then you don’t go killing all the bees”:

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Putting up the post about 3D cosmetics reminded me of this trippy 1960s fashion video that predicted a computerized future for attire. Designer Rudi Gernreich, creator of the topless monokini, believed that “clothes of the future will involve unisex. They will be interchangeable. Men are going to wear skirts and woman are gonna wear pants.” Not quite right in every detail but correct in a larger sense. 

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One wonders what conservative satirist Al Capp, enemy of hippies and scourge of campuses in the Vietnam Era, would have made of Rush Limbaugh, his far-less-witty creative descendant. I guess he would have generally approved. But what about the Tea Party? Would his allergy to collective extremism have driven him batty? Li’l Abner, after all, was a send-up of small-town white provincials with questionable intelligence. No, he probably would have rationalized it all in the name of party affiliation.

Capp was a genuinely talented writer who was very effective at mocking the micro excesses of the radical Left without seeming too bothered by the macro issues that was driving it from the center: a needless war, racism, sexism, etc. One day in 1970, when he wasn’t busy being rude at a bed-in or mocking a self-styled messiah, he made his way to the UCLA campus to raise a ruckus, which he loved doing. Audio only embedded below.

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D.A. Pennebaker, Shirley Clarke and Albert Maysles captured the Khrushchev-era exhibition of American consumer goods that was held in Moscow in 1959, the Iron Curtain briefly lifted. On display was the handiwork of Charles Eames, Buckminster Fuller and many others. The Kitchen Debates between Nixon and his Soviet counterpart took place during this event.

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In 1981, William F. Buckley and Diana Trilling investigated the ramifications of the murder of Dr. Henry Tarnower by his longtime companion, Jean Harris, a slaying which awakened all sorts of emotions about the dynamics between men and women. It also said a la great deal about our justice system.

From “Jean Harris: Murder with Intent to Love,” the 1981 Time article by Walter Isaacson and James Wilde: “Prosecutor George Bolen, 34, was cold and indignant in his summation, insisting that jealousy over Tarnower‘s affair with his lab assistant, Lynne Tryforos, 38, was the motivating factor for murder. Argued Bolen: ‘There was dual intent, to take her own life, but also an intent to do something else . . . to punish Herman Tarnower . . . to kill him and keep him from LynneTryforos.’ Bolen ridiculed the notion that Harris fired her .32-cal. revolver by accident. He urged the jury to examine the gun while deliberating. Said he: ‘Try pulling the trigger. It has 14 pounds of pull. Just see how difficult it would be to pull, double action, four times by accident.’ Bolen, who was thought by his superiors to be too gentle when he cross-examined Harris earlier in the trial, showed little mercy as he painted a vivid picture of what he claims happened that night. He dramatically raised his hand in the defensive stance he says Tarnowerused when Harris pointed the gun at him. When the judge sustained an objection by Aurnou that Bolen‘s version went beyond the evidence presented, the taut Harris applauded until her body shook.”

 

The wonderful 3 Quarks Daily pointed me to a Smart Set essay by Stefany Anne Golberg about the inimitable Sun Ra, who’s celebrating his centennial on Saturn. An excerpt:

Sun Ra believed that the whole of humanity was in need of waking up. He wanted to slough off old ideas and habits, brush off sleepy clothing and shake off drowsy food. Because present time mattered little to Sun Ra, they say he rarely slept. Even as a child, he would spend all his time playing the piano or composing. ‘I loved music beyond the state of liking it,’ he once said. Sun Ra was just as obsessed with books — you couldn’t see the walls of his room for the books. Books contained words and the words held a secret code that, if unraveled, revealed truths about human existence. He read the ancient texts of Egyptians, Africans, Greeks, the works of Madame Helena P. Blavatsky (with whom he once shared the initials H.P.B), Rudolph Steiner, P.D. Ouspensky, James Joyce, C.F. Volney, Booker T. Washington. He read about the lost history of the American Negro and studied the origins of language. Sun Ra knew Biblical scripture better than any preacher, read Kabbalah concepts and Rosicrucian manifestos. Through these texts Sun Ra learned it was possible for the chaos of human knowledge to be ordered. Theosophy, relativity, mathematics, physics, history, music, magic, science fiction, Egyptology, technology — all were keys to a unified existence. Ideas and music carried a reclusive black boy from Birmingham and transported him into outer space. But the most important idea Sun Ra learned from all his reading, from all the knowledge he acquired, is how puny knowledge is in the face of the unknown. We need the unknown, Sun Ra said, in order to survive.”

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In 1971, the Arkestra leader visited Egypt and Sardinia.

In 1974, space was the place:

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