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A description of William Shockley from Tom Wolfe’s 1983 Esquire article about Robert Noyce, who worked for a time for the Bell Labs genius and boss from hell, whose erratic nature alienated pretty much everyone, and that was before he dirtied himself with nonsense eugenics theories: 

The first months on Shockley’s Ph.D. production line were exhilarating. It wasn’t really a production line at all. Everything at this stage was research. Every day a dozen young Ph.D.’s came to the shed at eight in the morning and began heating germanium and silicon, another common element, in kilns to temperatures ranging from 1,472 to 2,552 degrees Fahrenheit. They wore white lab coats, goggles, and work gloves. When they opened the kiln doors weird streaks of orange and white light went across their faces, and they put in the germanium or the silicon, along with specks of aluminum, phosphorus, boron. and arsenic. Contaminating the germanium or silicon with the aluminum, phosphorus, boron, and arsenic was called doping. Then they lowered a small mechanical column into the goo so that crystals formed on the bottom of the column, and they pulled the crystal out and tried to get a grip on it with tweezers, and put it under microscopes and cut it with diamond cutters, among other things, into minute slices, wafers, chips; there were no names in electronics for these tiny forms. The kilns cooked and bubbled away, the doors opened, the pale apricot light streaked over the goggles, the tweezers and diamond cutters flashed, the white coats flapped, the Ph. D.’s squinted through their microscopes, and Shockley moved between the tables conducting the arcane symphony.

In pensive moments Shockley looked very much the scholar, with his roundish face, his roundish eyeglasses, and his receding hairline; but Shockley was not a man locked in the pensive mode. He was an enthusiast, a raconteur, and a showman. At the outset his very personality was enough to keep everyone swept up in the great adventure. When he lectured, as he often did at colleges and before professional groups, he would walk up to the lectern and thank the master of ceremonies and say that the only more flattering introduction he had ever received was one he gave himself one night when the emcee didn’t show up, whereupon – bango!- a bouquet of red roses would pop up in his hand. Or he would walk up to the lectern and say that tonight he was getting into a hot subject, whereupon he would open up a book and – whump! -a puff of smoke would rise up out of the pages.

Shockley was famous for his homely but shrewd examples. One day a student confessed to being puzzled by the concept of amplification, which was one of the prime functions of the transistor. Shockley told him: ‘If you take a bale of hay and tie it to the tail of a mule and then strike a match and set the bale of hay on fire, and if you then compare the energy expended shortly thereafter by the mule with the energy expended by yourself in the striking of the match, you will understand the concept of amplification.’

On November 1,1956, Shockley arrived at the shed on South San Antonio Road beaming. Early that morning he had received a telephone call informing him that he had won the Nobel Prize for physics for the invention of the transistor; or, rather, that he was co-winner, along with John Bardeen and Walter Brattain. Shockley closed up shop and took everybody to a restaurant called Dinah’s Shack over on El Camino Real, the road to San Francisco that had become Palo Alto’s commercial strip. He treated his Ph. D. production line and all the other employees to a champagne breakfast. It seemed that Shockley’s father was a mining engineer who spent years out on remote durango terrain, in Nevada, Manchuria and all over the world. Shockley’s mother was like Noyce’s. She was an intelligent woman with a commanding will. The Shockleys were Unitarians, the Unitarian Church being an offshoot of the Congregational. Shockley Sr. was twenty years older than Shockley’s mother and died when Shockley was seventeen. Shockley’s mother was determined that her son would someday ‘set the world on fire,’ as she once put it. And now he had done it. Shockley lifted a glass of champagne in Dinah’s Shack, and it was as if it were a toast back across a lot of hardwrought durango grit Octagon Soap sagebrush Dissenting Protestant years to his father’s memory and his mother’s determination.

That had been a great day at Shockley Semiconductor Laboratory. There weren’t many more. Shockley was magnetic, he was a genius, and he was a great research director–the best, in fact. His forte was breaking a problem down to first principles. With a few words and a few lines on a piece of paper he aimed any experiment in the right direction. When it came to comprehending the young engineers on his Ph.D. production line, however, he was not so terrific.

It never seemed to occur to Shockley that his twelve highly educated elves just might happen to view themselves the same way he had always viewed himself: which is to say, as young geniuses capable of the sort of inventions Nobel Prizes were given for. One day Noyce came to Shockley with some new results he had found in the laboratory. Shockley picked up the telephone and called some former colleagues at Bell Labs to see if they sounded right. Shockley never even realized that Noyce had gone away from his desk seething. Then there was the business of the new management techniques. Now that he was an entrepreneur, Shockley came up with some new ways to run a company. Each one seemed to irritate the elves more than the one before. For a start, Shockley published their salaries. He posted them on a bulletin board. That way there would be no secrets. Then he started having the employees rate one another on a regular basis. These were so-called peer ratings, a device sometimes used in the military and seldom appreciated even there. Everybody regarded peer ratings as nothing more than popularity contests. But the real turning point was the lie detector. Shockley was convinced that someone in the shed was sabotaging the project. The work was running into inexplicable delays, but the money was running out on schedule. So he insisted that one employee roll up his sleeve and bare his chest and let the electrodes be attached and submit to a polygraph examination. No saboteur was ever found.•


A 1974 Firing Line with Shockley, who at this point was sadly tarnishing his reputation with a second act as a quack trying to link race, class and IQ, with African-Americans not faring too well in his theories nor anyone who was an unskilled laborer.

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The opening of a Techcrunch article by Vinod Khosla about his extreme faith in the efficacy of algorithms, believing they can even supplant our most basic institutions:

“I was asked about a year ago at a talk about energy what I was doing about the other large social problems, namely health care and education. Surprised, I flippantly responded that the best solution was to get rid of doctors and teachers and let your computers do the work, 24/7 and with consistent quality.

Later, I got to cogitating about what I had said and why, and how embarrassingly wrong that might be. But the more I think about it the more I feel my gut reaction was probably right. The beginnings of ‘Doctor Algorithm’ or Dr. A for short, most likely (and that does not mean ‘certainly’ or ‘maybe’) will be much criticized. We’ll see all sorts of press wisdom decrying ‘they don’t work’ or ‘look at all the silly things they come up with.’ But Dr A. will get better and better and will go from providing ‘bionic assistance’ to second opinions to assisting doctors to providing first opinions and as referral computers (with complete and accurate synopses and all possible hypotheses of the hardest cases) to the best 20% of the human breed doctors. And who knows what will happen beyond that?” (Thanks Browser.)

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“Maybe the way to innovate schools is to eliminate schools”:

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James Lee Byars, “The perfect Love Letter is I write ‘I love you’ backwards in the air," 1974.

FromThe Man Who Runs the World’s Smartest Website,” an Observer piece about literary agent John Brockman and his heady site, Edge, which grew from an idea by the late artist James Lee Byars:

“In cyberspace, Brockman is best known for Edge.org, a site he founded as a continuation of what he describes as ‘a failed art experiment’ by his late friend, performance artist James Lee Byars. Byars believed, Brockman recalls, ‘that to arrive at a satisfactory plateau of knowledge it was pure folly to go to Widener Library at Harvard and read six million books. Instead, he planned to gather the 100 most brilliant minds in the world in a room, lock them in and have them ask one another the questions they’d been asking themselves. The expected result – in theory – was to be a synthesis of all thought.’ But it didn’t work out that way. Byars did identify his 100 most brilliant minds and phoned each of them. The result: 70 hung up on him.

Byars died in 1997, but Brockman persisted with his idea, or at any rate with the notion that it might be possible to do something analogous using the internet. And so Edge.org was born as a kind of high-octane online salon with Brockman as its editor and host. He describes it as ‘a conversation. We look for people whose creative work has expanded our notion of who and what we are. We encourage work on the cutting edge of the culture and the investigation of ideas that have not been generally exposed.’”

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For all my interest in Marshall McLuhan, I never realized until now that there was an experimental audio version of The Medium Is the Massage that was released by CBS Records in the late 1960s. It’s a pastiche that upends itself, by design. I bet Zappa knew it well.

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Short old-school movie about the Houston Astrodome, the world’s first roofed, air-conditioned stadium, which opened in 1965. Even back then, there were luxury suites. Audio is patchy.

HAL 9000 + Siri.

From “Not Worth Nicking,” a new article in the Economist about the evolving taste of U.K. thieves, who, unsurprisingly, shun old-school media goods in favor of portable computing products: 

“Indeed, thefts of entertainment products like CDs and DVDs have collapsed in England and Wales, to the point that they are now taken in just 7% of all burglaries in which something is stolen (see chart). They are now targeted no more frequently than are toiletries and cigarettes

The reason is the falling value of physical media products. The average price of a CD album in Britain fell from £10.77 to £7.32 between 2001 and 2010, according to the BPI, a trade group—almost a halving, in real terms. And the dishonest get their music and films free, via the internet. DVDs are under pressure not just from piracy but also from video-on-demand services.

Computers, on the other hand, are both valuable and increasingly portable: they are now taken more commonly than anything except purses and wallets.”

Playing the 3-D first-person shooter game, Maze War, on the Xerox Alto, the trailblazing 1970s networked computer that influenced young Steve Jobs.

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I have a neurological disorder that makes it difficult for me to recognize faces out of context, even of people I know well. The average brain, however, is wired to do a pretty remarkable job at such a task–but how? The opening of “How the Brain Spots Faces,” a post by Mark Brown at Wired UK that reports on MIT face-recognition experiments:

“Our brains are made to find faces. In fact, they’re so good at picking out human-like mugs we sometimes see them in a jumble of rocks, a bilious cloud of volcanic ash or some craters on the Moon.

But another amazing thing about our brain is that we’re never actually fooled into thinking it’s a real person looking back at us. We might do a second take, but most normal brains can tell the difference between a man and the Moon.

Neuroscientists from the Massachusetts Institute of Technology wanted to investigate how the brain decides exactly what is and is not a face. Earlier studies have shown that the fusiform gyrus, located on the brain’s underside, responds to face-like shapes — but how does it sort flesh from rock?”

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A parade of faces from “Cry,” Godley & Creme, 1985:

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I blogged before about Mike Daisey’s one-man show, The Agony and the Ecstasy of Steve Jobs, about Apple’s factories in Shenzhen, China, and the horrible work conditions that make possible our amazing and inexpensive consumer electronics. Daisey shares a generous portion of his performance on an episode of This American Life. (Embedding isn’t working for me; go here to listen.)

But is the existence of a terrible sweatshop still a positive step in impoverished corners of the globe? Listen to the provocative post-performance analysis by Ira Glass and company.

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That amazing 1970s Schaefer Beer commercial featuring a Moog synthesizer reminded me of this 1969 Tomorrow’s World segment introducing Robert Moog’s great contribution to music.

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Performance artist Momoyou Torimitsu–she’s wearing the nurse’s uniform–commenting on the rigidity of corporate culture.

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On the Inevitable Thoughts blog, Colin Vanderbilt argues that everything we fear from the rise of the machines is already here:

“Our society has become awe-inspiring because of the technology we created and used, but there was a cost. We are now dependent on it. Our planet is the Tower of Babylon, and every single support beam is a piece of technology. Our tower will continue to get higher every year as everything gets ‘better’ and ‘progress’ continues, but let’s consider why we are convinced that we must build our technological tower higher?

Technology kills hundreds of thousands of people every year (cars, guns, industrial working conditions), it causes upwards of 50,000 species a year to go extinct, it poisons our drinking water and our bodies every day, it cuts down 13 million hectacres of forest every year, and all this without any kind of artificially intelligent robots. Everything that we could possibly fear that robots will do when they rule the planet is already happening.”

 

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Consumer electronics begin shrinking in earnest, 1985.

The electric street lamp, a beacon of modernization, is disappearing across America due to the flagging economy. A. Roger Ekirch looks at a darker reality in an Opinion section piece in the New York Times. An excerpt:

“Leaving the hyperbole aside, artificial illumination has arguably been the greatest symbol of modern progress. By making nighttime infinitely more inviting, street lighting — gas lamps beginning in the early 1800s followed by electric lights toward the end of the century — drastically expanded the boundaries of everyday life to include hours once shrouded in darkness. Today, any number of metropolitan areas in the United States and abroad, bathed in the glare of neon and mercury vapor, bill themselves as 24-hour cities, open both for business and pleasure.

So it is all the more remarkable that, in what appears to be a spreading trend, dozens of cities and towns across America — from California and Oregon to Maine — are contemplating significantly reducing the number of street lamps to lower their hefty electric bills. In some communities, utility companies have already torn posts from the ground. Faced with several million dollars in unpaid bills, Highland Park, Mich., has lost two-thirds of its lamps, whereas officials in Rockford, Ill., have extinguished as many as 2,300, or 16 percent of all the city’s streetlights.”

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"It wouldn't be Stephen's voice any more" (Image by Errol Morris.)

From “The Man Who Saves Stephen Hawking’s Voice,” a New Scientist Q&A conducted by Catherine de Lange with the phsyicist’s personal technician, Sam Blackburn, who is soon leaving his post:

Stephen’s voice is very distinctive, but you say there might be a problem retaining it?
I guess the most interesting thing in my office is a little grey box, which contains the only copy we have of Stephen’s hardware voice synthesiser. The card inside dates back to the 1980s and this particular one contains Stephen’s voice. There’s a processor on it which has a unique program that turns text into speech that sounds like Stephen’s, and we have only two of these cards. The company that made them went bankrupt and nobody knows how it works any more. I am trying to reverse engineer it, which is quite tricky.

Can’t you update it with a new synthesiser?
No. It has to sound exactly the same. The voice is one of the unique things that defines Stephen in my opinion. He could easily change to a voice that was clearer, perhaps more soothing to listen to – less robotic sounding – but it wouldn’t be Stephen’s voice any more.”

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“Which came first, the chicken or the egg?”:

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This is tremendous. During the 1970s, at the height of prog rock popularity, Schaefer Beer had multitalented musician Edd Kalehoff make a commercial in which he played the company’s jingle on a Moog synthesizer. Kalehoff is a legend in the TV biz, having created the cues for The Price Is Right and the Monday Night Football theme song. But here he rocked at his most progressive.

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Thanks to Rebecca J. Rosen of the Atlantic for pointing out that some 19th-century drawings of space by French astronomer Étienne Léopold Trouvelot have been digitized. Trouvelot is infamous for accidentally introducing the gypsy moth into America when he emigrated in 1851.

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“The Planet Jupiter”:


“Auroura Borealis”:


“Zodiacal Light”:

“Mare Humorum”:

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From Kevn Kelly’s comments on the Technium about copyright law and the public commons:

“It is in the interest of culture to have a large and dynamic public domain. The greatest classics of Disney were all based on stories in the public domain, and Walt Disney showed how public domain ideas and characters could be leveraged by others to bring enjoyment and money. But ironically, after Walt died, the Disney corporation became the major backer of the extended copyright laws, in order to keep the very few original ideas they had — like Mickey Mouse — from going into the public domain. Also ironically, just as Disney was smothering the public domain, their own great fortunes waned because they were strangling the main source of their own creativity, which was public domain material. They were unable to generate their own new material, so they had to buy Pixar.

A tragedy of the commons occurs when members behave selfishly and deny the commons what is due. As Disney shows, when members keep their creations out of the common pool for others to exploit, their gain is only short lived. Mickey Mouse, Superman, and eventually Darth Vader and Luke Skywalker all belong in the commons. The world will be a better place when they are.

We should repeal unreasonable intellectual property laws, to keep the incentives for a period no longer than the life of its creators (how can you be invented if you are dead?). But in the meantime, imagine what the creative public could do with these works, and weep — because nothing like that will happen for a very long time.”

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Inside the Disney vault, with Robert Smigel:

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"Such uncertainty was once unthinkable at Kodak." (Image by Doug Coldwell.)

A former blue-chip bleeding red, Kodak is preparing to file bankruptcy. From a WSJ piece about the fall of a giant, by Mike Spector and Dana Mattioli:

“That Kodak is even contemplating a bankruptcy filing represents a final reversal of fortune for a company that once dominated its industry, drawing engineering talent from around the country to its Rochester, N.Y., headquarters and plowing money into research that produced thousands of breakthroughs in imaging and other technologies.

The company, for instance, invented the digital camera—in 1975—but never managed to capitalize on the new technology.

Casting about for alternatives to its lucrative but shrinking film business, Kodak toyed with chemicals, bathroom cleaners and medical-testing devices in the 1980s and 1990s, before deciding to focus on consumer and commercial printers in the past half-decade under Chief Executive Antonio Perez.

None of the new pursuits generated the cash needed to fund the change in course and cover the company’s big obligations to its retirees. A Chapter 11 filing could help Kodak shed some of those obligations, but the viability of the company’s printer strategy has yet to be demonstrated, raising questions about the fate of the company’s 19,000 employees.

Such uncertainty was once unthinkable at Kodak, whose near-monopoly on film produced high margins that the company shared with its workers. On ‘wage dividend days,’ a tradition started by Kodak founder George Eastman, the company would pay out bonuses to all workers based on its results, and employees would use the checks to buy cars and celebrate at fancy restaurants.

Former employees say the company was the Apple Inc. or Google Inc. of its time.”

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“Turn Around,” popular 1960s Kodak ad:

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The opening of Joan Didion’s writing about the sad and torturous Terri Schiavo case, in the New York Review of Books in 2005:

“Theresa Marie Schindler was born on December 3, 1963, to prosperous and devoutly Catholic parents, Robert and Mary Schindler, in a Philadelphia suburb, Huntingdon Valley. Robert Schindler was a dealer in industrial supplies. Mary Schindler was a full-time wife and mother. They named their first child for Saint Teresa of Avila, the Spanish mystic who believed the Carmelites insufficiently reclusive and so founded a more restrictive order. We have only snapshots of Theresa Marie Schindler’s life before the series of events that interrupted and eventually ended it. According to newspaper accounts published in the wake of those events, there had been the four-bedroom colonial on the leafy street called Red Wing Lane. There had been the day the yellow Labrador retriever, Bucky, collapsed of old age in the driveway and Theresa Marie tried in vain to resuscitate him. There had been the many occasions on which her two gerbils, named after the television characters Starsky and Hutch, got loose and into the air-conditioning unit in the basement.

She gained more weight than she wanted to. The summer she graduated from high school she went on a NutriSystem diet and began to lose the weight. Until then she hung out at the mall. She did not date. She bought her little brother Bobby his first Bruce Springsteen album. She pasted birthday cards into a scrapbook. She read Danielle Steel novels. She saw An Officer and a Gentleman with Richard Gere and Debra Winger four times in one day. She went to a Catholic grade school and a Catholic high school, where the single activity listed in her yearbook entry was ‘Library Aide,’ an extracurricular effort on which she and a friend had settled for the express purpose of having something besides their names in the yearbook. The college application process, in the sense of the crucial competition that it was for many in her generation, an exercise in the marshaling and burnishing of deployable accomplishments, seems not to have entered the picture.

She enrolled in the two-year program at Bucks County Community College, where, in a psychology class during her second semester, she met Michael Schiavo. He was from Levittown. He is said to have been the first person she had ever kissed. At the time they married two years later, in 1984, she was just under twenty-one; he was eight months older. After a honeymoon at Disney World, they moved in with her parents in Huntingdon Valley, then, when the Schindlers decided two years later to move to Florida, preceded them there. They lived first in a condominium the Schindlers had in St. Petersburg. Theresa Schindler Schiavo clerked at the Prudential Insurance Company. She dyed her hair blonde. She lay out by the pool and drank several quarts of iced tea a day. Michael Schiavo, who after his wife’s cardiac arrest would begin and eventually complete studies in nursing and respiratory therapy at St. Petersburg Junior College, took restaurant jobs.”

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If we lived to 200 or 300 years old, would the world be less noisy? Would a lack of urgency give humanity a quietist nature? I doubt it, but Douglas Coupland thinks so.

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"As announced in 'The Seattle Daily Times' on February 14, 1909, 'The baby incubators will be seen at The Exposition, as well as W. H. Barnes with Princess Trixie, the educated horse.'"

These classic 1909 photographs, showing a baby incubator exhibition, were taken at the Alaska Yukon Pacific Exposition. Such sideshows were common at the time. From an historical article about the exhibit:

“Baby incubator exhibits were an expected feature on exposition midways from the 1896 Berlin Exposition on. Visitors to Omaha’s Trans-Mississippi and International Exposition in 1898, Buffalo’s Pan-American Exposition in 1901, St. Louis’s Louisiana Purchase Exposition in 1904, and Portland’s Lewis and Clark Exposition in 1905 experienced a similar concession. (At most of these, including the Lewis and Clark Exposition, the Baby Incubator Exhibit was managed by Dr. Martin Couney, the foremost promoter of the baby incubator sideshows at expositions. Couney’s Baby Incubator Exhibit at Luna Park in New York’s Coney Island ran from 1903 to 1943. Although A-Y-P’s Baby Incubator Exhibit bears a strikingly similar physical resemblance to Couney’s baby incubator shows, no connection between Couney and the A-Y-P has yet been discovered.)

As announced in The Seattle Daily Times on February 14, 1909, The baby incubators will be seen at The Exposition, as well as W. H. Barnes with Princess Trixie, the educated horse.’ The display of human infants on the Pay Streak midway apparently elicited no protest from fairgoers (includingvisiting physicians), or from the local medical community.

Seattle already had a permanent (or at least seasonal) baby incubator exhibit: the Infant Electrobator concession at Luna Park in West Seattle. (An electrobator was an incubator heated by electricity.) Further details about this concession, where infants must have been rattled by the clatter of the wooden roller coaster and soothed by calliope music from the nearby carousel, appear to have vanished. It is possible that the A-Y-P exhibit and that at Luna Park were in some way connected.

French physician Alexandre Lion’s incubator, patented in 1889, was commonly used in baby incubator exhibits at expositions. These incubators varied greatly from the infant incubators utilized in modern neonatal intensive care units. The A-Y-P’s incubators regulated the temperature inside the unit and pulled in outside air for ventilation, nothing more. They would have been beneficial to well preemies needing no special care beyond steady warmth. The incubators exhibited at fairs and expositions had no ability to aid babies who could not breathe on their own, and there was at the time (and for many subsequent decades) no therapy for such children.

The A-Y-P Baby Incubator Exhibit apparently experienced no deaths, and it is unlikely that babies who lacked a very good prognosis would have been put on display for fear of negative public relations should they not survive, if for no other reason.”

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Moore’s Law meets evolution in that 2001 spacey odyssey, Waking Life:

I got the flu a number of years ago while reading Gina Kolata’s excellent book about the 1918 influenza pandemic, but I’m not pointing fingers. The opening of “Power in Numbers,” her new New York Times profile of Eric Lander, a brilliant mathematician who made the unlikely career switch to genome-mapping without the benefit of a biology background:

“His Ph.D. is in pure mathematics, in a subfield so esoteric and specialized that even if someone gets a great result, it can be appreciated by only a few dozen people in the entire world. But he left that world behind and, with no formal training, entered another: the world of molecular biology, medicine and genomics.ounding director of the Broad Institute of Harvard and M.I.T., he heads a biology empire and raises money from billionaires. He also teaches freshman biology (a course he never took) at M.I.T., advises President Obama on science and runs a lab.

Eric Lander — as a friend, Prof. David Botstein of Princeton, put it — knows how to spot and seize an opportunity when one arises. And he has another quality, says his high school friend Paul Zeitz: bravery combined with optimism.

‘He was super smart, but so what?’ said Dr. Zeitz, now a mathematics professor at the University of San Francisco. ‘Pure intellectual heft is like someone who can bench-press a thousand pounds. But so what, if you don’t know what to do with it?’

Eric Lander, he added, knew what to do. And he knew how to carry out strong ideas about where progress in medicine will come from — large interdisciplinary teams collaborating rather than single researchers burrowed in their labs.

So how did he end up at the Broad Institute, going from the most solitary of sciences to forging new sorts of collaborations in a field he never formally studied? What sort of person can make that journey?

Dr. Lander’s story can be told as a linear narrative of lucky breaks and perfect opportunities. But he doesn’t subscribe to that sort of magical thinking. To him, biography is something of a confection: ‘You live your life prospectively and tell your story retrospectively, so it looks like everything is converging.'”

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Back to the 1918 flu pandemic for a moment: “Grotesque and ugly in their influenza masks, the people of San Francisco celebrate.”

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