Simon Winchester

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I love you, but I’m not reading your YA novel. The same goes for your book about vampires or zombies. Probably not your memoirs, either, nor your volume about the best food to eat. Life is brutish and short, and I want to use the little time I have on Earth to read things that are revelatory to me. Like The Three Christs of Ypsilanti, Moravagine, The Autobiography of Alice B. ToklasCrime and Punishment, Candide, Imagined WorldsSapiens, etc. 

Simon Winchester told the New York Times about the reading that’s important to him and the kind unimportant. An excerpt:

Question:

Which writers — novelists, essayists, critics, journalists, poets — working today do you admire most?

Simon Winchester:

Billy Collins; Paul Muldoon; Ian Buruma; William Boyd; Simon Schama; Paul Theroux; Pico Iyer; Salman Rushdie.

Question:

What genres do you especially enjoy reading?

Simon Winchester:

I’m unashamedly drawn to tales of the remote, the lonely and the hard — like Willa Cather on Nebraska or Ivan Doig on Montana. The Icelandic Nobelist Halldor Laxness, with his “Independent People,” still is, for me, the supreme example. But I also like railway murder stories and timetable mysteries, especially those involving Inspector French and his Dublin-born creator, Freeman Wills Crofts.

Question:

And which do you avoid?

Simon Winchester:

Frankly, anything that has the name Derrida in it.

Question:

What kinds of stories are you drawn to?

Simon Winchester:

I enjoy the bizarre and the fantastic — Georges Perec’s Life: A User’s Manual, or Borges and his “Tlön, Uqbar, Orbis Tertius,” which I still think one of the cleverest things I’ve read. I also want to revive the reputation of the detective writer John Franklin Bardin, whose books are so richly insane that you feel your own sanity slipping away as you read, The Deadly Percheron being a fine instance.

Question:

And which do you avoid?

Simon Winchester:

Sensible people tell me I should like stories with zombies, but try as I might, I don’t.•

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Trains that look like rockets will, perhaps, take China to the moon or the future or something, even as concerns about corruption and safety linger. InHow Fast Can China Go?in the new Vanity Fair, Simon Winchester writes about riding the recent inaugural CRH380A bullet between Shanghai and Beijing. An excerpt:

“Shanghai’s Rainbow Bridge Station is sited next to the city’s old (but newly rebuilt) domestic airport and in a fast-growing nexus of skyscrapers, restaurants, and subway lines (the city had no subway lines until 1995 and now has 11, each one built deeper than the last). The station is run by a woman, Bao Zhenghong. She is a little under 40, pretty, brisk, friendly, with a blue diamond-shaped badge of authority (over dozens of men, at least) on the sleeve of her no-nonsense uniform blouse. As she paced down the concourse marble she remarked, between shy grins and blushes, that she had started work as a menial at a suburban station 20 years ago, on graduation from technical school. She could not in her wildest dreams, she said, have imagined being so swiftly promoted to take total control of this $2.3 billion glass monument (built in only two years) to China’s newness. Hers is the largest station in Asia, with 60 platforms: it sees 250,000 passengers a day, is made of 80,000 tons of steel, is home to countless stores and restaurants and viewing galleries, and is powered by the biggest solar-panel array in creation.

Miss Bao earns only $900 a month, hardly within a whisper of her country’s growing battalions of millionaires, but she’s proud nonetheless: A young woman like me, she gestured at the echoing immensity, standing under a football-field-size electronic display flickering with train information. Who could have believed it?

But behind her was a red silk banner, which was half the station’s width, and which probably granted her all the credibility she needed. It was a banner displaying a 100-yard-long sentence in large Chinese characters, a reminder of the underpinning ethos of a country that to many seems merely—but probably wrongly—a capitalist juggernaut, spinning wildly toward an improbable future. The sign was old-school politburo propaganda, the kind of rhetoric that once blared interminably down from loudspeakers in every factory and village commune in the country. It displayed for the ideological benefit of everyone in her station a sober exhortation, one that most station workers know by heart: LET US ALL WORK HARD TO HARNESS THE GOOD OF TECHNOLOGICAL ACHIEVEMENT TO CREATE THE FINEST RAILWAY IN THE WORLD FOR THE ULTIMATE BETTERMENT OF THE CHINESE PEOPLE. Miss Bao grinned. Perhaps that is why an achievement like hers is more believable.”

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Zooooom…

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