Mike Daisey

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"Daisey's provocations probably will help improve working conditions, but the methods are still unacceptable." (Image by Steve Jurvetson.)

More major fallout from the Mike Daisey-This American Life collaboration, in which the NPR show presented a large segment from his theater piece, The Agony and the Ecstasy of Steve Jobs, which decries the horrid working conditions at the Foxconn tech-manufacturing complex in China. Ira Glass and company have retracted the story, saying that Daisey’s reportage doesn’t check out, and the monologist himself has acknowledged that he misrepresented interviews. Daisey has defended misleading people, saying his only mistake was in allowing a theater piece to be broadcast as journalism. But the problems run deeper than that. When someone presents an unadorned monologue, gives no hint of artifice, and poses as a reporter who’s done leg work and interviews, expectations of veracity, even in a theater setting, are different.

The upshot is that there are major problems at Foxconn factories and Daisey’s provocations probably will help improve working conditions, but the methods are still unacceptable. Daisey is a major talent, but he can’t just play reporter and then walk away from it when the label becomes inconvenient. He needs to rethink his process.•

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"Be the change you wish to see in the world."--Mohandas Gandhi. Think Different.

Sometimes I think about this: Some people have so little food that they starve to death. I don’t mean that metaphorically. They literally lack enough food to keep their organs functioning properly. They develop distended bellies and are no more able to smile than a skeleton. Then they die. Other people have so much food that they read magazines about food. Food is readily available and they have to stop eating at some point, so they fetishize food so that they can keep “eating” even when they’re not. This might sound simplistic and sophomoric and maybe it is, but here’s the thing: Those people really are dying, painfully.

Mike Daisey has applied this thinking to consumer electronics. Some people are so poor that they literally die working in brutal conditions on assembly lines. Most don’t die, but you wouldn’t want their lives in a million years. Things are so bad that the Foxconn factory complex in China has had to place suicide nets outside its windows. Other people have so much accessibility to cheap electronics that the read magazines about consumer electronics on their consumer electronics. They have so much “food” that they fetishize it. And since we tend to calculate purchase price in dollars rather than human cost, no one puts a face on the misery. That’s the crux of Daisey’s monologue, The Agony and Ecstasy of Steve Jobs.

I’ve already put up a couple of posts about Mike Daisey’s one-man show (here and here), but a follow-up feels necessary. The last post included a good bit from his work which was broadcast on This American Life. The radio show provided a post-performance rebuttal of sorts, which had very humane and progressive thinkers like Paul Krugman and Nick Kristof arguing that the horrid conditions of China’s Foxconn factory were better for the people there than no sweatshops at all. And they’re right: Always choose bad over worse.

But what if that isn’t the only choice? Foxconn has reached such a critical mass of production that Apple (and every other tech company) won’t move production elsewhere if a fairer treatment of workers resulted in slightly higher costs. Payroll is such a small piece of the final price of electronics anyhow. Almost all of it comes from R&D and profit taking.

Daisey isn’t going to back off, nor should we. If we absolutely demand that the workers at Foxconn are treated better, if we use our purchasing power to ensure this, it will happen. Maybe the products will be slightly more expensive and we’ll only have enough money to enjoy them and not enough to fetishize them, but isn’t that enough?

Isn’t that a more meaningful use of the “Think Different” phrase? Isn’t that a more righteous use of Gandhi’s image than some commercial selling cheap computers at a high human cost?

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I blogged before about Mike Daisey’s one-man show, The Agony and the Ecstasy of Steve Jobs, about Apple’s factories in Shenzhen, China, and the horrible work conditions that make possible our amazing and inexpensive consumer electronics. Daisey shares a generous portion of his performance on an episode of This American Life. (Embedding isn’t working for me; go here to listen.)

But is the existence of a terrible sweatshop still a positive step in impoverished corners of the globe? Listen to the provocative post-performance analysis by Ira Glass and company.

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Theater talker Mike Daisey has a particularly timely monologue with The Agony and the Ecstasy of Steve Jobs, in which he investigates the dark side of the modern miracle of consumer electronics, which stared squarely at him in the ginormous Chinese factories where the gadgets are manufactured at a high human cost. An excerpt from Ben Brantley’s New York Times review:

“For Mr. Daisey, as for many others, affection for Apple products evolved into reverence for Mr. Jobs, the Apple co-founder whose identification with the company and its products has been much remarked upon, and worried over, since his illness made news several years ago.

Mr. Daisey has been performing this show since July of last year, and while the death of Mr. Jobs lends the evening a certain eerie timeliness, it also means that many in the audience will be familiar with the life and career of Mr. Jobs from reading obituaries and tributes.

The hippie-meets-tech-geek ethos, the founding of and then ouster from Apple, the triumphant return and the revolutionary series of consumer products that followed: Mr. Daisey covers this material fluently and with amiable humor, mixing obvious hero worship with some pointed skepticism. (Mr. Jobs, he notes, was the kind of imperious guy who divided the world’s population into ‘geniuses and bozos.’)

But the show is most engrossing, and most disturbing, when Mr. Daisey delves into the grim realities of workers’ lives in Shenzhen, a city that he memorably describes as looking as if ‘Blade Runner threw up on itself.'”

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“A laptop so thin you can slice a sandwich”:

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