Stunt journalism didn’t always have a bad name, not when George Plimpton was trying to quarterback an NFL team or become an extra in a David Lean epic. But over the last decade it’s become an increasingly high-concept field concerned more with sales pitches than truly interesting experiences.
Manhattan writer Colin Beavan entered this dubious landscape when he decided to turn a year-long experiment in extreme eco-consciousness into a blog, a book and ultimately this movie (directed by Laura Gabbert and Justin Schein). Beaven, wife Michelle Conlin (a Businessweek journalist) and their two-year-old daughter spent a year without TV, motorized transportation, electricity, air conditioning, elevators and many other modern conveniences that damage the environment. Beaven gets his book deal and plenty of attention (much of it negative), but at least in the film version the focus isn’t on being green but on the dynamics of his marriage.
Beavan is keenly aware what is happening when he tells his wife he thinks discussing their private lives on camera will turn the film into a reality-show spectacle. But spectacle is all they really have. As the initially reluctant Conlin begins to warm to the austerity of her passive-aggressive husband’s scheme, you have to wonder if it’s marital love driving her or the Stockholm syndrome.
Beavan and Conlin aren’t bad people who should be made sport of because they went without toilet paper for awhile. But it’s difficult to take much of this carefully calibrated publicity stunt very seriously.