Lou Reed

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I love Lou Reed’s music so much, but not a single writer I know who met him had a good word to say about the late rocker. “Asshole” was the most common descriptor. Not that he did anything awful; he was just a mean punk looking to put his unhappiness somewhere. 

The reason usually given for Reed’s aggressively surly demeanor was that he had been administered electroshock therapy as a teen. As Reed is set to enter the Rock and Roll Hall of Fame as a solo artist, his sister, Merrill Reed Weiner, explains in a Cuepoint piece the backstory of her family’s tortured decision to allow for the crude treatment. It was a very different time medically, with parents, especially mothers, often blamed and hectored for things not their fault, and traumatic “cures” conducted. An excerpt:

My parents were like lambs being led to the slaughter — confused, terrified, and conditioned to follow the advice of doctors. They never even got a second opinion. Told by doctors that they were to blame and that their son suffered from severe mental illness, they thought they had no choice.

I assume that Lou could not have been in any shape to really understand the treatment or the side effects. It may well be that he was fearful that he would be committed to a psychiatric hospital and not allowed to remain home if he did not agree to the treatment. Thus, informed consent from him would have been obtained in a rather questionable fashion.

Was he suicidal? Impaired by drugs? Schizophrenic? Or a victim of psychiatric incompetence and misdiagnosis? Certainly no one was talking about the impact of depression, anxiety, self-medication with illegal drugs, and what all that could do to a developing teenage brain. Nor was there any family therapy, involving us in understanding him and his needs.

My father was attempting to solve a situation that was beyond him, but it came from a deep love for Lou. My mother was terrified and certain of her own implicit guilt since they had told her this was due to her poor mothering. Each of us suffered the loss of our dear sweet Lou in our own private hell, unhelped and undercut by the medical profession. The advent of family therapy unfortunately was not yet available to us. We were captured in a moment in time.

It has been suggested by some authors that ECT was approved by my parents because Lou had confessed to homosexual urges. How simplistic. He was depressed, weird, anxious, and avoidant. My parents were many things, but homophobic they were not. In fact, they were blazing liberals. They were caught in a bewildering web of guilt, fear, and poor psychiatric care. Did they make a mistake in not challenging the doctor’s recommendation for ECT? Absolutely. I have no doubt they regretted it until the day they died. But the family secret continued. We absolutely never spoke about the treatments, then or ever.

Our family was torn apart the day they began those wretched treatments.•

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Incredibly cool 1965 CBS Evening News report presented by Walter Cronkite about underground filmmaking in NYC. Features footage of “a musical group called the Velvet Underground” and interviews with Jonas Mekas, Stan Brakhage, Andy Warhol and Edie Sedgwick.

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Lou Reed, who certainly learned a thing or two about how to relentlessly sell his brand from his Pop Artist mentor Andy Warhol, could be mean and full of shit. But he was a great artist. Occasionally an awful one, but often great. From his Economist obituary, a passage about how difficult he made categorization:

“The man could be just as perplexing, and played it up. Was he really a badass city boy? In fact he came from the New York suburbs, and for two years—between leaving the Velvet Underground in 1970 and making his first solo albums, helped by David Bowie, in 1972—he worked as a typist in his father’s accountancy firm. Did he really take so many drugs? No, he didn’t take them at all (he blurrily told a circle of reporters at Sydney airport in 1974), but he thought everyone else should, because they were ‘better than Monopoly.’ Was he homosexual? He had a very public transvestite love affair once; in the mid-1970s he adopted leather jackets and short blonde curls; later he wore nail varnish and mascara. But there were heterosexual marriages too, paired with romantic songs.”

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Years ago I was working in a place in Manhattan that was demonstrating a virtual-reality helmet. Lou Reed came in to try it and sat in the chair and had the Darth Vader-ish object placed over his head by the woman supervising the demo. He waited a beat and said, “Now what happens? Does someone pull my cock?” Rest in peace, Lou Reed.

Here’s my favorite Reed performance on tape, a 1974 version of “Sweet Jane” from Paris. Jane had a pretty exciting life for a clerk.

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Everything changes us, but sometimes a crash can change everything. Even though the brain is wired into a particular mode of behavior by repetition, trauma can lead to a break, to enlightenment. But far more often, suffering is simply what it is: It just hurts. Blessed are those, I suppose, who have useful tragedies. The opening of Pico Iyer’s New York Times essay:

NARA, Japan — Hundreds of Syrians are apparently killed by chemical weapons, and the attempt to protect others from that fate threatens to kill many more. A child perishes with her mother in a tornado in Oklahoma, the month after an 8-year-old is slain by a bomb in Boston. Runaway trains claim dozens of lives in otherwise placid Canada and Spain. At least 46 people are killed in a string of coordinated bombings aimed at an ice cream shop, bus station and famous restaurant in Baghdad. Does the torrent of suffering ever abate — and can one possibly find any point in suffering?

Wise men in every tradition tell us that suffering brings clarity, illumination; for the Buddha, suffering is the first rule of life, and insofar as some of it arises from our own wrongheadedness — our cherishing of self — we have the cure for it within. Thus in certain cases, suffering may be an effect, as well as a cause, of taking ourselves too seriously. I once met a Zen-trained painter in Japan, in his 90s, who told me that suffering is a privilege, it moves us toward thinking about essential things and shakes us out of shortsighted complacency; when he was a boy, he said, it was believed you should pay for suffering, it proves such a hidden blessing.

Yet none of that begins to apply to a child gassed to death (or born with AIDS or hit by a ‘limited strike’). Philosophy cannot cure a toothache, and the person who starts going on about its long-term benefits may induce a headache, too.”

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“And what good is cancer in April?”:

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John Cale in 1963, the year before he met Lou Reed, on I’ve Got a Secret.

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To me, Lou Reed always seems like such a mean jackass. I wouldn't think Salman Rushdie is any dreamboat, either. (Image by David Shankbone.)

The Wall Street Journal conducted a Q&A with Salman Rushdie, in which the writer discusses his adopted city of New York. An excerpt:

“My first night here in 1973, I was invited to Windows on the World which had just opened. I was 26, had long hair and had to put on a suit to get in. I wrote about that New York—the underground of the CBGBs—in The Ground Beneath Her Feet. I bought a house here 12 years ago. Fury, my New York novel, was published on 9/11/01! I feel more allied to cities than countries. I’m a Bombay—not Mumbai!—boy more than an Indian. I’ve spent most of my life in London and feel at home there. Now I belong here. I first stayed with a friend in a St. Mark’s Place brownstone, I’ve lived on the Upper West Side, I’ve lived downtown. I remember Times Square before it became Disneyland. The informality about downtown Manhattan was very attractive. I fell in love with it when I was young and wanted to live here. Now? I’m friendly with so many people here–to have Lou Reed’s phone number is like having God’s email address.”

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