James Atlas

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New York City residents have always joked, with gleeful cruelty, that California would one day sink into the ocean. But who’s all wet now? In the aftermath of Hurricane Sandy, James Atlas wonders in the New York Times if our city is ultimately to be submerged. An excerpt:

“There had been warnings. In 2009, the New York City Panel on Climate Change issued a prophetic report. ‘In the coming decades, our coastal city will most likely face more rapidly rising sea levels and warmer temperatures, as well as potentially more droughts and floods, which will all have impacts on New York City’s critical infrastructure,’ said William Solecki, a geographer at Hunter College and a member of the panel. But what good are warnings? Intelligence agents received advance word that terrorists were hoping to hijack commercial jets. Who listened? (Not George W. Bush.) If we can’t imagine our own deaths, as Freud insisted, how can we be expected to imagine the death of a city?

History is a series of random events organized in a seemingly sensible order. We experience it as chronology, with ourselves as the end point — not the end point, but as the culmination of events that leads to the very moment in which we happen to live. ‘Historical events might be unique, and given pattern by an end,’ the critic Frank Kermode proposed in The Sense of an Ending, his classic work on literary narrative, ‘yet there are perpetuities which defy both the uniqueness and the end.’ What he’s saying (I think) is that there is no pattern. Flux is all.

Last month’s ‘weather event’ should have taught us that. Whether in 50 or 100 or 200 years, there’s a good chance that New York City will sink beneath the sea. But if there are no patterns, it means that nothing is inevitable either. History offers less dire scenarios: the city could move to another island, the way Torcello was moved to Venice, stone by stone, after the lagoon turned into a swamp and its citizens succumbed to a plague of malaria. The city managed to survive, if not where it had begun. Perhaps the day will come when skyscrapers rise out of downtown Scarsdale.”

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In February, Paris Review Daily featured a James Atlas interview with Douglas Coupland about the latter’s recent biography of Marshall McLuhan:

Did you see him as a prophet of the revolution in global communications?

Douglas Coupland: No. Like most people, I only knew his three clichés: Medium equals message, global village, and the scene from Annie Hall . I’ve found that most people truly would like to know more about the man, but it’s almost impossible to do. His language is a universe unto itself and is astonishingly dense and hard to navigate. He died the year I started art school [1980], and his stock was at an all time low. His name never came up.

Why did you believe he was still relevant?

Douglas Coupland: Well, I didn’t. I had to figure that out myself. It took months of reading and rereading his stuff to realize that in Marshall we had a classically trained scholar realizing that there’s this thing coming down the pipe—the Internet—yet because he didn’t understand the ultimate interface, he was frustrated in his inability to describe it clearly. I think that’s what people really respond to in Marshall: the almost vibrating sense of being in on one of the biggest prognostications of all time, yet having news of its arrival coming from this fuddy-duddy guy in 1950s Toronto. How on earth did that happen?”

More McLuhan posts:

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“Hello Doug. Would you personally miss bees if they disappeared?”

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