Geraldo Rivera

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Prior to 1975, the summer was a dead season for movies, but Jaws changed all that. Released in the warm months to capitalize on its beach theme, Steven Spielberg’s adaptation of Peter Benchley’s bestseller remade the film business, and not only for the better, as the chase for the next blockbuster, the trusty tent pole, began in earnest. (It also had a bad effect on sharks, which have much more to fear from us than we do from them.)

Four days before the film’s momentous release, Benchley, who wrote the screenplay, and star Roy Scheider, guested on Good Night America hosted by Geraldo Rivera, who describes the picture as “the chilling story of a prehistoric eating machine.” At the very last moment, his production team talked Rivera out of wearing a only Speedo and a mustache during the interview, though he really, really wanted to.

Geraldo begins the program with allegations about the Rockefeller Commission further clouding the Kennedy Assassination. There are also filmed interviews in Louisiana with Mick and Bianca Jagger and an exposé on psychic and faith healers, including Rev. Bernard Zovluck of Times Square. The guest announcer is Don Imus, who once killed a shark he suspected of stealing his cocaine. Watch here.•

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I would guess that most people know Jay J. Armes as an action figure that has removable upper limbs which can be replaced with all sorts of tools and weapons. But he’s a real man, one who lost his arms in a childhood accident and went on to become a successful American detective with an amazing publicist. The private eye was the main guest on a 1975 installment of Geraldo Rivera’s talk show, Good Night America. Only the classy Geraldo would point out how ironic it was that a guy whose surname was “Armes” had his arms blown off. Jerry Fucking Rivers! 

Footage of a Central Park concert organized by John Lennon is among the other highlights. Watch it here.

The opening of Anthony K. Roberts’ 1975 People article about Armes, which described him as “recently divorced,” which apparently was not true:

Barnaby Jones is a little long in the tooth and Cannon has that belly to contend with. But when it comes to overcoming handicaps, they are pikers compared to a real-life private detective from El Paso who, despite the lack of both arms, commands million-dollar fees, owns and pilots two jet helicopters, is a black belt karate expert, tools around in a Rolls-Royce, and has built into his artificial right arm a revolver that fires a .22 magnum shell. His wildly improbable name: Jay J. Armes.

Not surprisingly, a pilot is being made for a possible CBS series based on the remarkable Mr. Armes (yes, his name is pronounced “arms”). The scriptwriter should have no trouble finding material. Maintaining offices around the world which employ 2,400 people, Armes has a list of clients that includes politicians, royalty and show business celebrities such as Elizabeth Taylor, Elvis Presley, Marlon Brando and Yoko Ono. They come to Armes, 42, he unabashedly claims, because he is “the best.” And his handicap? “I never think about it,” he shrugs. “Limits are only put on people by themselves.”

Armes has been living by that philosophy since a friend brought him a package one summer when he was 12. Unknown to Armes, the box contained railroad dynamite charges that exploded when Armes broke the seal. The friend escaped injury. But when Jay picked himself up 20 feet away, there was only torn flesh and bits of bone hanging from the stumps of his arms.

Jay was told by doctors that he would have to remain in the hospital six months before he could begin to learn how to use his two hook-like artificial limbs. Instead of waiting, Armes insisted on the limbs immediately. He was released after 22 days.

Armes taught himself to write all over again—”I had no excuse to be sloppy”—and returned to public school in the fall. Although students and teachers went out of their way to help “with pity in their eyes,” Armes insisted on doing everything himself. At one point he dripped a pool of blood on the floor while trying to write on the blackboard with his new arms. In high school he competed in sports and won letters in track, football and baseball.•

 

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Before it became apparent that Geraldo Rivera really just wanted to give the whole world a free mustache ride, he was a respected, muckraking journalist who filmed a sensational and righteous report about abuses at Willowbrook. He instantly became a national name and soon had other opportunities, including a really good if sporadic 1973-75 late-night talk show, Good Night America.

In a summer 1974 episode, he spoke to someone I’m fascinated with in Clifford Irving, who’d written a 1969 book about art forger Elmyr De Hory before bringing out another volume in 1972, one in which he pretended that the reclusive Howard Hughes had collaborated with him on an autobiography. McGraw-Hill took the bait and gave him a boatload of cash for the “exclusive,” but the Hughes ruse was soon exposed. Irving was operating in an era when people still distinguished between fact and fiction, so his career went into a Dumpster for awhile.

Orson Welles, an infamous hoaxer himself, made a brilliant, serendipitous cine-essay, F Is for Fake, about the scandal as it unfolded, and Irving was grilled at the time by everyone from Mike Wallace to Abbie Hoffman. In a marriage-themed show, Geraldo speaks to Irving and his wife Edith about the toll on their relationship caused by the fraud’s fallout, which included prison sentences for them both. (They had just been released on parole when this program was filmed.)

The host also speaks to Sly and Kathy Stone about their wedding ceremony in front of more than 20,000 people at Madison Square Garden and shows footage of the event. The final segment is with comedian Robert Klein and his then-spouse, the opera singer Brenda Boozer. Loathsome Henny Youngman is the guest announcer, serving up Zsa Zsa Gabor jokes. Holy Mother of God! Watch it here.•

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Another Jesus H. Christ! edition of Geraldo Rivera’s 1970s talk show, Good Night America, is this one from ’75 which focused on the FBI’s aggressive attempts to capture at-large Symbionese Liberation Army hostage/soldier Patty Hearst, the newspaper heiress getting more ink than anyone in the country. What’s most interesting to me is that hippie-ish basketball player Bill Walton, then playing with the Portland Trail Blazers, was hassled by the Feds who believed he knew where “Tania” was hiding. He certainly would have if she had been lodged inside Jerry Garcia’s colon. The host taped an interview in San Francisco with the NBA star and speaks in studio to sportswriters Jack and Micki Scott and attorney William Kunstler.

Unrelated to the SLA madness, Rita Moreno visits the studio, there’s a report on male go-go dancers and the guest announcer is Don Imus, the rodeo clown who spent all morning looking for Hearst in a bowl of cocaine. Watch here.•

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Well, I hit the mother lode when I stumbled across 32 episodes of Good Night America, the 1973-75 ABC evening talk show (or “second-generation TV news magazine”) hosted by none other than Geraldo Rivera before the whole world knew he was yikes! It’s amazing in that it’s booked similarly to the classic Dick Cavett chat show with eclectic and often button-pushing guests. 

In this 1974 episode I’m linking to (can’t embed), Rivera’s then–father-in-law Kurt Vonnegut acts as the guest announcer at the show’s open and is interviewed at the 56-minute mark. He also reads from a work-in-progress called “Relatives,” which eventually became the god-awful Slapstick (the author’s least favorite of his novels). Additionally, Rivera visits Evel Knievel at Snake River Canyon prior to the daredevil’s ridonkulous stunt there, Bill Withers performs and Seals & Crofts sing their controversial anti-abortion song, “Unborn Child,” and discuss their belief in the Bahá’í Faith. Sweet Baby Jesus! Watch here.

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