George Carlin

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George Carlin was about to release his first comedy album in seven years in 1982 when he sat for a Playboy interview. He was wondering at that point if he would have a third act after being a straight comic in the ’60s and a countercultural force the following decade, and ultimately he found it in the role of philosopher and self-designated mourner for a sense of decency and honesty in American politics and media. Carlin has been criticized for this latter stage of his career, accused of being too angry to be funny, but I think it’s as valuable a phase as his 1970s brilliance. It elevated him to greatest American stand-up ever, and no one has quite reached that level since, though Louis C.K. and Chris Rock have their moments. The opening of the Playboy Q&A:

Playboy:

Back in the early Sixties, when you were still a disc jockey and just beginning to do comedy in small clubs, Lenny Bruce supposedly selected you as his heir—

George Carlin:

Apparently, Lenny told that to a lot of people. But he never said it to me and I didn’t hear it until years later. Which is probably fortunate. It’s difficult enough for a young person to put his soul on the line in front of a lot of drunken people without having that hanging over his head, too.

Playboy:

Because of what Bruce said about you, are you now overly sensitive about being compared to him?

George Carlin:

Yes, and those comparisons are unfair to both of us. Look, I was a fan of Lenny’s. He made me laugh, sure, but more often he made me say, ‘Fuckin’ A; why didn’t I think of that?’ He opened up channels in my head. His genius was the unique ability to investigate hypocrisy and expose social inequities in a street rap that was really a form of poetry. I believe myself to be a worthwhile and inventive performer in my own right. But I’m not in a league with Lenny, certainly not in terms of social commentary. So when people give me this bullshit, ‘Well, I guess you’re sort of…uh…imitating Lenny Bruce,’ I just say, ‘Oh, fuck. I don’t want to hear it.’ I want to be known for what I do best.

Playboy:

Nevertheless, throughout the early to mid-Seventies, with a five-year run of albums and packed auditoriums for an act that viciously ridiculed every nook and cranny of “the establishment,” you really did seem to be fulfilling Lenny’s prophecy. Then it stopped abruptly about five years ago. No more albums; no more college tours. Why?

George Carlin:

I’ve just now completed a five-year period that can perhaps best be called a breathing spell. A time of getting my health back and gathering my strength. That time also included incredible cocaine abuse, a heart attack and my wife’s recovery from both alcoholism and cocaine abuse.

Playboy:

It’s comforting to hear you talk about that breathing spell in the past tense.

George Carlin:

My wife, Brenda, and I are both clean and sober now. I’ve been doing a lot of writing. By the time this interview appears, my first album in seven years will be out. I’m also working on a series of Home Box Office specials, a book and a motion picture. It’s the American view that everything has to keep climbing: productivity, profits, even comedy. No time for reflection. No time to contract before another expansion. No time to grow up. No time to fuck up. No time to learn from your mistakes. But that notion goes against nature, which is cyclical. And I hope I’m now beginning a new cycle of energy and creativity. If so, it’ll really be my third career. The first was as a straight comic in the Sixties. The second was as a counterculture performer in the Seventies. The third will be…well, that’s for others to judge.”

________________________

“I’ve been uplinked and downloaded”:

“You have to be asleep to believe it”:

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George Carlin on the Ed Sullivan Show in 1971, perfectly explicating the illogical reasoning behind Muhammad Ali’s forced Vietnam Era exile, as the fighter prepared for his first bout with Joe Frazier. Carlin’s performance was broadcast during the final few months of Sullivan’s 23-year run on CBS.

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George Carlin, in one of his most famous bits, decrying the “soft language” that proliferated in America in the second half of last century, as advertising execs and marketing gurus infiltrated every aspect of life, from corporations to politics to the military.

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The Earth will be fine without us; we’re only capable of killing ourselves. So, the phrase “Save the Earth,” while driven by great intentions, has always been something of a misnomer. We need to save ourselves from our own destruction. And if we do that, we’ll eventually need to rescue ourselves from a dying sun and other ominous sounds ringing out from the reaches of the universe. But let’s not pretend we’re doing it for someone or something else.

Notes on the topic by the funniest American ever, George Carlin:

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I don’t know how it is elsewhere, but in America we often choose to believe narratives rather than facts. That’s why union members vote for anti-union politicians and President Obama is referred to as a “socialist” after returning Wall Street to dizzying heights. Our delusional egos are often more important to us than even our self-interests, our fantasies dearer than our realities.

Below: The great George Carlin holds forth on advertising and other forms of deeply ingrained American bullshit.

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George Carlin, our best stand-up ever, with a brilliant bit about the ever-increasing deceit of language. Just audio.

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And then maybe, after all that time, there was clarity. For 30 years, they’ve come, often wearing flags and crosses, with promises that only divided, and they were after just one thing: money. Then, maybe, just maybe, it became apparent to the 99% that they were the ones who were paying, that they were the ones not using their power, that they were one.

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When this interview was taped in 1997, it probably wasn’t apparent to too many people–even Jon Stewart himself?–that the younger comic would inherit the mantle of outraged, clear-eyed American conscience from George Carlin. Such different people who arrived at the same destination.

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George Carlin, our best stand-up ever, cutting through this era’s idiotic jargon. I wish he was still with us, dissecting the world as it simultaneously gets smarter and dumber, closer together and further apart.

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Booked in San Francisco for obscenity. Lenny Bruce was born Leonard Schneider in 1925 on Long Island.

I watched the first episode of Hugh Hefner’s swinging variety show Playboy After Dark from 1959 not too long ago, and it featured a great appearance by Lenny Bruce. Most of the scant film footage of the disgracefully honest comedian doesn’t do him justice, showing him when he was a shell of himself, as heroin and legal troubles took their toll. It’s amazing how much other comics took from Bruce: everything from George Carlin’s obsession with the hypocrisy of words to Richard Lewis’s finger snapping as he delivers his punchlines. At one point, Bruce tells Hefner that “tragedy plus time equals comedy,” a line that is often attributed to either Woody Allen or Carol Burnett. My guess is it’s not Bruce’s line, either, but I bet he’s the one who introduced it to other comedians.

A few years back, I gleaned a copy of The Essential Lenny Bruce, a 1987 paperback compilation of his greatest bits and other fun stuff for Bruceophiles. Some of the material is very dated, but a lot of it reminds why a nightclub comedian was able to scare the hell out of authority figures in the ’50s and ’60s. One brief chapter, entitled “Chronicle,” provides an outline of the final seven turbulent years of Lenny’s life. An excerpt:

May, 1959, The New York Times:

“The newest and in some ways the most scarifyingly funny proponent of significance…to be found in a nightclub these days is Lenny Bruce, a sort of abstract-expressionist stand-up comedian paid $1750 a week to vent his outrage on the clientele.”

June 1960, The Reporter:

“The question is how far Bruce will go in further exposing his most enthusiastic audiences…to themselves. He has only begun to operate.”

September 29, 1961:

Busted for possession of narcotics, Philadelphia.

October 4, 1961:

Busted for obscenity, Jazz Workshop, San Francisco.

September, 1962:

Banned in Australia.

October 6, 1962:

Busted for possession of narcotics, Los Angeles.

October 24, 1962:

Busted for obscenity, Troubadour Theatre, Hollywood.

December, 1962:

Busted for obscenity, Gate of Horn, Chicago.

January, 1963:

Busted for possession of narcotics, Los Angeles.

April, 1963:

Barred from entering London, England.

March, 1964, The New York Post:

“Bruce stands up against all limitations of the flesh and spirit, and someday they are going to crush him for it.”

April, 1964:

Busted for obscenity, Cafe Au Go-Go, New York City.

October, 1965:

Declared a legally bankrupt pauper, San Francisco.

November 1965, Esquire:

“I saw his act…in Chicago…He looked nervous and shaky…wretched and broken…You thought of Dorothy Parker, who, when she saw Scott Fitzgerald’s sudden and too-youthful corpse, murmured, ‘The poor son of a bitch.'”

August 3, 1966:

Dead, Los Angeles.

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