I mentioned Jon Gertner’s Bell Lab history, The Idea Factory, a couple of times recently. For me, the most interesting parts are the passages about Information Theory mastermind Claude Shannon. As the author points out, Shannon’s co-workers were often years ahead of the curve in their work, but Shannon himself was working decades in the future. In addition to knowing what the world would look like generations in advance, Shannon, a wisp of a man, was deeply eccentric and fond of games and parlor tricks. He designed the first computer chess program and the initial computerized mouse that “learned” more every time it went through a maze. (Like this, but 60 years ago.) His wife, Betty, was always challenged when choosing a Christmas present for him because what do you get for the man who has everything–in his head? An excerpt from Gertner’s book, which recalls how the scientist turned Bell Labs into a fucking clown car:
“One year, Betty gave him a unicycle as a gift. Shannon quickly began riding; then he began building his own unicycles, challenging himself to see how small he could make one that could still be ridden. One evening after dinner at home in Morristown, Claude began to spontaneously juggle three balls, and his efforts soon won him some encouragement from the kids in the apartment complex. There was no reason, as far as Shannon could see, why he shouldn’t pursue his two new interests, unicycling and juggling, at Bell Labs, too. Nor was there any reason not to pursue them simultaneously. When he was in the office, Shannon would take a break from work to ride his unicycle up and down the long hallways, usually at night when the building wasn’t so busy. He would nod to passerby, unless he was juggling as he rode. Then he would be lost in concentration. When he got a pogo stick, he would go up and down the hall on that, too.
Here, then, was a picture of Claude Shannon, circa 1955, a man–slender, agile, handsome, abstracted–who rarely showed up on time for work, who often played chess or fiddled with amusing machines all day; who frequently went down the halls juggling or pogoing, and who didn’t seem to care, really, what anyone thought of him or his pursuits. He did what was interesting. He was categorized, still, as a scientist. But it seemed obvious that he had the temperament and sensibility of an artist.”