Andrew Bujalski

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Why do I have to wait to see Andrew Bujalski’s film Computer Chess when I want to see it right now? From Indiewire:

“Set around 1980, Computer Chess is the fictional account of the computer programmers and chess players that tested artificial intelligence through computer-human chess tournaments. These were the days of Bobby Fischer and Garry Kasparov, slightly before the IBM computer Deep Blue took reign.

But Bujalski’s film is not about these real-life people; it’s an exploration of the environment he imagines for these programmers. Speaking with indieWIRE, Bujalski says, ‘We’ve certainly done research, and a few people in that community have talked to us and helped us out. We’re not setting up to do a documentary or a slavish interpretation of the truth. I certainly have tremendous respect for those guys and for what they accomplished. I hope some of that will come through whether or not we get it right for them.’

Though Bujalski says he was never a computer nerd, he admits this film is a way of him exploring the geek that never was. ‘Perhaps deep down it’s my attempt to vicariously peek into the fantasy braniac life I ought to have pursued as a kid.’

Speaking with Indiewire, he elaborated on arriving to the story: ‘I was only a little kid at this time. I saw the same headlines as everyone else did about Deep Blue. I was never terribly invested in the topic in those days. The idea for the film really came when I was at the New England Mobile Book Fair — Newton Highlands, MA. They have this great remainders section. I’ve been going to that bookstore since I was a kid. There are books waiting for someone to love them, and many of them have been there for 25-30 years, if not longer. I found a book on chess trivia — it was $1 or $2. I’m not nearly enough of a chess enthusiast to buy it at full price. The book was from 1986 or so and there was a section on computer chess trivia. It started to plant images in my head, of these guys and what they were up to.'”

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New DVD: Beeswax

Non-professional actors Tilly and Maggie Hatcher are the twin leads of "Beeswax." In real life, Tilly is a teacher and Maggie an ER doctor.

Although it’s languid even compared to the unhurried pace of most Mumblecore offerings, Beeswax, Andrew Bujalski’s latest comedy of manners, is served well by its studied progression.

Twin sisters Lauren (Maggie Hatcher) and Jeannie (Tilly Hatcher) share an Austin apartment and the same cheekbones but not similar temperaments. Lauren is floating aimlessly but cheerfully enough through life, while Jeannie, who is paralyzed from the waist down, tools around anxiously in her wheelchair, intensely managing the thrift shop she co-owns. Lauren is trying to decide if she wants to teach in Kenya, while Jeannie waits for her difficult business partner to file a lawsuit against her. To help her prepare, she invites former boyfriend and current law student Merrill (Alex Karpovsky) back into her life–and maybe back into her heart.

The actors are non-professionals and even their occasional verbal stumbles serve the picture well. No one ever really hollers in a Bujalski film, including these repressed folks. They live in a world where people bite their tongues, keep the peace and don’t throw tantrums, let along a punch. The writer-director may eventually do his best work when he allows his characters to lose control and break something valuable. But until then, we have finely observed films like Beeswax.

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