For pretty much my entire adult life, I’ve taken in at least 250-300 movies a year, though I’ve hardly watched any in the last twenty-four months. I needed a break. But a new piece of Alex Pappademas’ routinely wondrous writing at Grantland has convinced me to see Mad Max: Fury Road. Early on, the writer mentions “The Futurist Manifesto” by Marinetti, a tract that glorifies war and scorns women, before explaining how George Miller’s dystopic film reverses at least half of that mindset. An excerpt:
The key moment comes in the calm after the storm. Max drags himself across the desert, still connected by a length of chain and a blood-transfusion tube to an unconscious War Boy and his car door. He spots the wives, bathing in radiator water like nymphs at a pond while taking bolt cutters to their chastity belts. Half-wrapped in diaphanous linen, they resemble America’s Next Top Model competitors who’ve somehow escaped Tyra’s clutches before the makeover episode. You can read the movie’s politics loud and clear in the fight scene that follows, in which Max’s literal blood tie to a foot soldier of the phallocracy becomes both action beat and telling metaphor. Miller came close to shooting a Gibson-led version of Fury Road back in 2001 before 9/11 and the fall of the dollar torpedoed his budget; presumably, he can’t have anticipated Gamergate making representational parity and misogyny into third-rail issues within the core audience for postapocalyptic action movies any more than he saw Boko Haram coming. But the “men’s rights” crusaders now gnawing their fedora brims in righteous apoplexy over the thought of Mad Max’s manly iconography being perverted to serve a misandrist agenda aren’t actually imagining things. This is an unambiguously and unapologetically feminist, Bechdel test–passing sci-fi blockbuster that begins, I’ll say again, with Charlize Theron commandeering an 18-wheeled battle-dong in order to free some sex slaves and ends by explicitly linking the liberation of humanity in general to the dismantling (and, in some cases, dismemberment) of the patriarchy.•
Tags: Alex Pappademas, George Miller