Bill Murray’s interview with Charlie Rose a couple days ago was a nice complement to his recent Ask Me Anything. I thought the most interesting part was when he explained to the host how he caught “Oscar fever” at the time of Lost in Translation. Murray, of all people, being disappointed in not winning an Oscar was a disappointment in itself, so it’s great he has more perspective now.

The opening of “The Rumpled Anarchy of Bill Murray,” a 1988 New York Times Magazine article by Timothy White, which misunderstood the comic’s cerebral nature for a Zen-like one, and opens with the first-ever reunion of SNL alumni:

“AS HOLLYWOOD parties go, the one in full swing this past spring in a handsome, Georgian Revival home off Sunset Boulevard was an anomaly.

No agents circulated, no studio executives haunted the hallways. The food was lasagna and fried chicken; the beverages, Mexican beer and bottled seltzer – with the seltzer proving the more popular. Instead of dizzying references to ‘gross points,’ ‘back-end deals,’ scripts ‘in turnaround’ and multimillion-dollar movie deals, the talk concerned the fortunes of Chicago sports teams and New York rock bands, and the only ‘creative products’ under scrutiny were baby pictures.

If any aspect of ‘the industry’ was being bantered about, it was the return to the employment ranks of the party’s co-host, Bill Murray, who had, earlier that day, finished filming for Scrooged – an outlandish adaptation of the Dickens Christmas classic that will be released on Wednesday. Coincidentally, three other film comedies featuring other former Saturday Night Live regulars were then nearing completion: Coming to America, starring Eddie Murphy; Caddyshack II, starring Chevy Chase, and My Stepmother Is an Alien, starring Dan Aykroyd. To celebrate this serendipitous event, Murray and Peter Aykroyd, an actor-composer who is Dan’s younger brother, had decided on this first-time-ever gathering of Saturday Night Live alumni.

A picture of genial abandon in rumpled khakis, football jersey and sneakers, Murray was urging Dan Aykroyd, Laraine Newman and Chevy Chase to drop their ‘reserves of cool’ on the dance floor and ‘get down!’ Murray’s warmth is disarming. Chase, for instance, once considered Murray a rival, and the feeling was mutual. Murray was hired at Saturday Night Live in January 1977, just five weeks after Chase left for a movie career. The pressure Murray felt in trying to supplant his predecessor flared into backstage fisticuffs when Chase returned as a guest host for the third season of Saturday Night Live. Now, the two are thoroughly at ease with each other. Even Eddie Murphy, a Saturday Night Live latecomer whose box-office magnetism eclipses that of most of his associates, is meek in Murray’s presence.

Bill Murray is considered by his colleagues to be a man who has made peace with any private demons he might have had, someone who has brought his personal life and his career into enviable concord. Slightly disheveled and projecting what Richard Donner, the director of Scrooged, calls ‘a woolly Zen wisdom,’ Murray acts as a kind of father figure to the Saturday Night Live alumni.”