The opening of Ray Kurzweil’s compelling review of the Oscar-nominated Her, a near-future film he sees as nearer than most do:

“Her, written, directed and produced by Spike Jonze, presents a nuanced love story between a man and his operating system.

Although there are caveats I could (and will) mention about the details of the OS and how the lovers interact, the movie compellingly presents the core idea that a software program (an AI) can — will — be believably human and lovable.

This is a breakthrough concept in cinematic futurism in the way that The Matrix presented a realistic vision that virtual reality will ultimately be as real as, well, real reality.

Jonze started his feature-motion-picture career directing Being John Malkovich, which also presents a realistic vision of a future technology — one that is now close at hand: being able to experience reality through the eyes and ears of someone else.

With emerging eye-mounted displays that project images onto the wearer’s retinas and also look out at the world, we will indeed soon be able to do exactly that. When we send nanobots into the brain — a circa-2030s scenario by my timeline — we will be able to do this with all of the senses, and even intercept other people’s emotional responses.”