I interviewed Werner Herzog once and asked him if Klaus Kinski was his muse. “No, we were collaborators,” he answered immediately. Considering that their turbulent relationship might have ended in a doube homicide, I wasn’t surprised with the director’s response when I asked if he missed Kinski. “No…only very rarely,” he answered calmly. Peter Geyer’s Jesus Christus Erlöser is a chronicle of Kinski’s crazed and doomed 1971 attempt at a spoken-word performance about Jesus Christ. (Thanks Documentarian.)