A famous 1899 photo of Harry Houdini, from the McManus-Young Collection.

Today is Harry Houdini’s birthday and the following excerpt from his obituary in the November 1, 1926 New York Times reveals how the man who eventually made an elephant “disappear” initially got his start in show business:

“Houdini was born on March 24, 1874. His name originally was Eric Weiss and he was the son of a rabbi. He did not take the name Harry Houdini until he had been a performer for many years. Legend has it that he opened his first lock when he wanted a piece of pie in the kitchen closet. It is certain that when scarcely more than a baby he showed skill as an acrobat and contortionist, and both these talents helped his start in the show business and his later development as an ‘escape king.’

At the age of 9 Houdini joined a traveling circus, touring Wisconsin as a contortionist and trapeze performer. The Davenport brothers were then famous, doing the first spiritualist work ever seen in this country. They would ring bells while bound inside a cabinet and would agree to free themselves from any bonds. This inspired Houdini to a somewhat similar performance. Standing in the middle of the ring, he would invite any one to tie him with ropes and would then free himself inside the cabinet.

In the ring at Coffeyville, Kan., a Sheriff tied him and then produced a pair of handcuffs with the taunt:

‘If I put these on you, you’ll never get loose.’

Houdini, still only a boy, told him to go ahead. After a much longer stay in the cabinet than usual, the performer emerged, carrying the handcuffs in his free hands. That was the beginning of his long series of escapes from every known sort of manacle. For years he called himself the Handcuff King, a title discarded as he extended and elevated the range of his performances.

From 1885 to 1900 he played all over the United States, in museums, music halls, circuses, and medicine shows, gradually improving his technique and giving up his purely contortionistic and acrobatic feats. In 1900 he made his first visit abroad, and in London his sensational escapes from handcuffs at Scotland Yard won him a six months engagement at the Alhambra. This was the first instance of his cleverly obtaining notoriety by a public or semi-public exhibition outside the theatre. No other showman, unless it was Barnum, knew better how to arouse the curiosity and amazement of the public in this manner.”

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