Simon Schama

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From Simon Schama’s new Financial Times profile of Patti Smith, a quick look at her as a political animal, and one who is greatly disappointed with the “good Republican” Barack Obama:

In 1980 she married Fred ‘Sonic’ Smith of MC5, took a more political turn and wrote with him, ‘People Have the Power.’ Politics didn’t come naturally to her, she says, but she had worked for Robert Kennedy’s senatorial campaign. When he was assassinated, she withdrew from the political world and it took the more activist Fred to quicken those combative political instincts. ‘In my usual way I consulted Blake and the Bible. ‘The meek shall inherit the earth.’ I certainly got that.’ Becoming interested in St Francis and making an informal pilgrimage to Assisi, she thought it something of a miracle when a pope came along who adopted the name and, apparently, the social evangelism that went with it. ‘They said there would never be a Jesuit pope nor a Franciscan one. Now they have both.’

Every so often the old fury of ‘Radio Baghdad‘ comes back. She remembers with quiet contempt a virtual conspiracy of media silence when a protest rally against the Iraq war, a hundred thousand strong, received barely any coverage. Though she rejoiced at the election of an African-American to the White House, like millions of others on the left she has not forgiven him for keeping Guantánamo open and prosecuting the war in Afghanistan. ‘To me he’s just like a good Republican.’ The ‘celebrity-driven, materialist’ culture saddens her, especially when she sees ‘three-year-olds being comforted by cellphones and video games instead of being told stories.’ The ongoing destruction of the environment fills her with yet more bleak sorrow. With a little sigh she returns to Blake. ‘More than ever as I get older I can feel what it takes to be him – a casualty of the industrial revolution while he sits at home hand-colouring prints of shepherds.’

But then, she says, resolutely, pushing back the gloom, ‘I am still a very optimistic person. I continue to do work with joy.’ The Beethoven strain comes through. The first opera she saw was Fidelio, a work so perfectly fitted to her temperament that she wanted to make a film of it. ‘I know the opening shots. I am Leonore/Fidelio, with waist-length hair. I pick up the scissors and cut it.'”•

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Smith, in 1979, singing Debby Boone’s hit, “You Light Up My Life,” on children’s show Kids Are People Too. She’s accompanied on piano by the song’s composer, Joseph Brooks, who would commit suicide in 2011 after being charged with serial sex crimes. A little more than two years later, Brooks’ son Nicholas was convicted of murdering his girlfriend.

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At the Financial Times, Simon Schama presents a portrait of Yoko Ono at 79. An excerpt about the bold performance art she made before she was a Beatle bride, which showed a really good understanding of neuroscience:

“In a cold-water apartment on Chambers Street, New York, she gave a series of performances and concerts in which minimalist ‘instructions’ and transient experiences replaced the static, monumental pretensions of framed pictures. The prompted eye and the receptive brain made the pictures instead. The technique was lovely, liberating and genuinely innovative. ‘I thought art should be like science, always discovering things afresh, and I wanted to be Madame Curie.’

So when she and Lennon had their momentous encounter at Indica in 1966, Ono was already established as an avant-garde conceptual artist. She insists she really had no idea who he was or what he did. ‘I just saw this rather attractive guy who seemed to be taking my work very seriously.’ Of pop music she knew nothing, ‘not even of Elvis Presley; just maybe some jazz.’ Of what was about to hit them both out there in Beatlemania land she had no clue. ‘I was naïve. We both were … we thought that it was going to be really great.’ It wasn’t. ‘My work totally disappeared and John, with all that power he had, was going to go down too.’ She falls quiet for a moment; a flicker of sadness clouding the wide, expressively sunny face. ‘I feel very badly if maybe I was the cause of it.'” (Thanks Browser.)

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“The Cut Piece,” 1965:

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In a Financial Times article in which he elaborately kisses the ass of President Bill Clinton, historian Simon Schama also elicits some fine political analysis from 42. An excerpt about the Tea Party:

“‘The Tea Party,’ Clinton says, ‘is the most extreme incarnation of the 30-year cycle that began when Ronald Reagan said in his first inaugural that government isn’t the answer, government is the problem. But the real issue is not that the Tea Party is in control of the country, has captured the airwaves or represents a majority of public sentiment; the problem is that something [the deal-making system] that has worked for the American people in the past isn’t working now.’

And the ideologues haven’t had their ‘Waterloo moment to break the fever,’ such as the two shut-downs of the federal government engineered by Speaker Newt Gingrich and the incoming House Republicans in 1995. That triumphant phalanx assembled beneath the banner of the Contract with America to which they vowed to remain uncompromisingly faithful. But the public hated the shut-downs and blamed Republicans to the point when it became apparent they had actually taken out a contract on themselves. It was Gingrich, not Clinton, who was ousted, the president winning re-election a year later. The manufactured spat earlier this year over raising the debt ceiling had Waterloo-moment promise, but the prospect of the US defaulting for the only time in its history and the risk of sending the already stressed bond market over the cliff meant that Obama, unlike Clinton, couldn’t call the naysayers’ bluff.

So what can be done about this latest edition of Know-Nothings? ‘You can’t convert the ideologues because they don’t care what the facts are. With the world as it is, you have to fight the fight you can win, and the fight you can win is economics.’ He gets intense at this point. ‘There isn’t a single example of a successful country on the planet today – if you define success as lower rates of unemployment, higher rates of job growth, less income inequality and a health system that produces the same or better care at lower cost – that doesn’t have both a strong economy and effective government that find some way to work in harness with each other … If you don’t do that, if you don’t have a system by which the poor can work their way into it, then you lose the social cohesion necessary to hold the country together and that is a big problem.”

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Schama discusses slavery in America with perpetually exhausted Charlie Rose:

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