Sean Penn

You are currently browsing articles tagged Sean Penn.

elchapo990

Unsurprisingly, Sean Penn, misguided and stubborn, has still not realized the deep flaws of his ill-advised Rolling Stone jungle flatulence about El Chapo. The actor came off as poetaster, poseur and pawn, allowing the Mexican drug kingpin to use the nouveau print-journalist’s naivete to greatly downplay his horrific crimes. The lack of recognition comes across clearly in Matthew Garrahan’s smart Financial Times profile of the contentious actor-director, though Penn must be credited with summing up the Trump campaign quite succinctly: “It’s a masturbatory populism.”

An excerpt:

Now that the dust has settled, I wonder how he feels about his Rolling Stone article and the controversial visit to Guzmán. In the immediate aftermath of the fugitive’s arrest and the story’s publication, Penn appeared on CBS’s 60 Minutes, where he told Charlie Rose that he thought the article had failed. His intention had been to “start a conversation” about the war on drugs but, instead of a dialogue, most of the commentary about the piece was scathing about the publicity it gave to a violent killer.

Was he surprised by the criticism? “No. I’ve had reason to have concerns about the state of English-speaking media for a long time. But this was an all-time high.” Many people reading it missed the point or missed crucial parts, he says, such as the fact that he never actually interviewed Guzmán directly (the then fugitive answered prepared questions on video). He says he no longer thinks the story was a failure. “When I said it failed, that turned out not to be the case. There’s no question there’s ultimately been more conversation about the drug war.” And he’s sure that’s because of this story? “I can’t prove it. But I’ve noticed that there’s been more debate.”

He seems sure; I am less so.•

Tags: , , ,

seanpenn

Sean Penn screen performances often depend on quantity as much as quality–not the best acting, but the most acting–so it’s no surprise his attempt at gonzo journalism, a Rolling Stone feature he wrote about his facacta jungle interview of Joaquín Archivaldo Guzmán Loera (or “El Chapo” as he’s known to his business associates) is logorrheic. The short Q&A embedded within the long article is deeply unsatisfying and the piece as a whole is a mess, though not one without interest. It’s more fascinating, though, for allowing a close-up of the actor-director’s staccato brain droppings and the technological logistics of securing a clandestine meeting with Mexico’s most-wanted man than for any insight into the cartel kingpin. It only takes two paragraphs for Penn to describe his very own Oscar Zeta Acosta in this way: “Espinoza is the owl who flies among falcons.” Bless his editor.

Penn, unsurprisingly, has deep sympathy for El Chapo despite his beheadings of those he wanted to eliminate and murders of priests who refused extortion demands, arguing that American drug users are complicit in these crimes. In that case, Penn’s nose should be arrested for multiple homicide. Galling that the lightweight inquisition allows the subject to downplay his horrific violence and an odd way to protest the U.S. War on Drugs, which is an undoubtedly stupid thing. An excerpt:

It’s been about two hours of flight, when we descend from above the lush peaks to ward a sea-level field. The pilot, using his encrypted cellphone, talks to the ground. I sense that the military is beefing up operations in its search area. Our original landing zone has suddenly been deemed insecure. After quite a bit of chatter from ground to air, and some unnervingly low altitude circling, we find an alternate dirt patch where two SUVs wait in the shade of an adjacent tree line, and land. The flight had been just bumpy enough that each of us had taken a few swigs off a bottle of Honor tequila, a new brand that Kate is marketing. I step from plane to earth, ever so slightly sobering my bearings, and move toward the beckoning waves of waiting drivers. I throw my satchel into the open back of one of the SUVs, and lumber over to the tree line to take a piss. Dick in hand, I do consider it among my body parts vulnerable to the knives of irrational narco types, and take a fond last look, before tucking it back into my pants.

Espinoza had recently undergone back surgery. He stretched, readjusted his surgical corset, exposing it. It dawns on me that one of our greeters might mistake the corset for a device that contains a wire, a chip, a tracker. With all their eyes on him, Espinoza methodically adjusts the Velcro toward his belly, slowly looks up, sharing his trademark smile with the suspicious eyes around him. Then, “Cirugia de espalda [back surgery],” he says. Situation defused.

We embark into the dense, mountainous jungle in a two-truck convoy, crossing through river after river for seven long hours. Espinoza and El Alto, with a driver in the front vehicle, myself and Kate with Alonzo and Alfredo in the rear. At times the jungle opens up to farmland, then closes again into forest. As the elevation begins to climb, road signage announces approaching townships. And then, as it seems we are at the entrance of Oz, the highest peak visibly within reach, we arrive at a military checkpoint. Two uniformed government soldiers, weapons at the ready, approach our vehicle. Alfredo lowers his passenger window; the soldiers back away, looking embarrassed, and wave us through. Wow. So it is, the power of a Guzman face. And the corruption of an institution. Did this mean we were nearing the man?

It was still several hours into the jungle before any sign we were getting closer. Then, strangers appear as if from nowhere, onto the dirt track, checking in with our drivers and exchanging hand radios. We move on. Small villages materialize from the jungle; protective peasant eyes relax at the wave of a familiar driver. Cellphones are of no use here, so I imagine there are radio repeaters on topographical high points facilitating their internal communications.

We’d left Los Angeles at 7 a.m. By 9 p.m. on the dash clock we arrive at a clearing where several SUVs are parked. A small crew of men hover. On a knoll above, I see a few weathered bungalows. I get out of the truck, search the faces of the crew for approval that I may walk to the trunk to secure my bag. Nods follow. I move. And, when I do…there he is. Right beside the truck. The world’s most famous fugitive: El Chapo.•

Tags: , ,