Sarah Ellison

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There’s no way any high-ranking official at Fox News was unaware of the alleged behavior of Roger Ailes, who’s been accused by a Cosby-ish number of women of serial sexual harassment and abuse, and also of using spies to collect information on supposed enemies. This scandal runs wide and deep, and it wouldn’t be a surprise if other prominent names resigned for “new opportunities.”

It’s strange Fox has at best an ambiguous relationship with the current GOP candidate Donald Trump. Rupert Murdoch supposedly loathes him, while on-air personality Sean Hannity, the dimwitted equipment manager of a lacrosse team serving a suspension, thinks Republicans who punt on supporting Mussolini with moobs are in dereliction of duty. 

That’s an odd half-heartedness because apart from the leaders of the party, who for decades used coded racist language and encouraged conspiracy theories until the GOP did a backstroke across the toilet, no entity has more enabled Trump than Fox, the logical conclusion of its support of an anti-science, whites-first party. Along with gerrymandering, Murdoch’s “news-entertainment” outlet helped protect the GOP as it drifted further and further into dangerous waters, prepared it for the mutineers, captained by the hideous hotelier.

In a smart Vanity Fair “Hive” piece, Sarah Ellison examines the mood at Fox in the wake of the tyrant’s deposition, with the fog of fear still permeating and the statues yet to be toppled. Her opening:

Few people in the news business have valued secrecy quite like Roger Ailes, the former C.E.O. of Fox News. Ailes’s very own corner office on the second floor of 21st Century Fox’s glass and steel headquarters, in Midtown Manhattan, featured a solid wood door that prevented anyone on the outside from peering in. Visitors had to be buzzed in by Ailes or an assistant. They were also captured on-camera, their image projected to a monitor on Ailes’s desk.

Many assumed that such secrecy was a vestige of Ailes’s formative years advising Richard Nixon. Now, it appears that it may have run deeper. Last month, former anchor Gretchen Carlson filed suit against Ailes for sexual harassment—an event that ushered in a litany of former colleagues with similar stories. Weeks later, Ailes resigned. (Ailes has fervently denied all allegations. His lawyer, Susan Estrich, reiterated those denials. A spokesperson for 21st Century Fox also declined to comment for this piece.)

Ailes’s second-floor office now stands empty. Floors below it, in Fox News’s subterranean newsroom, a former Sam Goody retail outlet, staffers are still coming to terms with the rollicking events of the past month. During periods of crisis, reporters and producers tend to bury their heads in their stories, rallying around one another in their commitment to their work. But there is only one topic on people’s minds at Fox News these days: Ailes.

Sentiment in the newsroom is generally split between those who proclaim surprise (particularly regarding the sheer number of women who have alleged that Ailes harassed them) and those who feel professional relief—not all of them women. Ailes was gender-blind when it came to relentlessly pushing his talking points and admonishing those who did not follow along. Still, others said they remain fearful that even discussing Ailes at all could result in some form of punishment.•

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In the 1990s, it was often said that Salon was the future of journalism. In the saddest possible way, that’s pretty much what happened.

If the rise of the Internet meant lots of great traditional news publications were usurped by wonderful new online ones, something roughly equal to what was lost would have been gained. It’s possible we could even have come out ahead. As the mighty have been laid low, however, the great publications of tomorrow never arrived. Salon still publishes some talented writers, but its grand ambitions have been long buried under a mountain of debt and now makes desperate attempts at clickbait. The world’s best publications, from the New York Times to the Guardian to the Financial Times, all soldier on wounded, hopefully not mortally, as digital revenue hasn’t come close to replacing vanished print advertising dollars.  

Occasionally, these publications report on each other’s decline. The New York Times, which recently covered the chaos at the Las Vegas Review-Journal, is going through its own latest round of turbulence. The New York Post is routinely gleeful about the Times’ troubles, though even during greener times, Rupert Murdock’s crummy tabloid lost tens of millions a year and has no business-related reason to exist. Vanity Fair also has a report on the latest turmoil at the Times, which will likely end in hundreds of layoffs. Of course, Conde Nast has gone through its own rounds of deep staff cuts and now seems to be pinning part of its future on video, which may be more false idol than savior.

It’s not so much a circular firing squad as a wake attended only by the walking dead.

Excerpts from two articles follow: 1) Kelsey Sutton and Peter Sterne’s Politico piece “The Fall of Salon.com,” and 2) Sarah Ellison’s Vanity Fair report “Can Anyone Save the New York Times From Itself?


From Politico:

Eleven current and former staffers also said Daley assigned staffers to write repeatedly about certain subjects that he believed would drive high traffic. If traffic was too low, according to six former staffers, Daley would go into the CMS and write posts himself, often posting them under the byline “Salon Staff.” To improve the amount of traffic on Saturdays and Sundays, certain staffers were asked to work over the weekend and post short video clips from television programs like “The Daily Show.”

It became harder to find “high-quality” work amid all the clutter. Twelve current and former employees said they were discouraged from doing original journalism out of a concern that time spent reporting could be better spent writing commentary and aggregate stories. Even the site’s marquee names, like Walsh and Miller, were expected to produce quick hits and commentary on trending topics, staffers said.

The strategy alienated some of Salon’s longtime journalists.

“The low point arrived when my editor G-chatted me with the observation that our traffic figures were lagging that day and ordered me to ‘publish something within the hour,’” Andrew Leonard, who left Salon in 2014, recalled in a post. “Which, translated into my new reality, meant ‘Go troll Twitter for something to get mad about — Uber, or Mark Zuckerberg, or Tea Party Republicans — and then produce a rant about it.’ … I performed my duty, but not without thinking, ‘Is this what 25 years as a dedicated reporter have led to?’ That’s when it dawned on me: I was no longer inventing the future. I was a victim of it. So I quit my job to keep my sanity.”•


From Vanity Fair:

As such, in February, former economics reporter and Washington bureau chief David Leonhardt was tasked with re-examining the entire structure of the newsroom. In the past, layoffs have been treated as a numbers game. Now, larger questions are being asked about the existence of sections and the traditional desk structure. There’s also much more pressure to toe the business line. In his announcement of Leonhardt’s role, Baquet referenced “cost” twice. “It’s made everyone uneasy,” one editor told me. Soon after Leonhardt’s appointment, the New York Post reported that the Times was preparing to lay off a “few hundred staffers.”

Times spokespeople dismissed the report, but a few days later the company announced the dismissal of 70 employees in its Paris editing and production facility alone. In May, the company announced a new round of buyouts, a move largely seen as a precursor to at least 200 newsroom layoffs early next year, according to three Times staffers. “Every time this happens,” one former editor told me, “it’s a dark cloud that hangs over the newsroom for months.” Prior to the buyout announcement, Baquet put out a memo explaining that the newsroom “will have to change significantly—swiftly and fearlessly.” When I asked him about the “at least 200” figure, he said, “I’ve said there will be cuts, but I don’t know what the right size is at this point.”

It is impossible to imagine a world without The New York Times. But it is also increasingly impossible to imagine how The New York Times, as it is currently configured, continues to exist in the modern media world.•

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In “The Man Who Came To Dinner,” Sarah Ellison’s new Vanity Fair piece about Julian Assange, we get a look at the Wikileaks mastermind as he’s confined to the Ecuadorian embassy in London, dodging a likely indictment from the U.S. for espionage and certain interrogation from Sweden about alleged sex crimes. Yet behind closed doors, he telecommutes at will, running his document dump seamlessly, striking a pose that’s equal parts Ellsberg and Polanski. An excerpt:

“Even before the Snowden affair brought him back into the limelight, Assange had been busy. During his year of confinement at the embassy, he has released a vast cache of documents, written a book, addressed the U.N., founded a political party in Australia and launched a bid for a Senate seat there, entertained socialites and celebrities, maintained contact with leakers and whistle-blowers all over the world, and worked behind the scenes to influence depictions of him that are now hitting movie screens (the most high-profile being a DreamWorks production starring Benedict Cumberbatch). As for the Snowden case, Assange and WikiLeaks have served, in effect, as Snowden’s travel agents, publicists, and envoys; it is still not clear how far back the Snowden connection goes, or precisely how it originated, though the filmmaker Laura Poitras likely played the key role.

Assange cannot move from his quarters, but he is either at his computer or in conference, working in an impressive number of spheres. ‘He is like any other C.E.O.—plagued by constant meetings,’ WikiLeaks told me. He employs sophisticated encryption software, which anyone wishing to make contact with him or his circle is encouraged to use. To gain a sense of his life and work, during the past months I have spoken to Assange’s lawyers and to many longtime or former friends, supporters, and professional associates. (Some have requested anonymity.) Daniel Ellsberg, the former U.S. military analyst who brought the Pentagon Papers to light, has met with Assange and speaks with personal knowledge about the lonely life of a leaker and whistle-blower. ‘We are exiles and émigrés,’ he told me.

But the fact that Assange has had to take himself physically out of circulation has had the effect, oddly, of keeping him more purely at the center of things than he was before. His legal perils have not receded, but his state of diplomatic limbo means that he is no longer being hauled out of black vans and in front of screaming reporters and whirring cameras. The U.S. government has tried to decapitate his organization, which has only made him a martyr. No one is talking, as they were when he was free to mingle with the outside world, about his thin skin, his argumentative nature, his paranoia, his self-absorption, his poor personal hygiene, his habit of using his laptop when dining in company, or his failure to flush the toilet.

‘If anything, I think he’s stronger and more sophisticated than he used to be, and so is the organization,’ Jennifer Robinson, an Australian human-rights lawyer best known for her work defending Assange in London, told me. ‘They’ve weathered three years of intense pressure and all forms of legal and political attacks, and they are still here and still publishing and still making headlines.’ Today, Assange is alone and unbothered, but not isolated—the unquiet center of a web whose vibrations he can both detect and influence.”

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