Pelé

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It looks like the U.S.A. has finally fully embraced the world’s game during this year’s World Cup, and that’s largely due to globalization and ESPN’s investment in the sport. There’ve previously been great individual soccer moments in our country’s history, from Joe Gaetjens’s goal against England in the 1950 World Cup to our women’s team triumphing in 1999, but the only earlier period where football (the one where players primarily use their feet) seemed to have permanently earned a place in the American psyche was when the New York Cosmos dominated the North American Soccer League during the 1970s and 1980s. It turned out to be a false start, but for a brief, shining moment, giant stadiums, including Giants Stadium, were teeming with crazed soccer crowds. Even though the league soon lost its lustre, it did get children to start playing the sport en masse, an important step in our development.

The opening of a 1977 People article by Ira Berkow about Shep Messing, the Cosmos’ deft and sometimes daft goalie during the NASL’s heyday:

“In 1973 the struggling North American Soccer League needed some exposure. New York Cosmos rookie goalie Shep Messing took his obligation literally—he posed nude for Viva magazine’s centerfold. ‘It was publicity; I made some money, but it was a goof,’ Shep admits. ‘It’s something I wouldn’t do now.’

He doesn’t need to. Soccer is booming. Messing and his Cosmos teammates, who used to play ‘the immigrants’ sport’ in front of 600 loyal fans, are now packing 60,000 into the new Meadowlands Stadium in New Jersey. Playing alongside renowned foreigners like Pelé, Franz Beckenbauer and Giorgio Chinaglia, the flamboyant Messing, a Harvard graduate from Long Island, has helped keep the Cosmos at the top of the 18-team league. His 60-yd. kicks and ferocious attacks on every round object that approaches the goal have made Shep one of soccer’s most valuable players. 

Yet his biggest contribution to the sport may be as its reigning sex symbol and all-round eccentric. ‘You have to be a little nutty to want to be a goalie,’ Messing says. ‘Who else would want to face a free kick at 90 mph?’ In one confrontation during a penalty kick, Messing suddenly stripped off his jersey, waved it wildly and screamed. His rattled opponent then booted the ball two feet over the goal. As if to prove his theory that ‘goalies are always doing something weird to hang on to their sanity,’ Messing has showed up for games dressed in funereal black. Last year he wore skintight shorts; this season he is favoring baggy outfits. 

But Shep insists that at 27 and after ‘brutal’ battles around the goal—which have resulted in surgery on his thigh, knee, elbow and shoulder—he is toning down his act. ‘At first I thought the reputation would be marketable, promotable,’ he says. ‘In retrospect, that wasn’t accurate. But I’m finding it’s harder to change an image than to build one.'”

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Two World Cup-related excerpts from Franklin Foer, New Republic editor and football fanatic. The first is from an Ask Me Anything at Reddit and the second from his excellent TNR article about the mixed legacy of Brazilian soccer, including a largely forgotten chapter in Pele’s life.

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Question:

What do you think of the protests in Brazil? Is hosting the World Cup good for the people of Brazil in the long run?

Franklin Foer:

Over the past decade, the Brazilian middle class has exploded. A broad swath of the population has been lifted from poverty. This is a great thing and an amazing accomplishment of Lula’s party, the PT. But the new middle class has very sensible concerns about the expenditure of public money. They are asking very wise questions about a ridiculous 11 billion price tag; they aren’t falling for the old bread-and-circus routine. I don’t foresee the protests in Brazil spinning violently out of control. In the long run, this tournament isn’t great for Brazil. It highlights the country’s shortcomings, rather than affirming its greatness. I wish the Brazilians had focused their infrastructure planning and expenditure on a more limited number of cities and venues. This would have contained costs and created a greater likelihood of success.”

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From The New Republic:

“Over time, Brazil grew dangerously dependent on soccer. It came to define the nation in the eyes of the world, and it played an outsized role in its own sense of self-worth. Victories came so easily during the ’60s and ’70s that the country didn’t just demand trophies; they wanted those triumphs procured with what Freyre called Futebol Arte and what the world knows as Jogo Bonito, the beautiful game. As one coach of the national team complained, ‘It got to the point where we beat Bolivia 6-0 and one newspaper in São Paulo accused us of playing defensively.’

The almost unbearable pressure on managers inevitably led the team away from improvisational genius. The tactics used to win the 1994 World Cupperhaps the worst World Cup of them allsquelched inventiveness and favored the deployment of pragmatic hard men, who had a greater skill at knocking opponents off the ball than running at them with step-over dribbling.

And there was a far graver cost to success than that. Dictators and aspiring dictators skillfully harnessed mass enthusiasm for the game. Getúlio Vargas, the authoritarian leader who presided from 1930 to 1945, explicitly used soccer to create a new sense of national identity, a campaign of brasilidade, or Brazilizationand to ballast his own power. He built stadiums, then held rallies in them. His successors mimicked this approach. During the reign of the military dictatorship in the ’70s, the government plastered Pelé’s face on posters alongside its slogan: ‘NOBODY CAN STOP THIS COUNTRY NOW.’

Pelé, it should be remembered as you watch him in commercials for Subway’s $5 foot-long, didn’t just lend his visage to the cause; he spoke up on behalf of the dictatorship. ‘We are a free people. Our leaders know what is best for [us],’ he said in 1972. At that very moment, the writer David Zirin has noted, Brazil’s current president, Dilma Rousseff, was being tortured in prison.”

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"It’s gonna be huge. Support us. The Cosmos are back."

The Cosmos, the New York soccer team that Steve Ross and Warner Communications built into a jet-setting, championship-getting phenomenon more than three decades ago, with the the aid of aging international stars like Pelé. Franz Beckenbauer and that ball hog Giorgio Chinaglia, are back–well, possibly. A British entrepreneur named Paul Kemsley is reviving the brand and hoping to coax lightning to strike twice, something the skies generally do rarely and at their own caprice. David Segal of the New York Times reports:

“’Thanks so much for coming,’ [Paul Kemsley] said, turning serious. ‘We hope you get it. It’s gonna be huge. Support us. The Cosmos are back.’

Hang on — the team that gave Americans their first taste of soccermania, once packing Giants Stadium with more than 77,000 fans? That rum band of night prowlers with their own table at Studio 54 and Hollywood hangers-on? The franchise that vanished not long after Steve Ross, the head of Warner Communications, decided that pro soccer had no future? Those Cosmos are back?

Certainly the brand is back. Amid all the team memorabilia on display at that February party were plenty of crisp new Cosmos shirts, shorts and warm-ups, part of a recently unveiled line of clothing from Umbro, the English company that co-sponsored the shindig.

But Kemsley’s ambitions far exceed retro sportswear. A former real estate mogul who flamed out spectacularly in England when the recession struck, he is now chairman of the Cosmos, whose rights he bought recently. Since then, the team has been his all-consuming passion; he talks about building a stadium as well as Cosmos-related restaurants and hotels in New York City. He predicts that he and Umbro will sell a fortune’s worth of shirts in Europe and Asia. He has a staff of 16 already (including an executive named Terry Byrne, a close friend and former manager of David Beckham’s). He is touring the world to spread news of a second coming.”

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The trailer for the Cosmos documentary, Once in a Lifetime:

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Don't move so fast, Pelé. I have to set up my tripod.

Giants Stadium has had its final football game, but for a brief period in the late ’70s, the stands were packed for the other kind of football. The New York Cosmos of the North American Soccer League was an international glamor team of stars winding down their careers–and no star was bigger than Pelé. The Brazilian sensation, now 69, has curated a slideshow of spectacular photos of his career for Life.com. Of course, there are shots of Pelé making his amazing bicycle kick, scoring spectacular goals and meeting all manner of dignitaries. But there’s also a surprising one of him playing goalie, which he did occasionally in his career. The images are well worth checking out.

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