Paul Graham

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Who has the next billion-dollar idea in Silicon Valley? If you’re like me, you don’t give a flying fuck.

But it is interesting that an industry so determined to inform our lives with algorithms, Big Data and Deep Learning basically throws shit at a wall and sees what will stick when it comes to doling out venture capital. Why wouldn’t VC investors use a more scientific Moneyball approach? I would guess it has something to do with ego.

From Claire Cain Miller at the New York Times:

Many people think they know what the founder of a tech start-up looks like: a 20-something man who spent his childhood playing on computers in his basement and who later dropped out of college to become a billionaire entrepreneur.

That describes Mark Zuckerberg, Steve Jobs and Bill Gates. But there’s just one thing: They are anomalies.

Most tech start-up founders who have successfully raised venture capital have much less unusual résumés, according to data analysis by researchers at the University of California, Berkeley, Haas School of Business. The average founder is 38, with a master’s degree and 16 years of work experience.

Yet if someone like that came to a top venture capitalist’s office, he or she could very well be turned away. Start-up investors often accept pitches only from people they know, and rely heavily on gut feelings, intuition and what’s worked before. “I can be tricked by anyone who looks like Mark Zuckerberg,” Paul Graham, co-founder of the seed investor Y Combinator, once said.

That strategy, however, means that investors are likely to be missing some good bets.•

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A passage from “Can We Equate Computing with Art?” novelist Vikram Chandra’s very good Financial Times consideration of the aesthetics of 0s and 1s:

“Most of the artists I know – painters, film-makers, actors, poets – seem to regard programming as an esoteric scientific discipline; they are keenly aware of its cultural mystique, envious of its potential profitability and eager to extract metaphors, imagery, and dramatic possibility from its history, but coding may as well be nuclear physics as far as relevance to their own daily practice is concerned.

Many programmers, on the other hand, regard themselves as artists. Since programmers create complex objects, and care not just about function but also about beauty, they are just like painters and sculptors. The best-known assertion of this notion is the 2003 essay ‘Hackers and Painters‘ by programmer and venture capitalist Paul Graham. ‘Of all the different types of people I’ve known, hackers and painters are among the most alike,’ writes Graham. ‘What hackers and painters have in common is that they’re both makers. Along with composers, architects, and writers, what hackers and painters are trying to do is make good things.’

According to Graham, the iterative processes of programming – write, debug (discover and remove bugs, which are coding errors), rewrite, experiment, debug, rewrite – exactly duplicate the methods of artists. ‘The way to create something beautiful is often to make subtle tweaks to something that already exists, or to combine existing ideas in a slightly new way,’ he writes. ‘You should figure out programs as you’re writing them, just as writers and painters and architects do.’

Attention to detail further marks good hackers with artist-like passion, he argues. ‘All those unseen details [in a Leonardo da Vinci painting] combine to produce something that’s just stunning, like a thousand barely audible voices all singing in tune. Great software, likewise, requires a fanatical devotion to beauty. If you look inside good software, you find that parts no one is ever supposed to see are beautiful too.’

This desire to equate art and programming has a lengthy pedigree.”

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