Morganna the Kissing Bandit

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I recently posted a brief documentary about Morganna the Kissing Bandit. Here’s her 1976 appearance on To Tell the Truth. Fittingly, the host was a male sports figure, Joe Garagiola. On the panel was film critic Gene Shalit, who was mediocre but possessed a mustache.

When I used to see Shalit at movie screenings, he would sometimes be listening to a Walkman during the film and talking aloud to himself. One time when I was sitting a row ahead of him, he screamed at me when I got up to leave after the movie was over. “Get out of the way,” he hollered. “I’m trying to watch the credits.” The dipshit was sort of right.

I need to know who catered the film.

I need to know who catered the film.

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Morganna Roberts was a bosomy 13-year-old girl in 1960 when she first stepped onto a stage at a strip club, in an era when America was tormented by desire and morality, wanting all manner of urges satisfied and needing to punish the one who provided the satisfaction. Not content to just be ogled and cursed as the star of the burlesque circuit, the teen dreamed of a bigger spotlight–and found it. In the years before women were encouraged to take the field and participate in pro sports, she and her Dolly Parton-ish figure stormed the gates. Morganna, dubbed “the Kissing Bandit,” gained notoriety beginning in 1969 for running onto the playing field at pro games and attempting to plant one on the biggest male athletes of the day, from Pete Rose to Fred Lynn to Nolan Ryan. She was a groupie who only kissed, a streaker even when she kept her clothes on, and someone who was not very popular with women in a time when Billie Jean King was battling the sexist pigs on the court. Only in retrospect can she be appreciated as a feminist icon. 

A short film by Adam Kurland about Morganna’s life as a public jiggler, “Always Leave Them Wanting More,” can be viewed here. (Thanks Hairpin.)

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