Keith Gessen

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The assassination of Boris Nemtsov, who could almost, if not quite, pass for noble in the confusing welter of modern Russia, was a clap of thunder in the night. By sunrise, the murder made just as little sense. Was he a victim of the authoritarian state or those who opposed its power and viewed him as a useful sacrifice? Either way, his blood flows toward the Kremlin, and not just because of his proximity to the palace when gunned down. From Keith Gessen at the London Review of Books:

For years now there has been speculation about a ‘party of war’, which periodically stages provocations in order to push the president into decisive action. The party of war was said to have manoeuvred Yeltsin into Chechnya and, more conspiratorially still, to have blown up the apartment buildings in Moscow in 1999 to push Putin into Chechnya in his turn. The party of war may also have sent Igor Strelkov and his merry band of murderers into eastern Ukraine last spring, to turn an inchoate set of local protests into the beginnings of a civil war. But does the party of war actually exist? We’re unlikely ever to know, even after all the archives have been opened and all the email accounts hacked. It is, however, a useful concept, even if its only function is to describe one part of Putin’s mind that’s in dialogue or competition with another. It would explain why Putin sometimes goes forward and sometimes steps back. And it gives at least a small space for hope, since if there’s a party of war there is also, presumably, a party of peace, and it might just win.

I always thought that Nemtsov would make it, that he would be shielded from the vengeance of the system in part because he was Nemtsov. He had a PhD in physics, but he wasn’t a serious thinker, nor did he pretend to be one. You could never tell if he was speaking out because he believed what he was saying or because he couldn’t stand being ignored. Or if he kept getting arrested at opposition rallies because he considered it an act of conscience or because he liked getting his picture taken (sometimes, when they arrested him, the police tore his shirt, and you could get an extra glimpse of his tan). Did he hate Putin because of what he’d done to the country, or because he felt cheated out of his birthright by their shared mercurial surrogate father, Boris Yeltsin? He was a narcissist, and there was his way with young women. On the last night of his life, he went with his girlfriend, a Ukrainian model called Anna Duritskaya, to a nice restaurant in the upscale mall just across Red Square from the Kremlin. Then they walked in the rain across the bridge towards his apartment.

Who knows why people do the things they do? Who knows why Nemtsov kept fighting for some kind of change in a country to which he himself had brought a lot of pain? And neither do we know exactly why they killed him. But it’s clear that it wasn’t for his human flaws, or for his contribution to the economic catastrophe of the 1990s. He was killed for his opposition to the war. Since the start, critics have been warning that the war in Ukraine would eventually come home to Moscow. No matter who pulled the trigger on the bridge, it has.•

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I always say that the matter with Kansas is Kansans. Yes, sometimes while we’re busy with our lives our elected officials do things that the majority didn’t anticipate, but in the bigger picture I think we get pretty much what we deserve–what we desire, actually. That’s not the case in every country, but I do believe it to be true most often in America. 

In analyzing Russia under Putin in a new Politico piece, Keith Gessen feels the same, arguing the state isn’t being led wayward by a rogue, but that he’s representative of the will of Russia, and history would not have unfolded otherwise had a different leader emerged at the time of Putin’s rise in 2000. An excerpt:

The other popular candidate to replace Yeltsin was Yuri Luzhkov, the mayor of Moscow. Luzhkov had become popular through his regular-guy image—he was short, chubby and plain-spoken and often wore a little peasant’s cap—and his ability to attract foreign and domestic investment to Moscow. In this he significantly out-competed the potentially better-situated former capital, St. Petersburg, which during the reign of Anatoly Sobchak and his right-hand man Vladimir Putin experienced an embarrassing run of dissolution, disinvestment, and outright criminality. Despite his success as Moscow mayor, Luzhkov was also fabulously corrupt—his wife, Yelena Baturina, went into the construction business and just happened to emerge as the first female billionaire in Russia—and in the end not particularly good at solving some of Moscow’s most pressing problems, like congestion. (Instead of investing in public transport, Luzhkov eliminated traffic lights and rammed through more roads, to little avail.) He was also a rabid Russian nationalist who had a nasty habit of declaring that Crimea was actually part of Russia. He particularly liked saying this while visiting Sevastopol, where the Russian Black Sea fleet shared territory with the Ukrainian fleet. It got to the point where the Ukrainian authorities declared Luzhkov persona non grata and refused him entry to the country.

These were the leading contenders for the presidency in early 1999. The calculus changed in the fall of that year when the relatively unknown Putin was appointed prime minister and the Yeltsin-friendly Channel One began a masterful defamation campaign against both Luzhkov and Primakov. Then the apartment bombings took place, serving as a pretext for another round of war with Chechnya. Putin was no longer a short, squeaky-voiced  unknown but a wartime leader, and he was duly elected in (early) elections in March 2000.

The point is, even if Putin hadn’t come out on top, the other candidates were also nationalists who lamented Russia’s loss of superpower status.•

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Here are 25 pieces of journalism from this year, alphabetized by author name, which made me consider something new or reconsider old beliefs or just delighted me.

  • Exodus” (Ross Andersen, Aeon) A brilliant longform piece that lifts off with Elon Musk’s mission to Mars and veers in deep and mysterious directions.
  • Barack Obama, Ferguson, and the Evidence of Things Unsaid” (Ta-Nehisi Coates, The Atlantic) Nobody speaks truth to race in America quite like Coates, and the outrage of Ferguson was the impetus for this spot-on piece about the deeply institutionalized prejudice of government, national and local, in the U.S.
  • The Golden Age of Journalism?” (Tom Engelhardt, TomDispatch) The landscape has never been more brutal for news nor more promising. The author luxuriates in the richness destabilization has wrought.
  • Amazon Must Be Stopped” (Franklin Foer, The New Republic) Before things went completely haywire at the company, Foer returned some sanity to the publication in the post-Peretz period. This lucid article argues that Amazon isn’t becoming a monopoly but already qualifies as one.
  • America in Decay” (Francis Fukuyama, Foreign Affairs) Strong argument that the U.S. public sector is so dysfunctional because of a betrayal of meritocracy in favor of special interests and lobbyists. The writer’s idea of what constitutes a merit-based system seems flawed, but he offers many powerful ideas.
  • What’s the Matter With Russia?” (Keith Gessen, Foreign Affairs) An insightful meditation about Putin’s people, who opt to to live in a fairy tale despite knowing such a thing can never have a happy ending.
  • The Dying Russians(Masha Gessen, New York Review of Books) Analysis of Russia’s high mortality rate suggests that the root cause is not alcohol, guns or politics, but simply hopelessness.  
  • Soak the Rich” (David Graeber, Thomas Piketty) Great in-depth exchange between two thinkers who believe capitalism has run amok, but only one of whom thinks it’s run its course.
  • The First Smile(Michael Graziano, Aeon) The Princeton psychology and neuroscience professor attempts to explain why facial expressions appear to be natural and universal.
  • The Creepy New Wave of the Internet” (Sue Halpern, New York Review of Books) The author meditates on the Internet of Things, which may make the world much better and much worse, quantifying us like never before.
  • Super-Intelligent Humans Are Coming” (Stephen Hsu, Nautilus) A brisk walk through the process of genetic modification, which would lead to heretofore unknown brain power.
  • All Dressed Up For Mars and Nowhere to Go” (Elmo Keep, Matter) A sprawling look at the seeming futility of the MarsOne project ultimately gets at a more profound pointlessness–pursuing escape in a dying universe.
  • The Myth of AI” (Jaron Lanier, Edge) Among other things, this entry draws a neat comparison between the religionist’s End of Days and the technologist’s Singularity, the Four Horseman supposedly arriving in driverless cars.
  • The Disruption Machine” (Jill Lepore, The New Yorker) The “D” word, its chief promulgator, Clayton M. Christensen, and its circuitous narratives, receive some disruption of their own.
  • The Longevity Gap(Linda Marsa, Aeon) A severely dystopian thought experiment: Will the parallels of widening income disparity and innovations in medicine lead to two very different lifespans for the haves and have-nots?
  • The Genetics Epidemic” (Jamie F. Metzl, Foreign Affairs) Genetic modification studied from an uncommon angle, that of national-security concerns.
  • My Captivity(Theo Padnos, The New York Times Magazine) A harrowing autobiographical account of an American journalist’s hostage ordeal in the belly of the beast in Syria.
  • We Are a Camera” (Nick Paumgarten, The New Yorker) In a time of cheap, ubiquitous cameras, the image, merely an imitation, is ascendant, and any event unrecorded seemingly has less currency. The writer examines the strangeness of life in the GoPro flow.
  • A Goddamn Death Dedication” (Alex Pappademas, Grantland) A knowing postmortem about Casey Kasem, America’s deejay when the world was hi-fi but before it became sci-fi.
  • In Conversation: Chris Rock” (Frank Rich, New York) The exchange about “black progress” is an example of what comedy does at its best: It points out an obvious truth that so many have missed.
  • The Mammoth Cometh” (Nathaniel Rich, The New York Times Magazine) A piece which points out that de-extinct animals won’t be exactly like their forebears, nor will augmented humans of the future be just like us. It’s progress, probably.
  • Hello, My Name Is Stephen Glass, and I’m Sorry(Hanna Rosin, The New Republic) Before the implosion of the publication, the writer wondered what it would mean to forgive her former coworker, an inveterate fabulist and liar, and what it would mean if she could not forgive.
  • Gilbert Gottfried: New York Punk” (Jay Ruttenberg, The Lowbrow Reader) Written by the only person on the list whom I know personally, but no cronyism is necessary for the inclusion of this excellent analysis of the polarizing comic, who’s likely more comfortable when at his most alienating.

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Keith Gessen’s Vanity Fair article “The War of the Words” is probably the most balanced piece I’ve yet read about Amazon’s battle with traditional publishers over pricing. The Internet has released the presses from the tyranny of a few New York houses, allowing for self-publishing of sub-genres to flourish, but what’s good for pop fiction may not be so for the literary kind. A passage in which Gessen tours Amazon Lab126, ground zero for Kindle development:

“The next day I flew to Silicon Valley and visited Amazon Lab126, the Amazon subsidiary that develops all of the company’s Kindle products. A tremendous amount of thought and research has gone into these devices. At Lab126 there is a ‘reading room,’ where test subjects are asked to read on various devices for hours at a time. They are filmed and studied. People reading in a chair will, naturally, hold their Kindle differently from people standing up (on the subway, for example), but even people sitting in a chair will shift their positions over time. Eighty percent of page turns are forward, by the way, but 20 percent (20!) are backward. On the conference table before us were the dozens of iterations of possible page-turning buttons for the new Kindle Voyage, buttons that would have been on the back of the Kindle, a switch button, and also arrows alongside the screen—a > for forward and a < for back—the most visually pleasing design and by far the most intuitive, but then in testing it turned out that people liked to turn the Kindle and read horizontally, which meant that the arrows were pointing, confusingly, up and down. (The designers settled on two sleek lines for forward and two cool dots for back.)

After meeting the designers and engineers, I went down to the Kindle stress-testing lab, where various machines twisted the Kindle and dropped it and tumbled it around as if in a dryer. There was a machine that specialized in tapping the Kindle, pressing the on-and-off button thousands of times, until the Kindle couldn’t take it anymore. There was a machine that sprayed a salty mist over the Kindle, because the devices are frequently taken to the beach. All of this testing was monitored by quiet, serious people in light-blue lab coats who looked as if they had once worked for Dr. No.

So much ingenuity had been deployed to solve the problem of ‘reading’—in their different ways by the Kindle engineers, by the warehouse-software specialists, by Otis Chandler at Goodreads. And I remembered something a book editor, one of the best I know, had said to me about the Amazon situation. ‘They’re always talking about inefficiency,’ he said. ‘Publishing is inefficient; print is inefficient. I mean, yeah. But inefficiency, that’s human. That’s what being human is.’ The Kindle really is an extraordinary device—the fulfillment centers are wonders of undeniable efficiency. They too represent a remarkable human achievement. But art by definition is something for which there is no practical use.”

 

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In an excellent piece of writing, a Foreign Affairs review of a pair of new books, Keith Gessen tackles the question of Russia’s utter oddness, wondering why the heart of the former Soviet Union chooses to live in a fairy tale when it knows such a thing can never have a happy ending. An excerpt:

“The man sitting next to me — Sergei, I’ll call him — was also drunk, and he decided to engage me in a discussion of geopolitics. He said he was a graduate of MEPhI, an elite technical university in Moscow, and that he had made millions in software design. Sergei was, theoretically, the sort of Russian who might be expected to be critical of Russian President Vladimir Putin, but he was not. He was thrilled that Russia had seized Crimea, if only because in doing so, it had extended a big middle finger to the West. Sure, the United States was stronger than Russia, but it was stretched thin. And Russia was unpredictable, which gave it an advantage.

‘Oh, we’ll lose,’ Sergei said, ‘like we always lose. But what a lot of laughs there’ll be along the way!’

We landed soon after that, but the conversation stuck with me. I kept thinking — I keep thinking — what, exactly, is wrong with Russia? Why is it still so aggressive nearly 30 years after the Soviet leader Mikhail Gorbachev launched the process of ‘normalizing’ Russia and its relations with the world? Why, despite two decades of optimistic predictions that it was on the path to becoming, or was on the verge of becoming, or had already become a ‘normal’ country, had it never become one? Why couldn’t it be more like Germany, another country that used to invade other countries but now focuses on making quality automobiles and protecting the health of the euro?

At least part of the trouble is that Russians have never been able to agree on what ‘normal’ means.”

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“Because of him, we have political instability!”:

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