Jerry Bruckheimer

You are currently browsing articles tagged Jerry Bruckheimer.

Before Jerry Bruckheimer was one of the world’s most successful film and TV producers, he and his partner Don Simpson were 1980s Hollywood wunderkinds, matching high energy to pop music in a handful of brash blockbuster vehicles. The most successful of them was probably Top Gun, a muscular ode to Reagan Era militarization.

But even by the lax standards of Hollywood, Simpson was a huge mess, addicted to drugs, plastic surgery, prostitutes and S&M. Bruckheimer dragged his feet on dissolving the partnership, but he knew he needed to distance himself from his toxic collaborator. As a 1996 Wall Street Journal report by Thomas R. King and John Lippman put it in the wake of Simpson’s death due to 21 different drugs in his system, the end came like this: “For Jerry Bruckheimer, the last straw was the dead doctor in the pool house.”

Another excerpt from that same WSJ piece:

Surgery and Diets

The hits, however, seemed to dry up. The producers, close friends say, were still reeling from the disappointment of Days of Thunder and were struggling to figure out how their formula went wrong.

Friends noticed that Mr. Simpson, who had a weight problem and a penchant for yo-yo dieting, seemed increasingly determined to reinvent himself. He underwent a series of plastic-surgery operations; one friend says that among the procedures he had were a chin implant, several face lifts, and placenta injections. He began disappearing for months at a time, telling friends he was at Canyon Ranch, where most visitors stay only a few days. And he began talking about finding new projects in which he could appear as an actor.

At night, he led a life that a number of people close to him thought was growing increasingly dangerous. He had always been known for his appetite for prostitutes; he was close friends with Hollywood madam Heidi Fleiss.

But Mr. Simpson was going beyond sex, sinking deeper into increasingly sadomasochistic and destructive behavior, say people who know him. His reputation was such that he is the subject of an entire chapter — titled “Don Simpson: An Education in Pain” — in a salacious new book penned by four Hollywood prostitutes. The book, You’ll Never Make Love in This Town Again, says his “serious bondage games were like something out of Marquis de Sade.”

A Prostitute and Kierkegaard

James Toback, a screenwriter who may have been the last person to talk with Mr. Simpson before his death, says his friend would frequently regale him with stories of his exploits with women.

“I know that he was obsessed with women, but it was not just sexual — it was psychological,” says Mr. Toback, a screenwriter of movies such as Bugsy. “He was never just interested in [having sex] with a girl. Even if it was a call girl, it was to get into some kind of serious philosophical discussion with her. He wanted to know what she read, what her parents were like, why she did what she did.” Mr. Toback tells of one conversation with Mr. Simpson: “He said he had met this girl, that she was fascinating and that her favorite philosopher was Kierkegaard.”

Mr. Toback says that he never saw Mr. Simpson take drugs. “But I had the feeling in many of our conversations, the last one included, that he was hyper and speeded up at the beginning,” Mr. Toback says. “But in the last hour, he’d been drinking a lot of red wine and he would wind down.”•

Tags: , , ,

From “Red Obsessions,” a feature article by Lars Olav-Beier in Spiegel about Asia trying to supplant Hollywood as the global Dream Factory:

“Not just China, but also South Korea and Russia have become more important in the film business in recent years. The Russian market grew by almost 20 percent in 2012, with a film like Ice Age 4 earning $50 million there, or more than half of its budget.

‘We can no longer risk making an expensive film with a star who isn’t popular in Asia,’ says Hollywood producer Jerry Bruckheimer (Pirates of the Caribbean). While American films earned up to two-thirds of their revenues in North America in the 1980s, today it averages only about one third.

Hollywood has been beset by fears of a sellout, ever since Indian investment firm Reliance acquired the majority of the DreamWorks film studio and a Chinese company bought the second-largest movie theater chain in the United States. Finally, in mid-January the Chinese electronics company TLC bought the naming rights to Grauman’s Chinese Theater in the heart of Hollywood, one of the most famous movie theaters in the United States. It seems only a matter of time before the Chinese buy their first Hollywood studio.

It’s happened once before, now more than 20 years ago, that Asians, specifically Japanese companies like Sony, acquired a number of studios. ‘China wants something different from Hollywood than what Japan wanted at the time,’ says American industry expert Thomas Plate. ‘It isn’t as much about money as it is about know-how.’

Of course, money isn’t the only issue for Hollywood, either. America sees cinema as its very own art form, tailor-made for telling the world American stories and celebrating American values. ‘We’ll still be making movies about American football in the future,’ says Bruckheimer, ‘but with much smaller budgets. That’s because it’s almost exclusively American viewers who are interested in football.’ Bruckheimer exhorts his screenwriters to think internationally and write roles for Asian stars into films.”

Tags: , ,