Hiroshi Ishiguro

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There’s no doubt that AI can have an amazing positive impact on the world, but it comes with costs. I’m not so concerned with most of the skill-loss we’ll experience since that’s always been a part of the human experience, the shedding of previously primary talents in favor new ones. There’s short-term risk, but I think in the longer run we’re talking about a natural progression. My greater concerns are the ethical ones that might result from software handling formerly human tasks. As sure as there’s prejudice embedded in most of us, there will be some (probably unwittingly) built into smart machines. Will it be more unimpeachable coming from our silicon sisters because they give off the air of indifference?

We also don’t know if we’re headed for a world sans work or one without enough jobs to support our economic systems. The latter, which seems more likely for the foreseeable future, could provoke serious turbulence or even societal collapse if public policy wasn’t nimble enough to deal with the transition. How quickly that changeover should occur will weigh heavily on how significant our response must be.

Two excerpts follow: 1) A paragraph from Ethan Wolff-Mann’s Time article in which a roboticist supports the false idea of robots necessarily being ethical, and 2) Madhumita Murgia of The Telegraph quoting Eric Schmidt, in his AlphaGo afterglow, about the evolutionary nature of job-killing machines.

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From Time:

It may not be long, for example, until androids replace sales associates. According to Osaka University professor Hiroshi Ishiguro, Japanese men don’t like talking with staff at stores because they might get pressured after they indicate they’re interested in making a purchase. “But they don’t hesitate to talk to the android,”he said at the South by Southwest festival in Austin, adding that a “robot never tells a lie, and that is why the android can sell lots of clothes.”

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From The Telegraph:

Few company chairmen could justify taking a 10- hour flight to travel 5,638 miles to watch a board game being played. But Eric Schmidt could.

The Alphabet chairman last week took the trip from Google’s holding company’s headquarters in California to Seoul, South Korea, to watch world Go champion Lee Se-dol go head to head with AlphaGo, an algorithm created by Google-owned British artificial intelligence company DeepMind, over five rounds of the ancient east Asian board game. 

“When I was a young computer scientist in the Seventies, there were many claims that we would beat human intelligence. None of it happened,” Schmidt said over a gourmet Chinese meal a few hours before the first Go game. “Now there is a sense that AI [artificial intelligence] has finally arrived.”

Now that a machine has beaten a Go grand master at a game he’s been playing professionally for 20 years, surely there is a concern that AI-fuelled robots will be able to replace humans in other areas, hurting jobs? 

“There’s no question that as [AI] becomes more pervasive, people doing routine, repetitive tasks will be at risk,” Schmidt says. 

“I understand the economic arguments, but this technology benefits everyone on the planet, from the rich to the poor, the educated to uneducated, high IQ to low IQ, every conceivable human being. It genuinely makes us all smarter, so this is a natural next step.”

A natural next step for Alphabet, perhaps, but for those whose jobs may be displaced by robots and the like, Schmidt may yet have to do some convincing.

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Apart from yikes!, I’m sort of out of words when it comes to Asuna, the tween robot created by Japanese inventor Hiroshi Ishiguro, which tries to exit the uncanny valley at the far end. Currently controlled remotely, an autonomous version is, of course, in the works. From Maria Khan at IBT:

“Life-like robots are taking Japan by storm and will soon be seen as actresses and even used as clones of the deceased.

‘Earlier this month, Robotics Professor Hiroshi Ishiguro showcased his latest creation, Android ‘Asuna’ at the Tokyo Designers’ Week.

Dubbed a ‘geminoid’, Asuna was well-liked by the visitors at the show, who said the robot was very human-like and had a nice voice.

‘[Asuna] would make a good date; a cheap date!’ said one man.

Most of the visitors remarked ‘sukoi’ meaning ‘amazing’ upon seeing Asuna, due to her human-like skin and facial expressions.

Some visitors, assuming Asuna was just another human, respectfully bowed before her requesting a selfie with her.

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Another post which concerns the work of Dmitry Itskov and other immortality enthusiasts. This one presents the opening of a smart report about transhumanism from Andrew Couts at Digital Trends:

“Behind me, a Florida-orange senior citizen, in her orange blazer, wearing orange earrings, an orange bead necklace, and a white summer fedora, stands on the tip-toes of her orange leather loafers to get a better look at the weird scene unfolding in front of the crowd in the lobby of Lincoln Center’s Alice Tully Hall in midtown Manhattan.

‘Yes,’ I tell Orange Woman. ‘The one sitting down is a robot. The one standing up is the guy who made him … er … it.’

‘Oh!’ she says. ‘I couldn’t tell the difference.’

‘Gemanoid HI-2,’ as it’s called, is an exact replica of its eccentric creator, Dr. Hiroshi Ishiguro. Same hair. Same all-black shirt and pants. Same little necklace. The only discernable difference between the two is that, while Dr. Ishiguro tells jokes, Mr. Gemanoid sits silently, slightly cross-eyed, blinking and jerking its head, with the eternally confused look of someone who suffered a paralyzing stroke while contemplating the ethics of Westboro Baptist Church.

In a tripod contraption next to Gemanoid hangs another of Ishiguro’s creations – a demented Casper the Ghost with all the charm of an aborted fetus. Its legs are a fused-together chunk. It has no hands, holes in place of ears, and the Mona Lisa smile of something undead. Ishiguro calls it Telenoid, an android designed with human-like features, but without all the pesky details that save onlookers from missing out on cold-sweat nightmares.

‘Well, that’s just wonderful,’ says Orange Woman. ‘It’s so lifelike!'”

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