David Fincher

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Bill Gates grew up in Seattle near an early computer center and Steve Jobs in Silicon Valley. Would they have chosen different paths in life if they were raised in Idaho or Kansas? How much does the place where we’re raised have to do with who we become? How much of it is chance and how much of it is hardwired?

David Fincher spent his formative years in the shadow of Northern California filmmakers like Francis Ford Coppola and George Lucas and believes that explains to a good extent why he’s a filmmaker. From a really good Financial Times piece about Fincher by Matthew Garrahan:

“Though Fincher’s childhood experience of Rear Window convinced him that he wanted to work in Hollywood, there was already plenty of film-making taking place around him in Marin County. He grew up in a middle-class family but their neighbors were some of Hollywood’s biggest names. ‘George Lucas was my neighbor, Francis Coppola was shooting The Godfather [nearby] in Shady Lane. There was a lot of film around.’

Lucas, who had not yet made Star Wars, was then embarking on his film career. ‘I was walking down the street one day with a friend of mine and saw a crew setting up lights for American Graffiti. We saw these old [Ford] Thunderbirds driving around. And then the movie came out. They found a part of a street in Petaluma that looked 10 years old and were able to transport an audience back in time with wardrobe, the hairstyles. To see that happen … was unbelievable.’ And fortunate, I say. Imagine if he had been raised in Idaho instead of Marin County. ‘I’d be a rancher. I’d be delivering calves now.’

When he was 14 his parents moved to Oregon but three years later the 17-year-old Fincher returned to California, where he stayed with a friend and his mother, and, unusually for a film director of his generation, did not attend film school. Within two years, however, he had found himself a job working for Lucas’s Industrial Light and Magic, where he was part of the crew that made Return of the Jedi.”

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"He NEVER friended me on Facebook." (Image by Raphaël Labbé.)

The opening scene of The Social Network, David Fincher and Aaron Sorkin’s brilliant takedown of Facebook co-founder Mark Zuckerberg, features a momentous scene in which the aspiring tech titan is dumped by his girlfriend, Erica Albright, which leads him to begin experimenting with interactivty on the Internet. In the scene, Zuckerberg is presented as a prick and Albright as wronged, but the site Albright has started (it would seem to be real) isn’t exactly short on hubris. On the site, she describes herself as “Yes the Erica Albright who was dating Mark Zuckerberg the founder of the Social Networking website Facebook.” She mentions her long-ago beau and Facebook repeatedly. Well, milk it for all you can, Erica.

One interesting aspect of her posts is that she confirms that plenty of what happens in the movie is fiction, created wholecloth by Sorkin for his remarkably airtight script. The narrative arc of a movie has its demands, and fealty to facts has to be sacrificed. But is it ethical to fictionalize aspects of real people’s lives, especially when those people are alive and young and have most of their futures ahead of them? Zuckerberg took great liberties to achieve what he wanted, but Fincher and Sorkin also took some in making what is the best American film of the year. An excerpt from Albright’s blog:

“I went and saw the movie last night. Kind of crazy that someone is actually playing me in a movie! The movie definitely brought back some great memories….it made me miss my college years that’s for sure! (I feel soooo old) lol (: — I guess you could say the movie is ‘based on a true story’ but there are many scenarios that were soooo made up by Hollywood! As far as the two scenes I’m in, the first one is fairly accurate, we did ‘break-up’ over dinner, I do remember him ripping on my school (that wasn’t the first time)…but the second scene of me at dinner with my friends blowing Mark off never happened. (also he NEVER friended me on Facebook) lol! (:”

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David Fincher is likely to receive an armful of Oscar nominations for The Social Network, but before he put himself on the map by directing Se7en, Fincher turned out the commercials for AT&T’s prescient 1990s “You Will” ad campaign. The compilation of spots below predicts teleconferencing, Skype, e-books, GPS, etc., though renewing a driver’s license at the ATM still sadly isn’t a reality. Tom Selleck provides the voiceover narration. (Thanks Reddit.)

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