Carl Laemmle

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Just as talkies were announcing themselves across America, genius Russian silent film director Sergei Eisenstein was dejectedly departing Hollywood, no richer financially or creatively for his failed attempts at pleasing U.S. movie producers. An article in the May 1, 1932 Brooklyn Daily Eagle made clear his disenchantment with the business end of show business and the automaton nature of the burgeoning studio system.

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