Bill Keller

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Bill Keller, former New York Times executive editor, is spearheading the Marshall Project, a fledgling, non-profit news organization that covers criminal justice, something incredibly necessary with current U.S. drug policies, a too-large prison population and print outlets downsizing and capsizing. A quick exchange about the non-profit journalism model from an Ask Me Anything he and reporter Maurice Possley just conducted on Reddit:

“Question:

Many Future of News talking heads think that when news orgs become non-profit, they muddy the waters for everyone trying to find a new, sustainable financial model for doing the news.

Do you think the non-profit model is here to stay, or a temporary solution while journalists scramble for the next few years figuring out what works in for-profit?

Bill Keller:

Honest answer? Who the hell knows? We’re in the Mad Max stage of the media business. I expect some non-profits (meaning non-profit-on-purpose, as opposed to trying-unsuccessfully-to-be-profitable) will be around for a long time, as long as there are philanthropies and individuals who value quality journalism. After all, NPR seems to be pretty permanent, and it’s the ultimate non-profit news outlet.”

 

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"That image of Murdoch dyeing his hair in the sink is indelible—though the coloring may not be."

Michael Idov of New York magazine has a really insightful, colorful profile of acerbic Gawker Media kingpin Nick Denton. The British-born blog titan has been able to predict the next wave in NYC’s tumultuous media landscape as well as anyone over the last few years. An excerpt:

“Eight years into Gawker Media’s existence, the standard line on Denton is still that he’s an outsider of sorts, a rude alien come to torment—and supplant—media civilization as we know it. If you’re Bill Keller, say, or Tina Brown—whose Daily Beast gets one-tenth of Gawker Media’s readership on a good month—it’s much easier to view Denton as an upstart thug from nowhere, as opposed to an equal who’s kicking your ass. That plays directly into Denton’s strategy: Thuggish is the reputation he wants. ‘If I am a cornerstone of the new Establishment, then there is no new Establishment worth talking about,’ he says. ‘The only interesting people are on the West Coast, ‘he adds, then launches into a series of classic shameless Gawker riffs on the old New York media titans. ‘People used to quake when Barry Diller picked up the phone. Now he’s laughable. That image of Murdoch dyeing his hair in the sink is indelible—though the coloring may not be. Sumner Redstone would only be of interest to Gawker readers if he were to soil his adult diapers—on-camera. But the hard truth is that the golden age of New York media is largely over.’”

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