A.J. Liebling

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"There was a stool in the corner of the roped inclosure and on each stood a pair of badly damaged boxing gloves."

One of my favorite A.J. Liebling articles is “The University of Eighth Avenue,” a 1955 SI profile of old-time New York boxer Billy Ray. In the piece, Ray fondly recalls a Brooklyn barroom featuring all manner of organized violence: cockfighting, dogfighting and boxing. The tavern was across the street from Calvary Cemetery. By chance, I just happened upon an old article in the Brooklyn Daily Eagle from 1889 (a reprint of a New York Sun piece), which I think is about the same establishment. Ray had given the proprietor’s name as “Hughie Bart” and the Eagle refers to him as “Pete Hart,” but there are many similarities. The full article:

“Just across the road from the northeast corner of the old Calvary Cemetery stands a little frame structure that is called a pavilion by Pete Hart, who owns it. Mr. Hart is an old time free and easy singer, and there are few men on Long Island or anywhere else who know how to entertain non church goers better than he. Pete is a slim man, verging on the meridian of life, and has an old gold mustache. To the casual observer the pavilion is a very ordinary saloon, with no pretensions to grandeur. The first story consists of two rooms. The outer room has a little bar across one end of it and the inner room is ornamented with a lot of pictures representing calm and rural scenery; also with a few round tables, some wooden chairs and a number of young men who look as though they were given to scrapping. There is a small door in one end of this room which opens into an inclosure about thirty feet square. In the center is a rough wooden platform, fenced in with ropes. On one side are three rows of planks, the upper one being so near the low ceiling that a tall man can’t sit upon it. Behind this door is an ancient piano.

"After it was over a young fellow danced a clog and was enthusiastically applauded."

Yesterday afternoon a sign in chalk was hung about the door leading into this inclosure, which declared that admission could be had for the trifling outlay of 25 cents. A stalwart young man stood in front of the door collecting this amount from every one who entered. At 4 o’clock about one hundred and sixty men were inside and the air was heavy with tobacco smoke. There were stools in the corners of the roped inclosure and on each stood a pair of badly damaged boxing gloves, and a bottle of water. The gentlemen were all known to each other as Skinny, Freckles, etc., and after a young man had been induced to thump on the piano, various heroic efforts were put forth to induce other young men to sing. There was a stir in the doorway and two young men in tights and canvas shoes climbed through the ropes into the ring, and, after affectionately shaking hands, began to pound each other with the gloves. The utmost order prevailed during the set to. After it was over a young fellow danced a clog and was enthusiastically applauded. James McNamee of the Hornbacher Athletic Club sparred three rounds with Dan O’Hara. McNamee is a handsome young fellow and knows a lot about boxing. He has sparred frequently with Jack Dempsey and has proved himself worthy of meeting good men. He thumped O’Hara whenever and wherever he liked to the great delight of the crowd and to the astonishment of Mr. O’Hara.

Hugh Groden, who was recently whipped in a ten round go with Sailor Brown, had a hot set with Smoke Hennessey. Mr. Hennessey amused the crowd later in the day by an unexpected attack on Mr. O’Hara. It was during the last set of the day and near the close of a three round go between O’Hara and John McCormick. Hennessey sprang into the ring and with his bare knuckles tried to strike O’Hara. The latter warded off the blow and struck Hennessey so hard with the boxing gloves he wore that he sent him flying through the ropes. Among the other set tos was one between Billy Dacey and Dan McVeigh and one between Mike Murray and Billy McGibben.”

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Kudos to the folks at Open Culture for finding an archived Sports Illustrated article by William Faulkner, who reported on attending his first hockey game in 1955. An excerpt from “An Innocent at Rinkside“:

The vacant ice looked tired, though it shouldn’t have. They told him it had been put down only a few minutes ago following a basketball game, and after the hockey match it would be taken up again to make room for something else. But it looked not expectant but resigned, like the mirror simulating ice in the Christmas store window, not before the miniature fir trees and reindeer and cosy lamplit cottage were arranged upon it, but after they had been dismantled and cleared away.

Then it was filled with motion, speed. To the innocent, who had never seen it before, it seemed discorded and inconsequent, bizarre and paradoxical like the frantic darting of the weightless bugs which run on the surface of stagnant pools. Then it would break, coalesce through a kind of kaleidoscopic whirl like a child’s toy, into a pattern, a design almost beautiful, as if an inspired choreographer had drilled a willing and patient and hard-working troupe of dancers—a pattern, design which was trying to tell him something, say something to him urgent and important and true in that second before, already bulging with the motion and the speed, it began to disintegrate and dissolve.

Then he learned to find the puck and follow it. Then the individual players would emerge. They would not emerge like the sweating barehanded behemoths from the troglodyte mass of football, but instead as fluid and fast and effortless as rapier thrusts or lightning—Richard with something of the passionate glittering fatal alien quality of snakes, Geoffrion like an agile ruthless precocious boy who maybe couldn’t do anything else but then he didn’t need to; and others—the veteran Laprade, still with the know-how and the grace. But he had time too now, or rather time had him, and what remained was no longer expendable that recklessly, heedlessly, successfully; not enough of it left now to buy fresh passion and fresh triumph with.•

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“Boom Boom” Geoffrion in his prime:

“Boom Boom” selling beer in 1985:

Another William Faulkner post:

 

Another classic Sports Illustrated article:

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“Just Enough Liebling” has a foreword by current “New Yorker” editor David Remnick. (Image by North Pointe Press.)

An indifferent student from a wealthy Upper East Side family, A.J. Liebling had an endless curiosity of all things, especially French food, press criticism and pugilism. “The University of Eighth Avenue” is a piece from the latter category though not from the New Yorker. It’s a great two-part story from a pair of December 1955 issues of Sports Illustrated, about an old-school fighter named Billy Ray, who was soon to turn 90. In it, Ray recalls the raffish, cold-blooded side of the 19th-century Brooklyn sporting scene. (Read the full article, part one and part two.) An excerpt:

“Ray grew up in the gracious old Brooklyn of Henry Ward Beecher, in which prizefighting was as much against the law as cocking mains or dogfights, but less frowned upon, since there were no Humane Societies needling the police to stop the fist fighters. Left to their own devices the police were lenient. ‘A fellow named Hughie Bart ran a great place around 1882,’ Mr. Ray said. ‘It was right across the street from Calvary Cemetery and there would be dogfights in the basement, rooster fights on an upper floor, and we would be fighting on the ground floor, all at the same time. Mourners would stop in on their way back, to take their mind off their loss. The gravediggers were old tads with beards. They’d sit in Hughie’s drinking between jobs, and when they were watching a fight you dassn’t quit, because they would split your skull with a spade.'”

See also:

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