“We’re Gonna Shoot It Without A Script”

My blood boils at even the thought of Grey Gardens, that exercise in gawking and cruelty, but in the wider picture, Albert and David Maysles did amazing work. Gimme Shelter is one of the most perfect films I’ve ever watched, from its structure to its content, and Salesman, which just floors me, has never been timelier, with its depiction of the pawns left in the wake of the Disruption Machine. Albert, the remaining brother, passed away a couple weeks ago. Here’s a clip from the brothers’ 1963 film Orson Welles in Spain, in which the great and star-crossed director presages the fraying of the traditional studio picture, with its formality. The work he’s discussing turned out to be his uncompleted 1970s movie The Other Side of the Wind.

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