“All The Strings Are Pulled By A Hand Within His Own Head”

A lot of people died unnecessarily because of Richard Nixon’s policies, but you have to say one thing for him: At least he never stabbed his wife. FromThe Genius,” Norman Mailer’s 1972 New York Review of Books account of the 37th American President, who was always trying to shed the discomfort he felt with his own skin:

“He walks like a puppet more curious than most human beings, for all the strings are pulled by a hand within his own head, an inquiring hand which never pulls the same string in quite the same way as the previous time—it is always trying something out—and so the movements of his arms and legs while superficially conventional, even highly restrained, are all impregnated with attempts, still timid—after all these years!—to express attitudes and emotions with his body. But he handles his body like an adolescent suffering excruciations of self-consciousness with every move. After all these years! It is as if his incredible facility of brain which manages to capture every contradiction in every question put to him, and never fails to reply with the maximum of advantage for himself in a language which is resolutely without experiment, is, facile and incredible brain, off on a journey of inquiry into the stubborn refusal of the body to obey it.

He must be obsessed with the powers he could employ if his body could also function intimately as an instrument of his will, as intimate perhaps as his intelligence (which has become so free of the distortions of serious moral motivation), but his body refuses. Like a recalcitrant hound, it refuses. So he is still trying out a half dozen separate gestures with each step, a turn of his neck to say one thing, a folding of his wrist to show another, a sprightly step up with one leg, a hint of a drag with the other, and all the movements are immediately restrained, pulled back to zero revelation as quickly as possible by a brain which is more afraid of what the body will reveal than of what it can discover by just once making an authentic move which gets authentic audience response. Yet he remains divided on the utility of this project. Stubborn as an animal, the body does not give up and keeps making its disjunctive moves while the will almost as quickly snaps them back.”

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